This Week’s Links
First Hour
Claudio Monteverdi (1567-1643), Ballo delle Ingrate: Intrata e Ballo, Concerto Italiano, Rinaldo Alessandrini, opus 111 30-196, Monteverdi: Combattimento Di Tancredi E Clorinda
Antonio Vivaldi (1678-1741), Violin Concerto in G RV303, Venice Baroque, Andrea Marcon, Giuliano Carmignola – baroque violin, Deutsche Grammophon/Archiv 477600, VIVALDI 5 VIOLIN CONCERTOS
Arcangelo Corelli (1653-1713), Concerto Grosso #6 in F op.6, I Solisti Veneti, Claudio Scimone, RCA 600262, GO FOR BAROQUE VOL.1
Alessandro Scarlatti (1660-1725), Concerto II, Accademia Bizantina, Ottavio Dantone, Decca 470650, IL GIARDINO DI ROSE SINFONIE & HARPSICHORD CONCERTOS
Davide Perez (1711-1778), Flute Concerto In G, Auser Musici, Carlo Ipata – baroque flute, Hyperion CDA67884, NEAPOLITAN FLUTE CONCERTOS II
Second Hour
Thoinot Arbeau aka Jehan Tabourot (1519-1595), Basse-dance: Jouissance
Anonymous, Woodycock, Toronto Consort, Dorian 93172, O LUSTY MAY
George Frideric Handel (1685-1759), Athalia (oratorio, 1733), Montreal Baroque Orchestra, Joel Thiffault, ATMA 22157, HANDEL OVERTURES
Antonio Vivaldi (1678-1741), Concerto for strings in g RV157, Les Violons du Roy (King’s Violins), Bernard Labadie, Dorian 90255, CONCERTI FOR STRINGS
Georg Philipp Telemann (1681-1767), Concerto in A TWV A2, Toronto Chamber Orchestra, Kevin Mallon, Thomas Stacy – oboe d’amore, Naxos 8.570735, CONCERTOS FOR OBOE D’AMORE
Giuseppe Torelli (1658-1709), Concerto in e op.8 #9 for violin, strings and continuo, Les Boreades (Montreal), Francis Colpron, Helene Plouffe – baroque violin, ATMA Classique ACD2 2606, LA GENIALE
Anonymous (Collection Flores de Música, 1706-1709), Xácara, Pasacalles de 2nd tono, & Chacona, Ensemble Caprice, Matthias Maute, Analekta AN 2 9957, SALSA BAROQUE
Third Hour
Vincenzo Capirola (1474-after 1548), Padoana belissima & “Tientalora,” Balletto da ballare, Paul O’Dette – lute, Harmonia Mundi 907215, ALLA VENETIANA: EARLY 16TH C. VENETIAN LUTE MUSIC
Lodovico Grossi da Viadana (c.1560-1627),, La Veneziana: Canzona, King’s Consort,, Hyperion 67048, WEDDING OF VENICE TO THE SEA
Giovanni Gabrieli (c.155?-1612), Sonata XX a 22, King’s Consort, Hyperion 67048, WEDDING OF VENICE TO THE SEA
Heinrich Franz Ignaz von Biber (1644-1704), Mystery Sonata #12 THE ASCENSION, Boston Baroque, Martin Pearlman, Christina Day Martinson – violin, LINN CKD501, HEINRICH BIBER THE MYSTERY SONATAS
Johann Sebastian Bach (1685-1750), Ascension Oratorio choruses BWV11, Collegium Vocale, Philippe Herreweghe, Harmonia Mundi 2951479, CANTATES
Pietro Antonio Locatelli (1695-1764), Concerto da chiesa in c op.4 #11, La Serenissima, Adrian Chandler – violin & director, Adrian Chandler – violin, AVIE 2154, RISE OF THE NORTHERN ITALIAN VIOLIN CONCERTO 1690-1740 VOL.3 GOLDEN AGE
Antonio Vivaldi (1678-1741), Sonata re maggiore RV816, Modo Antiquo, Federico Maria Sardelli, Anton Steck – violin, Naive OP 30534, VIVALDI: NEW DISCOVERIES II
Fourth Hour
Johann Sebastian Bach (1685-1750), Cantata #147: opening chorus, Bach Collegium Japan, Masaaki Suzuki, Bis 1031, CANTATAS FROM LEIPZIG 1723
Gottfried Finger (c.1655-1730), The Mourning Bride (incidental music), The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson, Ramee RAM1802, MUSIC FOR EUROPEAN COURTS AND CONCERTS
Giaches de Wert (1535-1596), Saule, Saule a 8, Stile Antico, Harmonia Mundi, HMM 807620, DIVINE THEATRE
Johann Sebastian Bach (1685-1750) à la Bruce Haynes (1942-2011), Concerto “Brandenburg” 12 in e, Bande Montreal Baroque, Eric Milnes, ATMA Classique ACD2 2565, NOUVEAUX BRANDEBOURGEOIS
Sylvius Leopold Weiss (1687-1750), Suite #14: angloise, minuet, & passagaille, David Russell – guitar, Telarc TEL-33223-02, THE GRANDEUR OF THE BAROQUE
King Frederick II of Prussia (1712-1786), Concerto #3 in C for flute, string orchestra and bass, Kammerakademie Potsdam, Emmanuel Pahud – flute, EMI Classics 84220, THE FLUTE KING
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