First Hour
Julie Pinel (1710-1737), Rossignol vous chantez (nighingale you sing), La Donna Musicale, Laury Gutierrez, Aaron Sheehan – tenor, Justin Godoy – recorder, Laury Gutierrez – viola da gamba, Noriko Yasuda – harpsichord, La 2009, THE PLEASURES OF LOVE AND LIBATION
Georg Philipp Telemann (1681-1767), L’Omphale Suite in e TWV55:e8, Arion Ensemble (Montreal, Canada), Jaap ter Linden, Early Music EMC CD 7766, TELEMANN: LES TRESORS CACHES
Manuel de Zumaya (c.1678-1755), Como aunque culpa (as though fault), Agave Baroque, Reginald Mobley – countertenor, Acis APL20445, AMERICAN ORIGINALS – A NEW WORLD, A NEW CANON
Antonio Vivaldi (1678-1741), Concerto in C for 2 violins RV507, Berlin Philharmonic, Nigel Kennedy – violin, Daniel Stabrawa – violin 2, EMI 57859, NIGEL KENNEDY VIVALDI II
Jean-Philippe Rameau (1683-1764), Les Paladins (the Knights): Suite, Orchestra of the Age of Enlightenment, Gustav Leonhardt, Philips 432968, SUITE Les Paladins
Second Hour
Marco Uccellini (1603-1680), Aria sopra (La Bergamasca) in D, Ensemble Mirable, Magnatune, INFLUENZA ITALIANA
Jacques-Christophe Naudot (c.1690-1762), Recorder Concerto in C Op. 17 #1, The Academy of Ancient Music, Bojan Cicic, Lucie Horsch – recorder, Decca 4834722, BAROQUE JOURNEY
Manuel Correa (c.1600-1653), Para que quiero la vida?, La Grande Chapelle, Angel Recasens, Lauda LAU003, EL VUELO DE ICARO
Elisabeth-Claude Jacquet de La Guerre (1665-1729), Sonata #6 in A major, Les Dominos, Florence Malgoire – violin, Ricercar RIC 310, ELISABETH JACQUET DE LA GUERRE SONATES POUR VIOLON
William Boyce (1711-1779), Overture #5 in F, Cantilena, Adrian Shepherd, Chandos 6531, WILLIAM BOYCE OVERTURES 1-9
Jacques Duphly (1715–1789), La Forqueray (Rondeau) & Médée (No. 6 from Pièces de clavecin), Raphaël Feuillâtre – guitar, Deutsche Grammophon, VISAGES BAROQUES
Third Hour
Johann Sebastian Bach (1685-1750), Fugue in c (after BWV906), Richard Egarr – harpsichord, Harmonia Mundi 907329, JS BACH PER CEMBALO SOLO…
Henry Purcell (1659-1695), The Indian Queen (1695): suite, The Sixteen, Harry Christophers, Julie Cooper – soprano, CORO COR16129, HENRY PURCELL – THE INDIAN QUEEN
Georg Philipp Telemann (1681-1767), Concerto in d for Oboe TWV51:d2 (incomplete), Berlin Baroque Soloists, Rainer Kussmaul, Albrecht Mayer – oboe, Deutsche Grammophon/Archiv 4775923, SINFONIA MELODICA
Antonio Vivaldi (1678-1741), Concerto fragment in G RV312 for sopranino recorder, strings & continuo, La Serenissima, Adrian Chandler, Pamela Thorby – recorder, AVIE 2201, VIVALDI GODS, EMPERORS & ANGELS
Johann Sebastian Bach (1685-1750), Art of Fugue: contrapunctus I, Contrapunctus XII, & Contrapunctus XIV (w/Labadie’s completion), Les Violons du Roy (King’s Violins), Bernard Labadie, Dorian 90297, ART OF THE FUGUE
Fourth Hour
Johann Sebastian Bach (1685-1750), Partita #2 BWV1004: sarabande, Nokuthula Ngwenyama – viola, EDI RECORDS, J.S. BACH PARTITAS
Georg Muffat (1653-1704), Impatience – Suite in Bb, Cantilena, Adrian Shepherd, Chandos 1007, MUSIC FROM THE COURT OF SALZBURG
Jean-Marie Leclair (1697-1764), Concerto in A op.7 #6 for violin, Arion Ensemble (Montreal, Canada), Monica Huggett – violin, ATMA ACD2 2143, JEAN-MARIE LECLAIR CONCERTOS
Johann Abraham Fisher (1744-1806?), Suite from THE SYRENS, Capella Savaria Baroque Orchestra, Mary Terey-Smith, Dorian 93251, SYRENS, ENCHANTERS AND FAIRIES * CAPELLA SAVARIA/M. TEREY-SMITH
Giuseppe Torelli (1658-1709), Sinfonia con tromba in D, T.V.8, English Chamber Orchestra, Anthony Newman, Wynton Marsalis – trumpet, Sony 66244, WYNTON MARSALIS – IN GABRIEL’S GARDEN
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