This Week’s Links
Robert Browning A TOCCATA OF GALUPPI’S
Sara Levy’s world: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin
How Felix Mendelssohn Helped Bring Bach’s St. Matthew Passion Back to Life
First Hour
Antonio Caldara (1670-1736), Crucifixus, Cambridge Singers, John Rutter, Wayne Marshall – chamber organ, Collegium 123, A BANQUET OF VOICES: MUSIC FOR MULTIPLE CHOIRS
Heinrich Franz Ignaz von Biber (1644-1704), Mystery Sonata #7 SCOURGING, Andrew Manze – violin, Richard Egarr – harpsichord, Harmonia Mundi 907321/22, HEINRICH BIBER THE ROSARY SONATAS
Hildegard von Bingen (1098-1179), O Ecclesia, The Gesualdo Six, Owain Park, Hyperion CDA68285, FADING
Johann Sebastian Bach (1685-1750), Johannes Passion, BWV 245 – Coro: Herr unser Herrscher (O Lord Our Lord), Choral: Ach grosser Konig, & Arioso: Betrachte meine seel, Dunedin Consort, John Butt, Linn Records CKD 419, JOHANN SEBASTIAN BACH – RECONSTRUCTIONS OF BACH’S PASSION LITURGY
Andrea Falconieri (1585/6-1656), Folias a 3 echa para mi Senora, Hesperion XXI, Jordi Savall, Alia Vox 9844, ALTRE FOLLIE 1500-1750 (OTHER FOLLIES)
Johann Sebastian Bach (1685-1750), Sonata #2 BWV1003, Paul Galbraith – 8-string guitar, Delos 3232, JS BACH: SONATAS & PARTITAS
Second Hour
Jean-Philippe Rameau (1683-1764), Suite in g: Les triolets, Angela Hewitt – piano, Hyperion 67597, JEAN-PHILIPPE RAMEAU KEYBOARD SUITES PIECES DE CLAVECIN
Jean-Philippe Rameau (1683-1764), Les Fetes de Polymnie (1745): Suite, Tempesta di Mare, Chaconne CHAN 0810, COMEDIE ET TRAGEDIE VOLUME TWO
Giuseppe Tartini (1692-1770), Violin Concerto in a D115, Scottish Chamber Orchestra, Christian Curnyn, Nicola Benedetti, Decca B0016412-02, ITALIA
Baldassare Galuppi (1706-1785), Sinfonia della Serenata in F, English Chamber Orchestra, Paul Angerer, Claves 8306, MUSICHE VENEZIANE
Christoph Willibald Gluck (1714-1787), ORFEO: Dance of the Blessed Spirits, Orpheus Chamber Orchestra, Deutsche Grammophon 437782, CLASSICAL HITS
Francesca Caccini (1587-1640), Lasciatemi qui solo (Leave me here alone) & Chi desia di saper (To whoever desires to know what love is), El Mundo, Sono Luminus 92195, WHAT ARTEMISIA HEARD
Third Hour
Antonio Vivaldi (1678-1741), Sinfonia in b SANTO SEPOLCRO RV169, Rebel, Jorg-Michael Schwarz, Bridge 9173, ANTONIO VIVALDI: SHADES OF RED
Heinrich Franz Ignaz von Biber (1644-1704), Mystery Sonatas: #6 Agony in the Garden, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 431656, HEINRICH IGNAZ FRANZ BIBER MYSTERY SONATAS
Antonio Caldara (1670-1736), Sinfonia nº12 ‘La passione di Gesu Signor nostro, Ensemble Caprice, Matthias Maute, ATMA Classique ACD2 2347, ALLA TURCA: MUSIC BY FUX, CALDARA AND BADIA
Johann Sebastian Bach (1685-1750), St. Matthew Passion: opening chorus, Pt 1 last chorus, & concluding chorus, Concentus Musicus Vienna, Nikolaus Harnoncourt, Teldec 81036, ST. MATTHEW PASSION
Johann Gottlieb Janitsch (1708-c.1762/63), Sonata da camera op.4 #21 (Passion Quartet), Tempesta di Mare Chamber Players, Gwyn Roberts – flute, Karina Schmitz & Daniela Giulia Pierson – violas, Chandos CHAN 0820, JOHANN GOTTLIEB JANITSCH REDISCOVERIES FROM THE SARA LEVY COLLECTION
Fourth Hour
Domenico Scarlatti (1685-1757), Sonata in g K.30 (Cat’s Fugue), Scott Ross – harpsichord, Erato 45422, SCARLATTI: BEST SONATAS
Henry Purcell (1659-1695), Suite from Amphitryon, or The 2 Sosias, Adrian Butterfield & Helene Plouffe – violins, Margaret Little – viola, Susie Napper – cello, Christopher Jackson – harpsichord, Nigel North – lute, ATMA ACD2 2300, LOST IS MY QUIET
Jean-Baptiste Lully (1632-1687), Le Bourgeois Gentilhomme (1670): Canaries & Ballet des nations: Entree des Scaramouches, Trivelins et Arlequin, Tempesta di Mare, Chandos CHAN 0805, COMEDIE ET TRAGEDIE VOL.1
Jean-Philippe Rameau (1683-1764), Platée: suite, Les Musiciens du Louvre, Marc Minkowski, Warner Classics 68020-9, RAMEAU PLATEE
Georg Philipp Telemann (1681-1767), Overture Burlesque TWV55:b8, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, Koch International 7576, DON QUIXOTE: CONCERTOS AND SUITES BY TELEMANN
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