This Week’s Links

Fantasia on a Theme by Thomas Tallis

The Young Person’s Guide to the Orchestra

Fantasia para un Gentilhombre

Pulcinella

Lover’s Concerto

First Hour

Anthony Holborne (1584?-1602?), Dances and Airs – Gaillard, The Sighes, & The Night Watch, Bruggen-Consort, Frans Bruggen, Frans Bruggen – recorder, Teldec / Warner Classics, 65836, FRANS BRUGGEN EDITION: ENGLISH ENSEMBLE MUSIC

George Frideric Handel (1685-1759), Concerto Grosso #6 in D op.3, Handel and Haydn Society (on authentic instruments), Christopher Hogwood, Avie, 2065, HANDEL 6 CONCERTI GROSSI OP.3 & 12 CONCERTI GROSSI OP.6

George Frideric Handel (1685-1759), Coronation Anthem #1: Zadok the Priest, English Concert & Westminster Abbey Choir, Trevor Pinnock, Simon Preston – organ, Deutsche Grammophon, 447280, HANDEL CORONATION ANTHEMS

Johann Adolf Hasse (1699-1783), Flute Concerto in g (or G?), Concerto Copenhagen, Andrew Manze, Maria Bania – flute, Chandos, 0535, FLUTE CONCERTOS BY SCHEIBE, AGRELL & HASSE

Johann Adolf Hasse (1699-1783), L’Olimpiade: choruses: I TUOI STRALI TERROR DE’ MORTALI & VIVA IL FIGLIO DELINQUENTE, Venice Baroque Orchestra, Markellos Chryssicos, Naive, V 5295, L’OLIMPIADE THE OPERA

Johann David Heinichen (1683-1729), Concerto in G S.213 for violin, flutes, oboes & strings, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon, 437849, JOHANN DAVID HEINICHEN: DRESDEN CONCERTI HIGHLIGHTS

Johann David Heinichen (1683-1729), Mass #9 in D: Osanna & Dona nobis pacem, Dresden Chamber Chorus & Dresden Baroque Orchestra, Hans-Christoph Rademann, Carus, 83.148, HEINICHEN & ZELENKA: MASS AND TE DEUM

Second Hour

Gaspar Sanz (1640-1710), Villanos in A, Espanoleta I & II in a, La Cavalleria de Napoles, & Canarios, Andrew Schulman – guitar, Centaur, 2033, THE BAROQUE STYLE (TRANSCRIPTIONS FOR 8-STRING GUITAR)

Henry Purcell (1659-1695), Abdelazer – Moor’s Revenge: Suite, Freiburg Baroque Orchestra, Thomas Hengelbrock, Deutsche Harmonia Mundi, 77231, H.PURCELL * INSTRUMENTAL MUSIC

Thomas Tallis (c.1505-1585), Why fum’th in fight, New York Polyphony, AVIE, AV2186, TUDOR CITY

Domenico Gallo (1730-c.1768) (formerly attrib. to Giovanni Battista Pergolesi), Sonata in Bb, Europa Galante, Fabio Biondi, Opus 111, 88, SALVE REGINA

Johann Sebastian Bach (1685-1750) (attrib. Christian Petzold), Anna Magdalena Notebook: minuets 1 & 2, Michael Parloff – flute, Gerald Ranck – harpsichord, ESS.A.Y, 1027, THE FLUTE ALBUM

Simone Molinaro (c.1570-1634), Ballo detto il Conte Orlando & Saltarello del predetto ballo
Vincenzo Galilei (c.1525-1591), Polymnia
Anonymous, Mascherada
Fabritio Caroso (c.1527-c.1605), Laura soave
Jean-Baptiste Besard (c.1567-c.1617), Bransles de Village
Bernardo Gianoncelli (fl.1650s), Tasteggiata & Bergamasca
Anonymous, Spagnoletta, Paul O’Dette – lute
Ludovico Roncalli (fl.1680-1690), Passacaglia, Paul O’Dette – baroque guitar, Hyperion, CDA66228, ANCIENT AIRS & DANCES

Third Hour

Marco Uccellini (1603-1680), Aria sopra (La Bergamasca) in D, Ensemble Mirable, Magnatune, INFLUENZA ITALIANA

Johann Pachelbel (1653-1706), Ciaccona in f, Boulder Brass, Dorian, 93204, BOLDER BAROQUE

Johann Sebastian Bach (1685-1750), Cantata BWV58: 3 – Ich bin vergnugt in Meinem Leiden, Orchestra of St. Luke’s, John Nelson, Kathleen Battle – soprano, Itzhak Perlman – violin, Deutsche Grammophon, 429737, THE BACH ALBUM

Johann Sebastian Bach (1685-1750), Brandenburg Concerto #5 in D BWV1050, St. Lawrence String Quartet, Awadagin Pratt – piano, Demarre McGill – flute, Stephen Tramontazzi – bass, EMI, 57227, AWADAGIN PRATT AND THE ST. LAWRENCE STRING QUARTET PLAY BACH

George Frideric Handel (1685-1759), Concerto a Due Cori #1 in Bb HWV332, Tafelmusik, Jeanne Lamon, Sony, 63073, HANDEL

Fourth Hour

Anonymous, Greensleeves to a Ground (arr. Olivier Fourés), Daniel Hope – violin, Stefan Maass – lute, Stephan Rath – theorbo, Deutsche Grammophon, B0013993-02, AIR – A BAROQUE JOURNEY

Juan Garcia de Zespedes (c.1619-1678), Guaracha Convidando esta la noche, The Harp Consort, Andrew Lawrence King, Harmonia Mundi, 907293, MISSA MEXICANA

Johann Sebastian Bach (1685-1750), Christmas Oratorio, BWV 248: Part I: Jauchzet, frohlocket, auf, preiset die Tage, Bach Choir of Bethlehem & Bach Festival Orchestra, Greg Funfgeld, Dorian, 93183 I/II, CHRISTMAS ORATORIO BWV 248

Jean-Philippe Rameau (1683-1764), Zephyre: gavottes, air, passepied, air & menuets, Sarabande, gavottes, contredanse, Les Arts Florissants (Flourishing Arts), William Christie, Erato, 85774, RAMEAU LA GUIRLANDE ZEPHYRE

John Playford (1623-1686), Drive the cold winter away (jig), Les Witches, Alpha, 502, NOBODY’S JIG: MR PLAYFORD’S ENGLISH DANCING MASTER

Arcangelo Corelli (1653-1713), Concerto Grosso #8 in g Op.6 CHRISTMAS, Orpheus Chamber Orchestra, Deutsche Grammophon, 429390, ALBINONI:ADAGIOPACHELBEL:CANON BACHHANDELCORELLIVIVALDI*PURCELL

Handel, George Frideric, Messiah: Pifa, Academy of Ancient Music, L’Oiseau Lyre, 410179, CHRISTMAS CONCERTOS

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