When I originated Sunday Baroque as a local public radio program on WSHU in Fairfield, Connecticut nearly 31 years ago, it coincided with WSHU’s move into a little house on the periphery of a small but growing college campus. As Sunday Baroque grew, so did WSHU’s operations, and we quickly outgrew the house. For many years, we have taken great pride in producing amazing radio from such humble studios (not without occasional private grousing about the limitations) but I’m so pleased to report that we just cut the ribbon on a beautiful new facility!
Anthony Moaton, Joelle Schrock, Suzanne Bona, Julie Freddino
Even as dilapidated as it is, the little house has been the site of countless wonderful memories, including the birth of Sunday (Morning) Baroque in 1987 and the launch of the renamed national show, Sunday Baroque, in 1998. Today, Sunday Baroque is broadcast on approximately 200 radio stations nationwide. This remarkable growth has been made possible thanks to generous listener support and advocacy. The Sunday Baroque team — Julie Freddino, Joelle Schrock and Anthony Moaton — is an extraordinary group of capable professionals who have made the program sound terrific from the little house. We all look forward to this exciting new beginning, and we thank you for YOUR support!
“Happiness is a state of mind.” That was the wise message I received in a fortune cookie the other day. It had me thinking about things that give me happiness, and observing things that make others happy. Music is, as you might expect, a huge source of happiness, and some recent events illustrate that beautifully.
A few weeks ago I performed with my trio in another city, and I stayed at the home of a 20-something family member. She’s a smart, well-educated and accomplished young woman with a successful career and life, a circle of friends, and diverse interests that include travel, pets, cooking and more. I invited her to attend one of my group’s performances, and when we got in the car to go home afterwards she announced with breathless enthusiasm, “I LOVED THAT!!!!” She went on to explain that she hadn’t known what to expect, doesn’t really listen to much music of any genre, and had assumed classical music was quiet and low energy. She was truly surprised and delighted by the experience — more than just polite praise, this was unbridled enthusiasm. I am still tickled by her outpouring of enjoyment.
And then yesterday, I attended a chamber music performance in a small church. Some of the audience seats are in the choir section directly behind the performers, so the rest of us in the audience could see their faces. One woman, in particular, was clearly mesmerized with delight as she watched the performers intently, beaming and slightly swaying to the music. It added to the joy on the performers’ own faces as they exchanged meaningful glances and gestures while playing.
I can think of many other examples of spontaneous, outward joy created by music, and I feel fortunate to have that connection to something that is a source of such happiness for me and others. Do you have special memories of music giving you that kind of emotional rush? What experiences stand out in your mind when music has filled your heart with happiness?
Christina Nam is a 15-year-old violinist who is preparing to compete in Geneva, Switzerland in the Menuhin Competition. She is one of 44 of the world’s top young violinists competing before an international panel of judges, acclaimed musicians who have all gone through what Christina and her fellow competitors are experiencing now.
March is the annual celebration of Women’s History Month. It’s designated as a time to celebrate the vital role of women in American history, as well as applaud the contributions of contemporary women in all fields of work.
The annual Sunday Baroque Bach Birthday Bash will be broadcast on Sunday, March 18. Although I don’t usually overtly observe birthdays of composers on Sunday Baroque, I have produced an all-Bach edition of Sunday Baroque every March since I originated the program more than 30 years ago. That’s because Johann Sebastian Bach is different.
How does one define “classical” music? How is it different from other genres, such as “rock and roll” or “jazz”? In what way is “baroque” music different (or the same) as other so-called “classical” music?
Why do we carve musical genres into these subsets, anyway, and what are the characteristics that define each and create distinctions from other genres? Is there more commonality between genres than we realize?
Happy New Year! Even if you’re not the type of person who makes New Year’s Resolutions, I’d like to offer a suggestion to consider.
As a classical music broadcaster and a musician, I am frequently faced with the question of how to get more people to listen to classical music. For decades, pundits have been raising alarms about the supposed “graying” of the audience, forecasting the demise of symphony orchestras and other performing groups, and lamenting the decrease of classical music on the broadcast airwaves.
Sunday Baroque listeners frequently contact me to say how much they enjoy the music and how much it means to them. You’ve told me it helps you feel happy, provides companionship, enlightens you, and more. These stories affirm my personal belief in the power of music, and remind me to appreciate how extraordinary that power can be and not take it for granted.
Sunday Baroque Blog
Host Suzanne Bona occasionally shares something interesting with you that is too timely or doesn't quite fit on the weekly broadcast. It might be to give you a behind-the-scenes look at the program, tell you about a terrific new recording, share information about a group's concert tour or latest award, or inform you about the passing of an important musician. Sometimes it might be an observation about the musical scene in general, or a reaction to a news item that relates to the world of music or the arts. Check in with Suzanne's blog to see what she has to say and join the conversation.