This Week’s Links
Jeanette Sorrell – harpsichord & conductor (Suzanne’s interview)
First Hour
George Frideric Handel (1685-1759), MESSIAH: ALL WE LIKE SHEEP HAVE GONE ASTRAY (chorus), Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, AVIE, 2208, HANDEL MESSIAH
Traditional Irish & Scottish, Banish Misfortune, Pipe on the Hob, Cliffs of Moher, Hey My Nanny & Guzzle Together, Hoop her and Gird Her, If I Had a Bonny Lass, & The Butterfly, Ronn McFarlane – lute, Sono Luminus, DSL-92225, THE CELTIC LUTE
Antonio Vivaldi (1678-1741), Flute Concerto #5 in F Op.10 RV434, New Irish Chamber Orchestra, James Galway, James Galway – flute, RCA, 15316, VIVALDI – 6 FLUTE CONCERTI OP.10
Turlough O’Carolan (1670-1738), Planxty Connor, Carolan’s Cup, Carolan’s Receipt, & Ta me ‘mo choladh, The Harp Consort, Andrew Lawrence King, Andrew Lawrence King – harp, Deutsche Harmonia Mundi, 77375, CAROLAN’S HARP
Heinrich Franz Ignaz von Biber (1644-1704), Harmonia Artificiosa Partia VI, Irish Baroque Orchestra Chamber Soloists, Monica Huggett, AVIE, 2202, FLIGHTS OF FANTASY
Second Hour
Dario Castello (c.1590-c.1658), Sonate concertate in stil moderno à 2 e 3 voci, Libro primo: Sonata seconda (Arr. Recorder & Lute), Lucie Horsch – recorder, Thomas Dunford – lute, Decca, 4834722, BAROQUE JOURNEY
Antonio Vivaldi (1678-1741), Cello Concerto in c RV401, Toronto Chamber Orchestra, Paul Robinson, Ofra Harnoy – cello, RCA, 77742, VIVALDI CELLO CONCERTOS
Johann Baptist Neruda (1707-1780), Trumpet Concerto in Eb, Norwegian Chamber Orchestra, Tine Thing Helseth – trumpet, Simax Classics, PSC 1292, Trumpet Concertos by Haydn, Albinoni, Neruda & Hummel
Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #4 in d SPRING JOURNAL, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo, 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY
Tomaso Albinoni (1671-1751), Violin Sonata da Chiesa in d, Scottish Ensemble, Alison Balsom – trumpet, EMI Classics, 56094, ALISON BALSOM * ITALIAN CONCERTOS
Third Hour
Francesca Caccini (1587-1640), Chi desia di saper (To whoever desires to know what love is), El Mundo, Sono Luminus, 92195, WHAT ARTEMISIA HEARD
Andrea Falconieri (1585-1656), Sinfonia detta la buon’hora, El Mundo, Sono Luminus, 92195, WHAT ARTEMISIA HEARD
George Frideric Handel (1685-1759), Concerto Grosso #1 in G Op.6, Academy of St. Martin in the Fields, Iona Brown, Philips, 410049/50/51, HANDEL 12 CONCERTI GROSSI, OP.6
Georg Philipp Telemann (1681-1767), Concerto for Mandolin, Hammered Dulcimer, Harp and Continuo in F TWV53;F1, Akademie Fur Alte Musik Berlin, Harmonia Mundi, HMM902261, TELEMANN: CONCERTI PER MOLTI STROMENTI
George Frideric Handel (1685-1759), Giulio Cesare (Act 2): Se pietà di me non senti, Concerto Köln, Luca Quintavalle, Jeanine De Bique – soprano, Berlin Classics, B09CRY7QH5, MIRRORS
Antonio Vivaldi (1678-1741), Cello Concerto in a RV420, London Chamber Orchestra, Christopher Warren-Green, Han-Na Chang – cello, EMI, 34791, VIVALDI: CELLO CONCERTOS
Fourth Hour
Elisabeth-Claude Jacquet de La Guerre (1665-1729), Sonata #4 in F: 2 courantes, Elizabeth Farr – harpsichord, Naxos, 8.557654.55, Elizabeth-Claude Jacquet de la Guerre – Harpsichord Suites Nos.1-6
George Frideric Handel (1685-1759), Agrippina: Sinfonia HWV6: overture, gigue, sarabande, & Aria – VAGHE PERLE (Poppea), Tafelmusik Baroque Orchestra, Jeanne Lamon, Karina Gauvin – soprano (Poppea), Analekta, AN 2 2004, HANDEL: ARIAS AND DANCES, EXCERPTS FROM AGRIPPINA & ALCINA
Antonio Vivaldi (1678-1741), Griselda: Suite, Les Boreades (Montreal), ATMA, 2152, THEATRE MUSICAL
George Frideric Handel (1685-1759), SUSANNA: Righteous Heaven beholds their guile, Philharmonia Baroque Orchestra, U.C. Berkeley Chamber Chorus, Nicholas McGegan, Harmonia Mundi, 907701, “SIGNATURE”
Marin Marais (1656-1728), Alcione: Suite #4, Concert of Nations, Jordi Savall, Auvidis, 8525, ALCIONE: SUITES DES AIRS A JOUER
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