This Week’s Links
Wynton Marsalis – Bazaar: Wynton Marsalis is Musical Director for December/January Issue
First Hour
Johann Sebastian Bach (1685-1750), Suite #2 in d BWV1008: sarabande, Alban Gerhardt – cello, Hyperion CDA68261/2, BACH THE CELLO SUITES
Juan Bautista Cabanilles (1644-1712), Passacalles IV, Batalla Imperial, & Tiento Ileno, Hesperion XX, Jordi Savall, Alia Vox 9801, CABANILLES.BATTALAS,TIENTOS&PASACALLES.HESPERION XX,JORDI SAVALL
Francois Couperin (1668-1733), The Nations: 4th Ordre:The Piedmont, Hesperion XX, Jordi Savall, Fontalis 7702, LES NATIONS
Sylvius Leopold Weiss (1687-1750), Concerto for lute & flute in F SC9, Tempesta di Mare (Sea Tempest), Richard Stone – lute, Gwyn Roberts – flute, Chandos CHAN0707, SILVIUS LEOPOLD WEISS LUTE CONCERTI (PREMIERE RECORDINGS)
Second Hour
Giovanni Paolo Cima (c.1570-1630), Sonata, Il Giardino Armonico (Harmonic Garden), Teldec 82536, VIAGGIO MUSICALE: ITALIAN MUSIC OF THE 17TH CENTURY
Anna Bon di Venezia (c.1738-1767), Sonata #1 in C op.1, Vladimir Soares – recorder, Fabian Grosch – harpsichord, drama MUSICA, ANNA BON DI VENEZIA FLUTE SONATAS OP.1
Capel Bond (1730-1790), Concerto #5 in g, Parley of Instruments, Roy Goodman, Hyperion 66467, THE ENGLISH ORPHEUS VOL.8:CAPEL BOND 6 CONCERTOS IN 7 PARTS 1766
George Frideric Handel (1685-1759), MESSIAH: air (alto & soprano) – HE SHALL FEED HIS FLOCK LIKE A SHEPHERD, & chorus – HIS YOKE IS EASY AND HIS BURDEN IS LIGHT, Handel and Haydn Society, Daniel Taylor – countertenor, GIllian Keith – soprano, Harry Christophers, CORO 16125, HANDEL MESSIAH
Michel Richard Delalande (1657-1726), First Caprice from Simphonies pour les soupers du Roy, Ensemble Orchestral de Paris (Paris Orchestral Ensemble), Jean-Pierre Wallez, Maurice Andre – trumpet, EMI 47140, BAROQUE SUITES & CONCERTOS FOR TRUMPETS
Third Hour
Giuseppe Torelli (1658-1709), Sonata in D, G.5, English Chamber Orchestra, Anthony Newman, Wynton Marsalis – trumpet, Sony 66244, WYNTON MARSALIS – IN GABRIEL’S GARDEN
Johann Kapsberger (c.1580-1651), Canzone Prima, Kapsberger, Colasione, & Ballo Primo, Rolf Lislevand – theorbo/lute/colascione, Eduardo Eguez – baroque guitar, Guido Morini – harpsichord, Pedro Estevan – percussion, Astree 8515, KAPSBERGER: LIBRO QUARTO D’INTAVOLATURA DI CHITARONE (ROMA 1640)
Johann Sebastian Bach (1685-1750), Keyboard Concerto #2 in E BWV1053, Academy of St. Martin in the Fields, Neville Marriner, Andrei Gavrilov – piano, EMI 64055, BACH KEYBOARD CONCERTOS
Arcangelo Corelli (1653-1713), Sonata in g op.5 #8, Michala Petri – recorder, Mahan Esfahani – harpsichord, OUR Recordings 6.220610, CORELLI LA FOLLIA
Fourth Hour
Johann Sebastian Bach (1685-1750), English Suite #2 in a BWV807: Bouree 1 & 2, Byron Schenkman – harpsichord, Centaur 2715, MUSIC OF J.S. BACH
Henry Purcell (1659-1695), Dioclesian Suite, Tafelmusik Baroque Orchestra, Jeanne Lamon, Sony 66169, HENRY PURCELL AYRES FOR THE THEATRE
Jean-Philippe Rameau (1683-1764), Quatrieme Concert: La Pantomime, L’Indiscrete, & La Rameau, Masques, Olivier Fortin, ATMA ACD2 2624, RAMEAU PIECES DE CLAVECIN EN CONCERTS
Johann Gottlieb Graun (1702/3-1771), Concerto in a per il Viola da gamba concertata GraunWV A:XIII:14, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Jan Freiheit – viola da gamba, Harmonia Mundi HMC 902132, FRIEDRICH DER GROSSE 1712-2012
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