This Week’s Links
International Women’s Day – March 8
Iona Brown – violin & conductor
Elizabeth Wallfisch – violin & conductor
Jeannette Sorrell – keyboards & conductor
Michi Gaigg – violin & conductor
Emmanuelle Haïm – harpsichord & conductor
First Hour
Julie Pinel (1710-1737), Prelude and Allemande & Bergeres, voulez-vous m’en croire (Shepherds, can you believe me?), La Donna Musicale, Barbara Poeschl-Edrich – Baroque triple harp, THE PLEASURES OF LOVE AND LIBATION
George Frideric Handel (1685-1759), Concerto in F Major for the Treble Recorder, Strings & Continuo Op.4/5 HWV293, Academy of St. Martin in the Fields, Iona Brown, Michala Petri – treble recorder, Philips 400075, VIVALDI, SAMMARTINI TELEMANN, HANDEL RECORDER CONCERTOS
Hildegard von Bingen (1098-1179), ORDO VIRTUTUM: Epilogue, Seraphic Fire, Patrick Dupre Quigley, SFM SFMCD16, HILDEGARD VON BINGEN ORDO VIRTUTUM
Wilhelmine von Bayreuth (1709-1758), Flute Sonata in a, Infusion Baroque, Leaf Music, Bayreuth Flute Sonata in A
A Lady, Lesson VI in D, Barbara Harbach – harpsichord, Gasparo 281, 18TH CENTURY SOLO HARPSICHORD MUSIC BY WOMEN COMPOSER VOL.II
Francesco Maria Veracini (1690-1768), Sonata in g op.2 #5 for violin and continuo, Brecon Baroque, Rachel Podger – violin, Channel Classics CCS SA 39217, GRANDISSIMA GRAVITA
Barbara Strozzi (1619-1677), La Travagliata, Audacium Baroque Ensemble, Gabriella di Laccio – soprano, drama musica, donne barocche, DONNE BAROCCHE
Second Hour
Vittoria Aleotti / Donna Raffaella Aleotti (c.1574-1646), Hor che la vaga Aurora & Ch’io non t’ami cor mio (Should I not love you, my heart?), Cappella Clausura, Amelia LeClair, Cappella Clausura, 2007, PASSIONATELY UN-CONVENTIONAL
Pietro Antonio Locatelli (1695-1764), Concerto #11 in c Op.4, Raglan Baroque Players, Elizabeth Wallfisch, Hyperion, 67041, LOCATELLI: SONATAS, OP.4
Chiara Margarita Cozzolani (1602-c.1677), Vespers: deus in adiutorium (O Lord, make speed to save me), Magnificat, Warren Stewart, Musica Omni, 103, VESPERS FOR THE FEAST OF THE ANNUNCIATION OF THE BLESSED VIRGIN
Anna Bon di Venezia (1738-1767), Sonata #6 in G op.1, Vladimir Soares – recorder, Fabian Grosch – harpsichord, drama MUSICA, ANNA BON DI VENEZIA FLUTE SONATAS OP.1
Caterina Assandra (c.1590-after 1618) / Benedetto Re (fl.c.1607), Canzone a 4. Accomodata a suonare a duoi Chori (1609), Les Cornets Noirs, AUDITE, AUDITE92572, ECHO & RISPOSTA: VIRTUOSO INSTRUMENTAL MUSIC FROM THE GALLERIES OF THE ABBEY CHURCH OF MURI
Isabella Leonarda (1620-1704), Sonata duodecima (#12) op.16, Cappella Strumentale del Duomo di Novara, Paolo Monticelli, Opus 111, OPS30-206, ISABELLA LEONARDA (1620-1704) LA MUSA NOVARESE
Third Hour
Mademoiselle (Louise?) Duval (1718-after 1775), Les Génies (ballet): sarabande & air, Bay Area Women’s Philharmonic, JoAnn Falletta, Newport Classics 60102, BAROQUEN TREASURES
Princess Yekaterina Vorontsova-Dashkova (1743-1810), Andante in d & Air russe, Oleg Timofeyev – guitar, Profil (DOWNLOAD-ONLY ALBUM), RUSSIAN WOMEN COMPOSERS OF THE 18TH CENTURY
Leonara Duarte (1610-c.1678), Sinfonia No. 2, Sinfonia No. 3, & Sinfonia No. 7, Sonnambula, Centaur CRC3685, LEONARA DUARTE: THE COMPLETE WORKS
Antonio Vivaldi (1678-1741), L’Estate (Summer) op.8 #2, Apollo’s Fire, Jeannette Sorrell, Francisco Fullana – violin, AVIE AV2485, THE FOUR SEASONS LE QUATTRO STAGIONI, OP.8
Marieta Morosina Priuli (fl.1667), Balletti et correnti a due violini, violone, agionta la spineta: Balletto seconda, Corrente seconda, Corrente primo, & Balletto primo, La Primavera, Ligia 597811, CONCERTO DELLE DONNE: MUSIQUE ITALIENNE DU XVII SIECLE DE COMPOSITEURS FEMININS
Anna Amalia of Prussia (1723-1787), Sonata #4 in D op.1, Ana Ioana Oltean – flute, Simon Bucher – piano, ARS Production ARS38089, LADIES FIRST!
Francesca Caccini (1587-1640), Ciaconna & Romanesca, Capella di Santa Maria degli Angiolini, Gian Luca Lastraioli, Brilliant Classics 94461, CACCINI: SACRED & SECULAR SONGS
Fourth Hour
Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #2 in a SPRING JOURNAL: ouverture & gigue, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY
George Frideric Handel (1685-1759), Dixit Dominus, HWV 232: Dixit Dominus Domino meo (Chorus), Secundum ordinem Melchisedech (Chorus), & Gloria Patri et Filio (Chorus), Le Concert d’Astrée, Emmanuelle Haim, Warner, HANDEL DIXIT DOMINUS, BACH MAGNIFICAT
Camilla de Rossi (fl. 1707–1710), The Sacrifice of Abraham, Bay Area Women’s Philharmonic, JoAnn Falletta, Newport Classics 60102, BAROQUEN TREASURES
Rosa Giacinto Badalla (1660-1710), Motetti à voce sola: Pane angelico, Earthly Angels, Kajsa Dahlback – soprano, Alba ABCD426, EARTHLY ANGELS
Elisabeth-Claude Jacquet de La Guerre (1665-1729), Sonata #1 in d, Les Dominos, Florence Malgoire – violin, Ricercar RIC 310, ELISABETH JACQUET DE LA GUERRE SONATES POUR VIOLON
Caterina Giani (c.1630–after 1673), Liebster Jesu, trautes Leben, Acronym, Helene Brunet – soprano, Olde Focus FCR917, ACRONYM – CANTICA OBSOLETA
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