This Week’s Links
First Hour
Rafael Antonio Castellanos (c.1725–1791), Vaya de jácara amigos, El Mundo, Ryland Angel – tenor, Naxos, 8574295, ARCHIVO DE GUATEMALA
Antonio Vivaldi (1678-1741), Suonata a solo fatto per il Maestro Pisendel del Vivaldi in d: adagio in Eb, Brecon Baroque, Rachel Podger – violin, Rachel Podger – violin, Channel Classics, CCS SA 39217, GRANDISSIMA GRAVITA
Matthew Locke (1621/2-1677), For Several Friends: Suite #6 in a minor/major, Masques, Dorian, 90300, MATTHEW LOCKE CONSORTS IN TWO PARTS
Giovanni Pierluigi Da Palestrina (c.1525-1594), Vos amici mei estis, Empire Brass, Telarc, 80553, THE GLORY OF GABRIELI – ANTIPHONAL MUSIC FOR BRASS CHOIRS
Johann Christoph Bach (1642-1703), Ciacona Mein Freund ist mein (1679), Agave Baroque, Reginald Mobley – countertenor, VGo Recordings, VG1022, PEACE IN OUR TIME
Georg Philipp Telemann (1681-1767), Quatuor #3 in G from Nouveaux Quatuors (1738) Quartet #3 in G (Paris Quartet #9) TWV43:G4, Musica Pacifica, Judith Linsenberg – recorder, Navona Records, NV6056, MI PALPITA IL COR : BAROQUE PASSIONS
Second Hour
Francois Couperin (1668-1733), 12th Ordre: Les Jumeles (The Twins), Elisabetta Guglielmin – harpsichord, OnClassical, F.COUPERIN – PRELUDES & MISCELLANEOUS WORKS
Johann Sebastian Bach (1685-1750), Prelude, Fugue & Allegro in Eb for lute BWV998, Zoltan Katona – guitar, Peter Katona – guitar, Channel Classics, 34713, KATONA TWINS JS BACH
Antonio Vivaldi (1678-1741), Concerto #4 op.8 Winter RV297, Ferhan & Ferzan Önder – pianos, EMI Classics, 57244, VIVALDI REFLECTIONS
Jean-Philippe Rameau (1683-1764), Castor & Pollux: Chaconne.Choeurs & Air des Athletes, Les Arts Florissants (Flourishing Arts), William Christie, Harmonia Mundi, 901435/37, RAMEAU: CASTOR & POLLUX
Johann Sebastian Bach (1685-1750), Concerto for 2 Pianos in c BWV1062, Zurich Chamber Orchestra, Howard Griffiths, Guher & Suher Pekinel – pianos, Suher & Guher Pekinel – pianos, Warner, 61950, J.S.BACH KEYBOARD CONCERTOS BWV1060,1061,1062,1063
Johann Sebastian Bach (1685-1750), Cantata BWV106: Gottes Zeit ist die allerbeste Zeit (Actus Tragicus): Sonatina, Christina Naughton – piano, Michelle Naughton – piano, Christina Naughton – piano, Michelle Naughton – piano, Warner Classics, 2564601136, VISIONS
Third Hour
Franz Benda (1709-1786), Sonata in e: arioso, Barthold Kuijken – flute, Wieland Kuijken – cello, Bob van Asperen – harpsichord, Sony, 66267, FROM THE COURT OF FREDERICK THE GREAT
George Frideric Handel (1685-1759), Suite from the opera RODRIGO HWV5, Arion Ensemble (Montreal, Canada), Barthold Kuijken, ATMA, ACD2 2257, SUITES CONCERTANTES
Georg Philipp Telemann (1681-1767), Concerto in A for flute from Tafelmusik, Collegium Musicum 90, Simon Standage, Rachel Brown – flute, Simon Standage – violin, Jane Coe – cello, Chandos, 0580, TELEMANN TRIPLE CONCERTOS
Johann Sebastian Bach (1685-1750), Cantata BWV105 “Herr, gehe nicht ins Gericht” – 5. Aria: “Kann ich nur Jesum mir zum Freunde machen, Orchestra of St. Luke’s, John Nelson, Kathleen Battle – soprano, Itzhak Perlman – violin, Deutsche Grammophon, 429737, THE BACH ALBUM
Georg Bohm (1661-1733) (aka Boehm), Prélude, fugue & postlude in g, Luc Beausejour – piano, Analekta, AN 2 9128, BAROQUE SESSION ON PIANO
Fourth Hour
Jean-Baptiste Lully (1632-1687), Le Bourgeois Gentilhomme (1670): Suite, Tempesta di Mare, Chandos, CHAN 0805, COMEDIE ET TRAGEDIE VOL.1
John Johnson (1540-1594), The Nuts be Brown, My Lord Willoughby’s Welcome Home, & Chi Passa
Thomas Robinson (c.1560-1610), A Fantasie, The Queen’s Goodnight, & Passemezo Galliard, Ronn McFarlane – lute, William Simms – lute, Sono Luminus, DSL-92155, TWO LUTES – LUTE DUETS FROM ENGLAND’S GOLDEN AGE
Georg Philipp Telemann (1681-1767), Recorder Concerto in C TWV51:C1, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Stephan Mai – violin & director, Maurice Steger – recorder, Harmonia Mundi, 901917, TELEMANN BLOCKFLOTEN-WERKE
George Frideric Handel (1685-1759), SAUL: suite, Gabrieli Consort & Players, Paul McCreesh, Deutsche Grammophon, 474511, GEORGE FRIDERIC HANDEL: SAUL
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