Alonso Lobo

Playlist 2020-11-01

This Week’s Links

Kathleen Battle – soprano

Boston Camerata

Boston Camerata – Nueva Espana

Francesca Caccini (1587—after June 1641)

Ingrid Matthews – violin

Itzhak Perlman – violin

Byron Schenkman – harpsichord

The Lute Player – Orazio Gentileschi

First Hour

Thomas Simpson (1582-c.1630), Intrada
Thomas Weelkes (1576-1623), Strike It Up Tabor; A Toy (Anon.)
Thomas Morley (c.1557-1602), Lady Those Eyes; Strawberry Leaves, American Brass Quintet, Summit 181, FYRE & LIGHTNING CONSORT MUSIC OF 1600

Henry Purcell (1659-1695), Suite from the Fairy Queen, New York Kammermusiker, Ilonna Pederson, Dorian 90189, A BAROQUE CELEBRATION MUSIC BY BACH,HANDEL,LULLY,PURCELL & OTHER

Giuseppe Sammartini (1695-1750), Trio Sonata op1 #6 in b for 2 flutes & b.c., Rebel, Matthias Maute – transverse flute, Sophie Lariviere – transverse flute, ATMA ACD2 2273, SAMMARTINI SONATE E CONCERTI PER FLAUTI

Anonymous, Carabanda & Espanoleta
Diego Fernandez e Huete (1643-1713), Zarambeque CriolloA
Various, Chaconas, Chatham Baroque, Dorian 90284, ESPANOLETA

Antonio Vivaldi (1678-1741), Bassoon Concerto in d RV481, Seattle Baroque, Byron Schenkman & Ingrid Matthews, Michael McCraw – bassoon, Centaur 2538, VIVALDI BASSOON CONCERTOS

Second Hour

Johann Sebastian Bach (1685-1750), Mass in b: BWV232: Benedictus, qui venit in nomine Domini, Orchestra of St. Luke’s, John Nelson, Kathleen Battle – soprano, Itzhak Perlman – violin, Deutsche Grammophon 429737, THE BACH ALBUM

Antonio Vivaldi (1678-1741), Concerto #1 in D for 4 violins, cello and strings RV549, Mercury Baroque, Antoine Plante, Jonathan Godfrey – violin, Oleg Sulyga – violin, Noel Martin – violin, Hae-a Lee – violin, Barrett Sills – cello, Houston Public Radio HPR00622, L’ESTRO ARMONICO OP.3

Jean-Baptiste Lully (1632-1687), Overture & Minuet from ARMIDE
Jean-Baptiste Lully (1632-1687), Air from PERSEE (Perseus), Chicago Baroque Ensemble: flute & strings, John Mark Rozendaal, Cedille 43, THE WORLD OF LULLY

Georg Philipp Telemann (1681-1767), Concerto-Suite TWV51:F4, Tempesta di Mare, Emlyn Ngai – violin, Chandos CHAN 0821, GEORG PHILIPP TELEMANN – THE CONCERTI-EN-SUITE

Alonso Lobo (c.1555 – April 5, 1617), Cum Audisset Joannes (instrumental)
Don Juan de Lienas (fl.1617-1654), Lamentatio, Boston Camerata (male voices), Joel Cohen, Erato 45977, NUEVA ESPANA: CLOSE ENCOUNTERS IN THE NEW WORLD

Third Hour

Manuel de Zumaya (c.1678-1755), Recessional: Angelicas milicias, Chanticleer, Teldec 49702, CHANTICLEER: A PORTRAIT

Giuseppe Tartini (1692-1770), Sonata in g DEVIL’S TRILL, Michala Petri – recorder, Lars Hannibal – archlute, OUR Recordings 6.220604, VIRTUOSO BAROQUE

Anonymous 17th c., Ciaccona di Paradiso e Dell’Inferno (1650), Ensemble Caprice, Matthias Maute, Analekta AN29132, CHACONNE- VOICES OF ETERNITY

Pietro Antonio Locatelli (1695-1764), Concerto Grosso #9 in D op.1, Raglan Baroque Players, Elizabeth Wallfisch & Nicholas Kraemer, Hyperion 66982, THE RAGLAN BAROQUE PLAYERS

Jean-Marie Leclair (1697-1764), Concerto in A op.7 #6 for violin, Arion Ensemble (Montreal, Canada), Monica Huggett – violin, ATMA ACD2 2143, JEAN-MARIE LECLAIR CONCERTOS

Fourth Hour

Giulio Caccini (1551-1618), Amarilli mia bella, Zephyrus Flutes, Zephyrus Flutes ZF002, AUX PLAISIRS, AUX DELICES BERGERES

Francesca Caccini (1587-1640), Chi desia di saper (To whoever desires to know what love is), El Mundo, Sono Luminus 92195, WHAT ARTEMISIA HEARD

George Frideric Handel (1685-1759), Concerto Grosso #4 in a op.6, Boston Baroque, Martin Pearlman, Telarc 80253, HANDEL CONCERTI GROSSI OP.6 NOS. 1-6

Johann Sebastian Bach (1685-1750), Sonata #6 in G BWV1019, Olivier Brault – violin, Andrew Appel – harpsichord, Four Nations 2019, CONCISE DICTIONARY OF MUSIC

Georg Philipp Telemann (1681-1767), Concerto in d for flute & recorder, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, Michael Lynn – recorder, Kathie Lynne Stewart – flute, Koch International 7576, DON QUIXOTE: CONCERTOS AND SUITES BY TELEMANN

Orlande de Lasso (c.1532/30-1594), Justorum Animae (The Souls of the Just)
Tomas Luis de Victoria (c.1548-1611), O Quam Gloriosum (O how glorious), Voices of Ascension, Dennis Keene, Delos 3165, BEYOND CHANT: MYSTERIES OF THE RENAISSANCE

 

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