Fourth Hour
Johann Sebastian Bach (1685-1750), Cello Suite #5: gavotte I/II, Yo Yo Ma – cello, Sony 63203, INSPIRED BY BACH Antonio Vivaldi (1678-1741), Concerto per mandolino RV425 in C, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino – mandolin, Virgin 45527, VIVALDI CONCERTI PER MANDOLINI – CONCERTI CON MOLTI STRUMENTI Antonio Vivaldi (1678-1741), Concerto in G ALLA RUSTICA
Third Hour
Antonio Vivaldi (1678-1741), Dixit Dominus RV807: opening chorus, sicut erat, & final chorus, Dresden Kornerscher Sing-Verein & Dresden Instrumental Concert, Peter Kopp, Deutsche Grammophon/Archiv 4776145, VIVALDI DIXIT DOMINUS Johann Friedrich Fasch (1688-1758), Concerto in D FWV L:D15, Tempesta di Mare (Sea Tempest), Emlyn Ngai – violin (concertmaster), Chandos 0751, JOHANN FRIEDRICH FASCH (1688-1758) ORCHESTRAL MUSIC
Second Hour
Nicola Matteis (c.1650-after 1714), Ayres in G (False Consonances) excerpt, Scott Pauley – guitar, Dorian 90256, THE SCOTCH HUMOUR Johann Joseph Fux (1660-1741), Ouverture a 4 #6, Clemencic Consort, Rene Clemencic, OEHMS 556, CONCENTUS MUSICO-INSTRUMENTALIS Guillaume Dumanoir (1615-1697), Orchestral Suite, Le Concert des Nations, Jordi Savall, Auvidis 9908, DUMANOIR/MAZUEL/DE LA VOYE SUITES D’ORCHESTRE, 1650-1660 Francesco
First Hour
Thomas Tallis (c.1505-1585), In ieiunio et fletu (In fasting and weeping the priests prayed), Stile Antico, Harmonia Mundi HMU 807572, THE PHOENIX RISING John Blow (1649-1708), Sonata in A, Palladian Ensemble, Honest 5010, EXCESS OF PLEASURE Henry Purcell (1659-1695), Trumpet Tunes & Airs, Fine Arts Brass Ensemble, Nimbus 5546, MUSIC FROM THE ENGLISH COURTS George
Home Page Introduction
Fresh and inviting, upbeat and inspiring, Sunday Baroque is a weekly radio program featuring beloved and appealing music composed in the baroque era (1600-1750) and the years leading up to it. The music may be centuries-old, but it’s the perfect antidote for the stress and distractions of our modern lives, so you can relax and recharge
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