It’s time to “FALL BACK” … remember to set your clocks back one hour!
This Week’s Links
Music from the Age of Guy Fawkes
Who’s Afraid of Goldberg Variations
First Hour
Antonio Bertali (1605-1669), Sonata in e a 6, Acronym, Olde Focus Recordings FCR901, PARADISE – INSTRUMENTAL SONATAS OF ANTONIO BERTALI
Francois (Charles) Dieupart (1667-1740), Recorder Suite #4 in e, Simphonie du Marais, Hugo Reyne – recorder, Alain Viau – violin, Pascal Montheilhet – archlute, Virgin Veritas 561937, PURCELL * DIEUPART SUITES FOR RECORDER
Johann Sebastian Bach (1685-1750), Goldberg Variations: aria & var.1-4, Simone Dinnerstein – piano, Telarc 80692, J.S. BACH GOLDBERG VARIATIONS
Thomas Augustine Arne (1710-1778), Organ Concerto #2 in G, Parley of Instruments Baroque Orchestra, Paul Nicholson, Paul Nicholson – organ, Hyperion 66509, ENGLISH ORPHEUS VOL.7: THOMAS ARNE SIX FAVOURITE CONCERTOS
William Byrd (c.1540-1623), Mass for 4 voices: kyrie, Sanctus/Benedictus, & Agnus Dei, Concordia & King’s Singers, Signum 61 1605: TREASON & DISCHORD – WILLIAM BYRD AND THE GUNPOWDER PLOT
Second Hour
Charles Dolle (fl.1735-1755), Troisieme Suite in A: carillon, Petr Wagner – viol, Jacques Ogg – harpsichord, Dorian 93246, CHARLES DOLLE:PIECES DE VIOLE AVEC LA BASSE CONTINUE,OP.2 (1737)
Francois Couperin (1668-1733), 14th Ordre: Le Carillon de Cithere, Alexandre Tharaud – piano, Harmonia Mundi 901956, TIC, TOC, CHOC
Marin Marais (1656-1728), Bells of St. Genevieve, Trio Sonnerie, Harmonia Mundi 907081, A PORTRAIT OF LOVE
George Frideric Handel (1685-1759), Organ Concerto #13 in F THE CUCKOO AND THE NIGHTINGALE, Concerto Amsterdam, Jaap Schroder, Daniel Chorzempa – organ, Philips 454030, THE BEST OF HANDEL
John Jenkins (1592-1678), Lyra consort in C THE SIX BELLS, Parley of Instruments Renaissance Violin Consort, Peter Holman, Hyperion 66604, ENGLISH ORPHEUS VOL.11:LATE CONSORT MUSIC BY JOHN JENKINS
William Byrd (c.1540-1623), The Bells, Canadian Brass, Sony, 45792, CANADIAN BRASS – ENGLISH RENAISSANCE MUSIC
Antoine Forqueray (1671-1745), Quatrieme suite in g: La Carillon de Passy, La Latour & La Carillon de Passy, Vittorio Ghielmi – viola da gamba, Rodney Prada – viola da gamba, Luca Pianca – archlute, Lorenzo Ghielmi – harpsichord, Passacaille 995, FORQUERAY LE DIABLE
Third Hour
Cesare Negri (pub.1602), Fabritio Caroso da Sermoneta (pub.1600), Brando di Cales & Passo e mezzo, Mindy Rosenfeld – flute, Ronn McFarlane – lute, Dorian Sono Luminus DSL-92169, NINE NOTES THAT SHOOK THE WORLD
Antonio Vivaldi (1678-1741), Sinfonia per archi in G RV 149 ‘Il Coro delle muse’, Europa Galante, Fabio Biondi, Glossa GCD 923401, IL DIARIO DE CHIARA
Jan Dismas Zelenka (1679-1745), Te Deum Laudamus: opening chorus, Dresden Chamber Chorus & Dresden Baroque Orchestra, Hans-Christoph Rademann, Carus 83.148, HEINICHEN & ZELENKA: MASS AND TE DEUM
Georg Philipp Telemann (1681-1767), Sonata in Bb from Musical Exercises, American Baroque, Gonzalo X. Ruiz – baroque oboe, Dorian 93205, AMERICAN BAROQUE PLAYS TELEMANN
Jacques Aubert (1689-1753), Concert of Symphonies in F – Suite #5, Collegium Musicum 90, Simon Standage, Chandos 0577, LE CARILLON
Fourth Hour
Thomas Tallis (c.1505-1585), Blessed be thy name & Arise, O Lord, and hear, Chapelle du Roi, Alistair Dixon, Signum SIGCD 036, THOMAS TALLIS THE COMPLETE WORKS VOLUME 8 LAMENTATIONS AND CONTRAFACTA
Pierre Attaignant (c.1494-c.1551), Pavane 3/Anonyme, 1547
Anonymous 1550, Pavane (La Monina), Galliarde 7
Claude Gervaise (fl.1540-1560), Galliarde “Qui Souhaitez”, Doulce Memoire (Sweet Memory), Astree 8545, CHANSONS NOUVELLES & DANCERIES
Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #6 in F SPRING JOURNAL, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY
Johann Friedrich Fasch (1688-1758), Overture Grosso in D FWV K:D8, Tempesta di Mare (Sea Tempest), Emlyn Ngai – violin (concertmaster), Chandos 0751, JOHANN FRIEDRICH FASCH (1688-1758) ORCHESTRAL MUSIC