This Week’s Links
National Compliment Day – January 24
First Hour
Tobias Hume (c.1569-1645), Harke, Harke (Musicall Humors #10, 1605) & A Mery Conceit: the Queen’s Delight, Parthenia A Consort of Viols, MSR Classics 1365, AS IT FELL ON A HOLIE EVE: MUSIC FOR AN ELIZABETHAN CHRISTMAS
Marin Marais (1656-1728), The Labyrinth, Spirit of the Rose, Naxos 550750, MARAIS, SAINTE-COLOMBE: MASTERWORKS
Michael Praetorius (1571-1621), Terpsichore Suite, Christopher Parkening – guitar, EMI 55052, PARKENING PLAYS VIVALDI
Unico Wilhelm van Wassenaer (1692-1766), Concerto #4 in f, Academy of St. Martin in the Fields, Neville Marriner, DG/Argo 410215, WASSENAER ATTRIB. PERGOLESI CONCERTI ARMONICI 1-6
Johan Daniel Berlin (1714-1787), Sinfonia a 6 in D, Norwegian Baroque Orchestra, Gottfried von der Goltz, Simax Classics PSC 1331, J.D. & J.H. BERLIN
Second Hour
Gaspar Sanz (c.1640-1710), Canarios & Rujero, Ludovico’s Band, ABC Classics 4766158, THE ITALIAN GROUND
Johann Sebastian Bach (1685-1750), Partita No. 3 in E major, BWV 1006: preludio & Gavotte en Rondeau, Ray Chen – violin, SOLACE
Giovanni Battista Fontana (1571-1630), Sonata #16 for 3 violins, Andrew Manze – violin, Stanley Ritchie – violin, John Holloway – violin, Harmonia Mundi 7907091, PACHELBEL CANON & OTHER 17TH C. MUSIC FOR 3 VIOLINS
Johann Georg Rollig (1710-1790), Concerto #14 in Eb, Academy of St. Martin in the Fields, Iona Brown, Barry Tuckwell – horn, London 417406, BAROQUE HORN CONCERTOS
Antonio Vivaldi (1678-1741), Concerto in D RV429, Australian Chamber Orchestra, Richard Tognetti, Emmanuel Pahud – flute, EMI 47212, VIVALDI FLUTE CONCERTOS
Johann Sebastian Bach (1685-1750), Concerto in D for 3 violins BWV1064, Academy of St. Martin in the Fields, Neville Marriner, Carmel Kaine – violin, Ronald Thomas – violin, Richard Studt – violin, Boston Sky 127, BACH – FOUR CONCERTI TRANSCRIBED
Third Hour
Jacob Praetorius (1586-1651), Quam pulchra es (How beautiful and fair you are, my beloved), Balthasar-Neumann Choir & Ensemble, Pablo Heras-Casado, Archiv 479452, PRAETORIUS
Charles Avison (1709-1770), Concerto #9 in C (after Scarlatti), Cafe Zimmermann, ALPHA 031, AVISON CONCERTOS IN 7 PARTS DONE FROM 2 BOOKS OF LESSONS BY SCARLATTI
Johann Adolf Scheibe (1708-1776), Sonata #2 in b for flute & harpsichord, Maria Bania – flute, Lars Ulrik Mortensen – harpsichord, da capo 8.224213, J.A. SCHEIBE – MORTEN RAEHS SONATS FOR FLUTE AND HARPSICHORD
Johann Sebastian Bach (1685-1750), Italian Concerto in F BWV971, Alexis Weissenberg – piano, Deutsche Grammophon 423592, JOHANN SEBASTIAN BACH ITALIENISCHES KONZERT * PARTITEN NOS.4 & 6
Johann Mattheson (1681-1764), Sonata #4 in g op.1 #3, Frans Bruggen, Kees Boeke & Walter van Hauwe – recorders, Frans Bruggen, Kees Boeke & Walter van Hauwe – recorders, Frans Bruggen, Kees Boeke & Walter van Hauwe – recorders, Teldec / Warner Classics 65836, FRANS BRUGGEN EDITION
Fourth Hour
Hildegard von Bingen (1098-1179), Antiphon Aer enim volat (instrumental), Per-Sonat, Sabine Lutzenberger – soprano & bells, Baptiste Romain – medieval vielles & bowed lyre, Christophorus CHR77376, KISS OF PEACE
Franz Tunder (1614-1667), Salve mi Jesu, Agave Baroque, Reginald Mobley – countertenor, VGo Recordings VG1022, PEACE IN OUR TIME
Orlando di Lasso (c.1532/30-1594), Passan vostri triomphi, Recorder piece #10, Recorder piece #18, & Tutto lo di mi dici, “canta, canta”, I Fiamminghi (Orchestra of Flanders), Rudolf Werthen, Telarc 80521, RENAISSANCE OF THE SPIRIT:MUSIC OF O. DI LASSO & CONTEMPORARIES
Henry Purcell (1659-1695), Gordian Knot Unty’d Z.597, Aradia Baroque Ensemble, Kevin Mallon, Naxos 8.570149, PURCELL: THEATRE MUSIC VOL.1
Johann Friedrich Fasch (1688-1758), Concerto in G FWV L:G13, Tempesta di Mare (Sea Tempest), Chandos 0783, JOHANN FRIEDRICH FASCH ORCHESTRAL WORKS VOL. 2
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