This Week’s Links
War of the Austrian Succession
Jian Wang – cello & FROM MAO TO MOZART
David Fray – piano & SING, SWING & THINK
First Hour
King Frederick the Great (1712-1786), Symphony #1 in G: presto, Manhattan Chamber Orchestra, Richard Auldon Clark, Helicon HE1003, CHAMBER MUSIC OF FREDERICK THE GREAT
George Frideric Handel (1685-1759), Te Deum HWV283: To thee all angels, To thee Cherubin & Seraphin continually do cry, The glorious company, & SInfonia, Choir of Trinity College Cambridge, Academy of Ancient Music, Stephen Layton, Hyperion 67678, HANDEL DETTINGEN TE DEUM
Jean-Philippe Rameau (1683-1764), Les Fetes de Polymnie (1745): gigue & air gracieux en rondeau, Tempesta di Mare, Chaconne, CHAN 0810, COMEDIE ET TRAGEDIE VOLUME TWO
George Frideric Handel (1685-1759), Music for the Royal Fireworks, Le Concert des Nations, Jordi Savall, Alia Vox 9860, HAENDEL WATER MUSIC, MUSIC FOR THE ROYAL FIREWORKS
Jean-Philippe Rameau (1683-1764), Nais: suite, Philharmonia Baroque Orchestra, Nicholas McGegan, Harmonia Mundi 907121, RAMEAU LE TEMPLE DE LA GLOIRE NAIS
Second Hour
Johann Sebastian Bach (1685-1750), Sonata No. 2 in A minor, BWV 1003: allegro, Ray Chen – violin, SOLACE
Antonio Vivaldi (1678-1741), Concerto #4 WINTER, Melbourne Symphony Orchestra, Christian Li – violin, Decca 00028948518241, VIVALDI: THE FOUR SEASONS
Domenico Scarlatti (1685-1757), Sonata in A K.269, Duanduan Hao – piano, Naxos 8.572586, DOMENICO SCARLATTI COMPLETE KEYBOARD SONATAS VOL.14
Jean-Henry D’Anglebert (1629-1691), Suite III in d: VI. Sarabande Grave. Lentement,
François Couperin (1668-1733), Pièces de clavecin II: Ordre 7ème in G major: La Ménetou & Les baricades mistérieuses (from Pièces de clavecin II: Ordre 6ème in B flat), Thomas Dunford – archlute, Jean Rondeau – harpsichord, Erato 9029526995, BARRICADES
Johann Sebastian Bach (1685-1750), Komm, susser Tod BWV478 (arr. for 5 cellos), Sheku Kanneh-Mason – cello, Hannah Roberts – cello, Desmond Neysmith – cello, Ben Davies – cello, Max Ruisi – cello, Decca, SONG
Johann Sebastian Bach (1685-1750), Violin Sonata #2: fugue, Chaconne Klaverenga – guitar, Ancora 99000, SCARLATTI REGONDI BACH
Giuseppe Sammartini (1695-1750), Recorder Concerto in F major, The Academy of Ancient Music, Bojan Cicic, Lucie Horsch – recorder, Decca 4834722, BAROQUE JOURNEY
Third Hour
Antonio Vivaldi (1678-1741), TEUZZONE (1719): Ti Sento, Si, Ti Sento, Le Concert des Nations, Jordi Savall, Delphine Galou – contralto, Naive OP 30513, TEUZZONE
Heinrich Franz Ignaz von Biber (1644-1704), Rosary Sonata #15 – The Coronation of Mary, Queen of Heaven, Leah Gale Nelson – violin, Daniel Swenberg – theorbo, Dongsok Shin – organ, Lyrichord LEMS 8079, THE SACRED MYSTERIES THE ROSARY SONATAS FOR VIOLIN & CONTINUO
Francois Chauvon (fl.1710-1740), Suite #11, Alison Melville – recorder, Washington McClain – baroque oboe, Michael McCraw – baroque bassoon, Julia Wedman – baroque violin, Charlotte Nediger – harpsichord, Early Music EMCCD-7773, CHAUVON LES NOUVEAUX BIJOUX
Francois Couperin (1668-1733), Pieces en concert, Camerata Salzburg, Jian Wang – cello, Deutsche Grammophon 99402, THE BAROQUE ALBUM
Johann Sebastian Bach (1685-1750), Keyboard Concerto in g BWV1058, Deutsche Kammerphilharmonie Bremen, David Fray – piano & direction, David Fray – piano, Virgin 213064, JS BACH KEYBOARD CONCERTOS
Fourth Hour
Johann Sebastian Bach / Georg Philipp Telemann, Jauchzet dem Herrn … BWV Anh 160, Alsfelder Vocal Ensemble, Wolfgang Helbich, cpo 235, THE APOCRYPHAL BACH MOTETS
Johann Sebastian Bach (attrib) CPE Bach, Flute Sonata in A BWV1032, Philippa Davies – flute, Maggie Cole – harpsichord, AVIE 2101, JOHANN SEBASTIAN BACH FLUTE SONATAS
Pierre Prowo (1697-1757) formerly attributed to Georg Philipp Telemann (1681-1767), Trio Sonata in d TWV42:d10, Amarillis, Heloise Gaillard – baroque recorder, David Plantier – violin, Naive 112, TELEMANN: VOYAGEUR VIRTUOSE
Thomas Tallis (c.1505-1585), Spem in alium (40 voice motet) I have never put my hope in any other but in you, Choir of King’s College Cambridge, Stephen Cleobury, Argo 425199, TALLIS SPEM IN ALIUM (40-PART MOTET) LAMENTATIONS
Wilhelm Friedemann Bach (1710-1784) (attributed to JS Bach), Orchestral Suite in g BWV1070, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 415671, J.S. BACH: SUITES FOR ORCHESTRA BWV1066-1070
We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.