This Week’s Links
First Hour
Philippe De Monte (1521-1603), Super flumina Babylonis (By the rivers of Babylon), ORA Singers, Suzi Digby, Harmonia Mundi HMW 906102, UPHELD BY STILLNESS
Johann Sebastian Bach (1685-1750), Brandenburg Concerto #3 in G BWV1048, Bargemusic, Koch International 7294, BRANDENBURGS FROM THE BARGE
Georg Philipp Telemann (1681-1767), Overture in F for four horns ALSTER TWV55:F11, American Horn Quartet & Sinfonia Varsovia, Dariusz Wisniewski, Naxos 557747, CONCERTOS FOR FOUR HORNS
George Frideric Handel (1685-1759), Water Music Suite #1 in F:Allegro+, Berlin Radio Symphony Orchestra, Lorin Maazel, Philips 454029/30, THE BEST OF HANDEL
Girolamo Frescobaldi (1583-1643), Capriccio sopra la Battaglia, Burning River Brass, Dorian 90277, OF KNIGHTS AND CASTLES
Second Hour
Henry Desmarest (1661-1741), La Diane de Fontainebleau: Overture, La Simphonie du Marais, Hugo Reyne, Astree 8633, LA DIANE DE FONTAINEBLEAU
Georg Muffat (1653-1704), Noble Youth: suite, Armonico Tributo Austria, Lorenz Duftschmid, cpo 999635, GEORG MUFFAT NOBILIS JUVENTUS SUITES & CONCERTOS
Jean-Fery Rebel (1666-1747), Trio Sonata in c LE TOMBEAU DE MONSIEUR DE LULLY, Rebel, Jorg-Michael Schwarz – violin, Deutsche Harmonia Mundi 93555, TOMBEAU: THE COMPLETE TRIO SONATAS
Marin Marais (1656-1728), La Reveuse from Le quatrième livre de pièces de viole, Thomas Dunford – archlute, Jean Rondeau – harpsichord, Myriam Rignol – viola da gamba, Erato 9029526995, BARRICADES
Jean-Baptiste Lully (1632-1687), Le Bourgeois Gentilhomme (1670): Suite, Tempesta di Mare, Chandos CHAN 0805, COMEDIE ET TRAGEDIE VOL.1
Third Hour
Vincenzo Albrici (1631-1696), Sonata a 5 in C major, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 459619, MUSICA BALTICA
Bernardo Pasquini (1637-1710), Sinfonia a quattro, Accademia Bizantina, Ottavio Dantone – directing from the harpsichord, Decca 1808-02, ARCADIA
Antonio Caldara (1670-1736), Oboe Sonata in a, Helmut Schaarschmidt – oboe, Bernard Hebb – guitar, Gunther Ribke – cello, Christophoros 74537, OBOE SONATAS OF THE ITALIAN BAROQUE
Alessandro (attrib. Benedetto) Marcello (1669-1747), Trumpet (orig. Oboe) Concerto in c, Scottish Ensemble, Alison Balsom – trumpet, EMI Classics 56094, ALISON BALSOM * ITALIAN CONCERTOS
Alessandro Scarlatti (1660-1725), Concerto III, Accademia Bizantina, Ottavio Dantone, Decca 470650, IL GIARDINO DI ROSE SINFONIE & HARPSICHORD CONCERTOS
(based on) Arcangelo Corelli (1653-1713), Concerto in e per flauto #8, English Concert, Laurence Cummings, Maurice Steger – recorder, Harmonia Mundi 907523, MR. CORELLI IN LONDON
Fourth Hour
Giovanni Girolamo Kapsberger (1580-1651), Toccata VII, Scott Pauley – theorbo, Chatham Baroque CB-01, ALLA LUCE
Antonio Vivaldi (1678-1741), Concerto in F for violin, 2 oboes and 2 horns RV569, La Serenissima, Adrian Chandler – violin & director, Gail Hennessy & Mark Radcliffe – oboes, Roger Montgomery & Jocelyn Lightfoot – horns, Peter Whelan – bassoon, AVIE 2154, RISE OF THE NORTHERN ITALIAN VIOLIN CONCERTO 1690-1740 VOL.3 GOLDEN AGE
Francois Couperin (1668-1733), Seconde Lecon de Tenebres, Arcangelo, Jonathan Cohen – organ, Katherine Watson – soprano, Anna Dennis – soprano, Thomas Dunford – lute, Anne-Marie Lasla – viola da gamba, Hyperion CDA68093, FRANCOIS COUPERIN – L’APOTHEOSE DE LULLY
Francois Chauvon (fl.1710-1740), Suite #9, Alison Melville – recorder, Washington McClain – baroque oboe, Michael McCraw – baroque bassoon, Julia Wedman – baroque violin, Charlotte Nediger – harpsichord, Early Music EMCCD-7773, CHAUVON LES NOUVEAUX BIJOUX
George Frideric Handel (1685-1759), Te Deum HWV283: Suite, Choir of Trinity College Cambridge, Academy of Ancient Music, Stephen Layton, Hyperion 67678, HANDEL DETTINGEN TE DEUM
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