LISTEN TO THE FOUR MOST RECENT HOURS OF SUNDAY BAROQUE
If you missed any of the latest Sunday Baroque program, or want to hear it again, here it is!

Playlist 2018-11-18

This Week’s Links

Music in Bach’s library

Bach and Dietrich Buxtehude

Arcangelo Corelli

First Hour

Tomaso Albinoni (1671-1751), Concerto IV a 6 in G op.2/8: two allegros, La Serenissima, Adrian Chandler – violin & director, AVIE 2106, THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO: 1690-1740 VOL.1

Giovanni Frescobaldi (1583-1643), Canzona Seconda detta la Bernardina, Canzon terza a due Canti, & Canzon Prima a 3 due Canti e Basso, Ensemble Fitzwilliam, Astree 8514, CANZONI E PARTITE

Dietrich Buxtehude (16, Toccata in G BUX164, Nicholas Danby – organ, Virgin Classics VC 7 91139, THE ORGAN - BUXTEHUDE - NICHOLAS DANBY

Johann Sebastian Bach (1685-1750), Concerto in a for 4 Harpsichords BWV1065, American Bach Soloists, Jeffrey Thomas,  John Butt, Phoebe Craig, Jonathan Dimmock & Jeffrey Thomas – harpsichords, American Bach, BRANDENBURG CONCERTOS - VOLUME II

Johann Pachelbel (1653-1706), Ciaccona in d, Masques, Olivier Fortin – harpsichord, Skip Sempe – harpsichord, Alpha 212, ROMANUS WEICHLEIN OPUS 1, 1695

Francois (Charles) Dieupart (1667-1740), Recorder Suite #5 in F, Simphonie du Marais, Hugo Reyne – recorder, Alain Viau – violin, Pascal Montheilhet – archlute, Virgin Veritas 561937, PURCELL DIEUPART SUITES FOR RECORDER

Johann Rosenmuller (1617?-1684), Sonata Settima (7th) a 4 in d, Ensemble Masques, ATMA ACD2 2660, JOHANN ROSENMULLER 12 SONATE

Second Hour

Johann Sebastian Bach (1685-1750), Fugue on a Theme by Corelli in b BWV579, Saint Paul Chamber Orchestra, Christopher Hogwood, London 440376, TIPPETT FANTASIA CONCERTANTE ON A THEME OF CORELLI HOLST ST PAULS SUITE A FUGAL CONCERTO

Giovanni Reali (c.1681-after 1727), Folia (dedicated to Corelli), Sonatori de la Gioiosa Marca (Players of the Joyous Border Area), Erato 85775, FOLLIE ALLITALIANA (ITALIAN FOLLIES)

William McGibbon (c.1690-1756), Sonata #5 in G IMITATING CORELLI, Chatham Baroque, Dorian 90291,

Gasparo Visconti (1683-1713), Concerto for 2 Violins in Bb, European Union Baroque Orchestra, Ricardo Minasi, K&K Verlasanstalt KuK110, CORELLIS LEGACY

Francesco Maria Veracini (1690-1768), Sonata #1 in D (from Dissertazioni … sopra l’opera quinta del Corelli), John Holloway – baroque violin, Jaap ter Linden – cello, Lars Ulrik Mortensen – harpsichord, ECM 1889, VERACINI SONATAS

Georg Philipp Telemann (1681-1767), Sonata Corellisante 3 in b TWV42:h3, Rebel Baroque Ensemble, Jorg-Michael Schwarz, Dorian 90703, CORELLISANTE

Santiago de Murcia (1673-1739), Preludio Grabe (after Corelli), Paul O’Dette – baroque guitar, Harmonia Mundi 907212, JACARAS! 18TH C. SPANISH BAROQUE GUITAR MUSIC OF MURCIA

Third Hour

Alonso Lobo (1555-1617), Kyrie (from Missa Maria Magdalene), The Sixteen, Harry Christophers, CORO COR16128, FLIGHT OF ANGELS

Luis Venegas de Henestrosa (trans), Discanto e contrapunto, The Harp Consort, Andrew Lawrence King, Harmonia Mundi, 907316, EL ARTE DE FANTASIA - EL LIBRO DE CIFRA NUEVA (1557)

Georg Bohm (1661-1733), Prélude, fugue & postlude in g, Luc Beausejour – piano, Analekta AN 2 9128, BAROQUE SESSION ON PIANO

Georg Philipp Telemann (1681-1767), Concerto in d for 2 Chalumeaux, Collegium Musicum 90, Simon Standage, Colin Lawson – chalumeau, Michael Harris – chalumeau, Chandos 0593, TELEMANN MUSIC OF THE NATIONS

Johann Sebastian Bach (1685-1750), Concerto in G for oboe d’amore after BWV 100, 170 & 30, Tafelmusik Baroque Orchestra, Jeanne Lamon, John Abberger – oboe d’amore, Analekta AN2 9815, CONCERTI VIRTUOSI

Fourth Hour

Johann Sebastian Bach (1685-1750), Cello Suite #6 in D BWV1012: prelude, Yo Yo Ma – cello, Sony 190758 54652, YO-YO MA - SIX EVOLUTIONS

Georg Philipp Telemann (1681-1767), Sonata #7 in f# TWV41:fis2, Dorian Komanoff Bandy – baroque violin, Paul Cienniwa – harpsichord, Whaling City Sound wcs 108,

Michel Richard Delalande (1657-1726), Confitebor tibi Domine: simphonie. Confitebor, Les Arts Florissants, William Christie, Harmonia Mundi HAF 8901351, LALANDE TE DEUM

Johann Sebastian Bach (1685-1750), Cantabile in G BWV1019A, Rachel Barton Pine – violin, Jory Vinikour – harpsichord, Cedille CDR 90000 177,

William Mundy (c.1528-c.1591), In AEternum a6
Christopher Tye (c.1505-before 1573), Lawdes Deo a5
John Sheppard (c.1515-1558), Dum transisset Sabbatum a6, LeStrange Viols, Loren Ludwig & John Mark Rozendaal – treble viol, Kivie Cahn-Lipman and James Waldo – tenor viol, Zoe Weiss – tenor & bass viols, Douglas Kelley – bass viol, Olde Focus Recordings FCR912, AETERNUM: MUSIC OF THE ELIZABETHAN AVANT GARDE FROM ADD.MS 31390

Johann Sebastian Bach (1685-1750), Keyboard Concerto in D BWV1054, Marcin Swiatkiewicz – harpsichord, Zefira Valova – violin, Anna Nowak-Pokrzywinska – violin, Dymitr Olszewski – viola, Tomasz Pokrzywinski – cello, Channel Classics CCS 40418, BACH HARPSICHORD CONCERTOS 1,2,3

 

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