This Week’s Links
Jeannette Sorrell (Suzanne’s Interview)
First Hour
Johann Sebastian Bach (1685-1750), Suite in E major BWV1006a: Prelude, Sharon Isbin – guitar, Erato 8-2564617518-5, BACH FOR GUITAR – LUTE SUITES
Jean-Philippe Rameau (1683-1764), Daphnis & Egle Suite, Capella Savaria Baroque Orchestra, Mary Terey-Smith, Naxos 553746, RAMEAU ORCHESTRAL SUITES
Camilla de Rossi (fl. 1707–1710), The Sacrifice of Abraham, Bay Area Women’s Philharmonic, JoAnn Falletta, Newport Classics 60102, BAROQUEN TREASURES
George Frideric Handel (1685-1759), Concerto Grosso #2 in F op.6, Academy of St. Martin in the Fields, Iona Brown, Philips 410049/50/51, HANDEL 12 CONCERTI GROSSI, OP.6
Georg Philipp Telemann (1681-1767), Overture Burlesque TWV55:b8, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, Koch International 7576, DON QUIXOTE: CONCERTOS AND SUITES BY TELEMANN
Second Hour
Anna Bon di Venezia (c.1738-1767), Sonata #1 in C op.1: (2) allegro, Vladimir Soares – recorder, Fabian Grosch – harpsichord, drama MUSICA, ANNA BON DI VENEZIA FLUTE SONATAS OP.1
Isabella Leonarda (1620-1704), Sonata duodecima (#12) op.16, Ingrid Matthews – baroque violin, Byron Schenkman – harpsichord, Wildboar 1995, IN STIL MODERNO: THE FANTASTIC STYLE IN 17TH C. ITALY
Claudio Monteverdi (1567-1643), L’ORFEO (Orpheus): ritornello, Sinfonia, Le Concert D’Astree, & Ritornella & Moresca, Le Concert d’Astree & European Voices, Emmanuelle Haim, Virgin Veritas 545642, MONTEVERDI L’ORFEO
Chiara Margarita Cozzolani (1602-c.1677), Motet: O quam bonus es, Cappella Artemisia, Candace Smith, Musica Omni 103, COZZOLANI: I VESPRI NATALIZI
Elisabeth-Claude Jacquet de La Guerre (1665-1729), JUDITH (Cantata): Simphonie & Air, Cecilia’s Circle, Julie Andrijeski – violin, Vivian Montgomery – harpsichord, Ann Marie Morgan – viola da gamba, Centaur 2670, THY HAND HAST DONE ALL THIS: JUDITH AND OTHER WORKS OF LA GUERRE
Johann Sebastian Bach (1685-1750), Violin Concerto in d BWV1052, Orchestra of the Age of Enlightenment, Elizabeth Wallfisch – violin, Virgin Veritas 45095, J.S. BACH VIOLIN AND OBOE CONCERTOS
Third Hour
Antonio Vivaldi (1678-1741), Sonata in c, RV83, F. XVI, #1: two allegros (mvts 1 & 3), Eroica Trio, EMI 56873, EROICA TRIO BAROQUE
Antonio Vivaldi (1678-1741), Oratorio JUDITHA TRIUMPHANS RV644: coro: Arma, caedes, vindictae, coro: O quam vaga, coro: Mundi rector, coro: Plena nectare non mero, & aria: Si fulgida, Ensemble Caprice, Matthias Maute, Laura Pudwell – alto, Analekta AN 2 9995, THE RETURN OF ANGELS
Antonio Vivaldi (1678-1741), Trumpet (orig. Violin) Concerto in a RV356 from L’ESTRO ARMONICO, Scottish Ensemble, Alison Balsom – trumpet, EMI Classics 56094, ALISON BALSOM * ITALIAN CONCERTOS
Antonio Vivaldi (1678-1741), Sonata in C RV3 violin, cello, lute, harpsichord, Musica Pacifica, Judith Linsenberg & Elizabeth Blumenstock, Dorian 93252, ANTONIO VIVALDI LA NOTTE CONCERTI PER STRUMENTI DIVERSI
Antonio Vivaldi (1678-1741), Stabat Mater in f: Cujus animam & Eja mater, fons amoris, Tafelmusik Baroque Orchestra, Jeanne Lamon, Marie-Nicole Lemieux – alto, Analekta FL 2 3171, SCARLATTI, VIVALDI, AVISON SALVE REGINA, STABAT MATER
Antonio Vivaldi (1678-1741), Sinfonia in D for strings RV125, Harmonie Universelle, Accent ACC 24266, LA PORTA DELLE MUSE
Fourth Hour
Sulpitia Cesis (1577-1619?), Il mio piu vago sole (motet) & Ecce ego Ioannes (motet), Cappella Clausura, Amelia LeClair, Cappella Clausura 2007, PASSIONATELY UN-CONVENTIONAL
Jean-Philippe Rameau, Zaïs, RCT 60: suite, L’Orfeo Baroque Orchestra, Michi Gaigg, Crystal Classics, RAMEAU: ZAIS & HIPPOLYTE ET ARICIE
Francois Couperin (1668-1733), Book 4: Vingt-Unieme Ordre: La Reine des cœurs (Queen of Hearts) & La Couperin, Book 4: 26th Ordre: La Sophie, & Book 4: 27th Ordre: L’Exquise (The Exquisite One), Angela Hewitt – piano, Hyperion 67480, COUPERIN KEYBOARD MUSIC – II
Jane Pickering Lute Book (1616), The Scottish Huntsupe, drawe neare me and lowe me, & A Scots Tune, Ronn McFarlane – lute, Dorian 90129, THE SCOTTISH LUTE
Francesco Maria Veracini (1690-1768), Sonata in d op.2 #12 for violin and continuo, Brecon Baroque, Rachel Podger – violin, Channel Classics CCS SA 39217, GRANDISSIMA GRAVITA
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