This Week’s Links
Domenico Scarlatti – composer & keyboardist
First Hour
Riccardo Broschi (c. 1698 – 1756), Mi restano le lagrime (from L’isola d’Alcina), Concerto Köln, Luca Quintavalle, Jeanine De Bique – soprano, Berlin Classics, B09CRY7QH5, MIRRORS
Antonio Vivaldi (1678-1741), Concerto for 2 Mandolins in G RV532, Academy of St. Martin in the Fields, Neville Marriner, James Tyler – mandolin, Douglas Wootton – mandolin, Philips, 412892, VIVALDI 6 DOUBLE CONCERTOS
Esteban Salas y Castro (1725-1803), Tu, mi Dios, entre pajas (Cantada de Navidad), Agave Baroque, Reginald Mobley – countertenor, Acis, APL20445, AMERICAN ORIGINALS – A NEW WORLD, A NEW CANON
Robert de Visee (1650-1725), Suite #11 in b (5 parts), Manuel Barrueco – guitar, EMI, 66575, MANUEL BARRUECO BACH AND DE VISEE
Georg Muffat (1653-1704), Concerto Grosso #12: Lucky Stars-Ciacona Propitia Sydera, Musica Aeterna, Peter Zajicek, Naxos, 555743, GEORG MUFFAT NOBILIS JUVENTUS SUITES & CONCERTOS
Second Hour
Santiago de Murcia (1673-1739), Fandango, Paul O’Dette – baroque guitar, Andrew Lawrence King – harp, Pedro Estevan – percussion, Harmonia Mundi, 907212, JACARAS! 18TH C. SPANISH BAROQUE GUITAR MUSIC OF MURCIA
Johan Helmich Roman (1694-1758), Drottningholm Suite, Dallas Symphony Brass, Richard Giangiulio – trumpet, Crystal, 234, MUSIC FOR CEREMONY AND CELEBRATION
Princess Yekaterina Vorontsova-Dashkova (1743-1810), Andante in d, Oleg Timofeyev – guitar, Profil, RUSSIAN WOMEN COMPOSERS OF THE 18TH CENTURY
Pieter Hellendaal (1721-1799), Sonata in D minor for violin and b.c., Monica Huggett – violin, Ton Koopman – harpsichord, Erasmus Muziekproducties, WVH245, BAROQUE IN HOLLAND
Anonymous, Chiquitos Archive, Bolivia, Trio Sonata in F, Agave Baroque, Acis, APL20445, AMERICAN ORIGINALS – A NEW WORLD, A NEW CANON
Georg Philipp Telemann (1681-1767), Suite in G THE NATIONS TWV55:G4 “Nations anciens et modernes”, NZ Barok, Atoll, ACD813, THE NATIONS: MUSIC BY TELEMANN, RAMEAU & OTHERS
Third Hour
Giovanni Battista Buonamente (1595-1642), Sonata prima a 3, Quicksilver, Julie Andrijeski – violin, Robert Mealy – violin, Dominic Teresi – dulcian, Avi Stein – harpsichord, Quicksilver Baroque, QS1003, EARLY MODERNS THE (VERY) FIRST VIENNESE SCHOOL
Johann Sebastian Bach (1685-1750), Partita No. 1 in D major / E flat majorBWV 825, Raphaël Feuillâtre – guitar, Deutsche Grammophon, 4864073, VISAGES BAROQUES
Johann Sebastian Bach (1685-1750), St Matthew Passion BWV244 (1727 version): Part 2. Aria. Mache dich, mein Herze rein (Make yourself pure …), Academy of Ancient Music, Richard Egarr, Christopher Maltman – bass, AAM Records, AAM004, JS Bach: St Matthew Passion, BWV244 (1727 Version)
Johann Gottlieb Janitsch (1708-c.1763), Sonata da Camera in C (modern premiere), Tempesta di Mare, Philadelphia Baroque Orchestra Chamber Players, Tempesta di Mare, private, TEMPESTA DI MARE: MADAME LEVY’S SALON (MARCH 22, 2009 CONCERT)
Marieta Morosina Priuli (fl.1667), Balletti et correnti a due violini, violone, agionta la spineta: suite, La Primavera, Ligia, 597811, CONCERTO DELLE DONNE: MUSIQUE ITALIENNE DU XVII SIECLE DE COMPOSITEURS FEMININS
Alessandro Stradella (1639-1682), Serenata Il Barcheggio: Sinfonia, Orchestra of St. Luke’s, John Nelson, Wynton Marsalis – trumpet, Sony, 46672, BAROQUE DUET
Fourth Hour
Giovanni Battista Somis (1686-1763), Sonata da Camera in e op.1 #2: II – allegro & III – allegro, Kreeta-Maria Kentala – violin, Mitzi Meyerson – harpsichord, Lauri Pulakka – cello, Glossa, 921807, GIOVANNI BATTISTA SOMIS VIOLIN SONATAS – OP.1
Arcangelo Corelli (1653-1713), Concerto Grosso #3 in c op.6, Ensemble 415, Chiara Banchini, Harmonia Mundi, 901406.07, CORELLI. CONCERTI GROSSI OP.6. ENSEMBLE 415,C.BANCHINI
Domenico Scarlatti (1685-1757), Sonata in D K.96 LA CACCIA & Sonata in A K.181, Soyeon Lee – piano, Naxos, 570010, DOMENICO SCARLATTI COMPLETE KEYBOARD SONATAS VOL.8
Domenico Scarlatti (1685-1757), Salve Regina, Tafelmusik Baroque Orchestra, Jeanne Lamon, Marie-Nicole Lemieux – alto, Analekta, FL 2 3171, SCARLATTI, VIVALDI, AVISON SALVE REGINA, STABAT MATER
Alessandro Scarlatti (1660-1725), Sinfonia LA GENIALE #12 in c for recorder, strings & continuo, Les Boreades, Francis Colpron, Francis Colpron – recorder, ATMA Classique, ACD2 2606, LA GENIALE
Bernardo Pasquini (1637-1710), Sinfonia a quattro, Accademia Bizantina, Ottavio Dantone – directing from the harpsichord, Decca, 1808-02, ARCADIA
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