Most people who play period instruments like viola da gamba and baroque violin start their training using the modern versions of those instruments and ultimately stumble onto their Baroque ancestors. Usually they are adults, often training as musicians in college or working as professionals. But thanks to a unique and groundbreaking program founded by Angelo […]
One super-fan said the Vivaldi Collection should be get a Nobel Prize because it’s “better than Prozac” in helping her stay relaxed and content. Suzanne spoke with the project’s artistic director, Susan Orlando.
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Viola da gamba player Patricia Halverson, baroque violinist Andrew Fouts, and theorbo and baroque guitar player Scott Pauley are the core members of the Pittsburgh-based group Chatham Baroque. The ensemble specializes in innovative programming of both well-known and lesser known baroque music and musicians, and they promote their work through a thriving concert series, acclaimed
Violinist Rachel Barton Pine and harpsichordist Jory Vinikour are both internationally acclaimed musicians. They’re also old friends. The warmth of their personal relationship is evident in their performance of Johann Sebastian Bach’s Violin & Harpsichord Sonatas on their 2018 CD, and it shines through in their easy, playful rapport when they spoke with Suzanne.
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Harry Bicket is an acclaimed conductor whose specialty is baroque music. He is Artistic Director of The English Concert (the British period instrument ensemble) and Chief Conductor/Music Director of Santa Fe Opera, and his international conducting engagements have included performances at the Metropolitan Opera and Lyric Opera of Chicago, Los Angeles Chamber Orchestra, Cleveland Orchestra,
Cellist Thomas Demenga is a renowned soloist, composer and teacher, whose own teachers and mentors include acclaimed musicians such as Leonard Rose and Mstislav Rostropovich. His repertory includes a full range of historical eras and styles of interpretation and composition, and he is an advocate for New Music. He is also passionate about historical performance
For 33 days, violinist Michelle Ross visited 33 public locations in NYC, performing Bach’s Complete Sonatas and Partitas. Suzanne talked with Michelle about that project, her CD Discovering Bach, and her optimism and passion for the future of classical music.
The Harmonious Society of Tickle Fiddle Gentlemen is an ensemble formed in 2006, with a particular mission to research and present unfairly neglected baroque era composers and their music. Their recording of Concertos by Czech composer Josef Guretsky was released in 2016, and Suzanne spoke with the group’s artistic director Robert Rawson about his colleagues and their process for finding their unusual repertory.
Suzanne talks with John Bullard about the history of the banjo, its unique qualities, and his path to playing a wide repertory, including baroque music, on the banjo.
