This Week’s Links
International Coffee Day (October 1)
https://internationalcoffeeday.org/
Rebel Baroque Ensemble (Suzanne’s Interview)
https://sundaybaroque.org/rebel/
Voice Flute
https://en.wikipedia.org/wiki/Voice_flute
Artemisia Gentileschi – artist
https://www.nationalgallery.org.uk/artists/artemisia-gentileschi
Thomas Gainsborough’s portraits of his musician friends:
Carl Friedrich Abel
https://www.frick.org/exhibitions/gainsborough/12
Felice Giardini
https://www.npg.org.uk/collections/search/portrait/mw149947/Felice-Giardini
Thomas Linley
https://en.wikipedia.org/wiki/Portrait_of_Thomas_Linley_the_Elder
Johann Christian Fischer
https://www.npg.org.uk/collections/search/portrait/mw67277/Johann-Christian-Fischer
First Hour
Johann Sebastian Bach (1685-1750), Wachet Auf BWV645 (Wake, Awake, for Night is Passing), Alison Balsom – trumpet, Stephen Cleobury – organ, Warner Classics, 925116, JUBILO
Arcangelo Corelli (1653-1713), Sonata in G op.4 #10 (1694), Rebel, Jorg-Michael Schwarz, Dorian, 90703, CORELLISANTE
Antonio Caldara (1670-1736), Sinfonia #2: Il Battista, Orquesta Barroca de la Universidad de Salamanca, Angel Sampedro, Verso, 2001, ANTONIO CALDARA 12 SINFONIE A QUATTRO
Antonio Caldara (1670-1736), Sinfonia #10: Gioseffo, che interpreta i sogni (Joseph interprets his dream), Orquesta Barroca de la Universidad de Salamanca, Angel Sampedro, Verso, 2001, ANTONIO CALDARA 12 SINFONIE A QUATTRO
Johann Sebastian Bach (1685-1750), Cantata 211: Coffee BWV 211: (bass aria) Madchen die von harten Sinnen, (soprano aria) Heute noch, lieber Vater, tut es doch, & (chorus) Die Katze lasst das Maussen nicht, Bach Collegium Japan, Masaaki Suzuki, Carolyn Sampson – soprano, Stephan Schreckenberger – bass, Makoto Sakurada – tenor, BIS, 1411, JS BACH: SECULAR CANTATAS BWV210 & BWV211
Jean-Baptiste Lully (1632-1687), Chaconne de Phaeton, Petit Air pour les mesmes (Phaeton), & Premier Air (Armide), Cafe Zimmermann, Alpha, 074, D’ANGLEBERT PIECES DE CLAVECIN & AIRS D’APRES M.DE LULLY
Antonio Vivaldi (1678-1741), Clarinet Concerto No. 2 (arranged from arias from ‘La fida ninfa’, ‘Il Giustino’ & ‘Juditha triumphans’), Concerto Koln, Martin Frost – clarinet, Sony, 19075929912, MARTIN FROST – VIVALDI
Second Hour
Francesca Campana (c.1615-1665), Fanciulla vezzosa (Charming Maiden) & Amor se questa sera (Love, if tonight), Les Kapsber’girls, Alpha Classics, ALPHA1098, VOX FEMINAE
Antonio Vivaldi (1678-1741), Concerto in d for viola d’amore and lute RV 540, Ars Antigua, Rachel Barton Pine – viola d’amore, Hopkinson Smith – lute, Cedille, 90000 159, VIVALDI THE COMPLETE VIOLA D’AMORE CONCERTOS
Traditional, Sa’dawi (instrumental)
Traditional, Yo le mandi a la mi novia (instrumental)
Traditional, Dame paras para el banyo (instrumental)
Traditional Turkish-Sephardic, Karsilamas segardies (instrumental)
Traditional, Tanz, tanz Jiddelelch (instrumental), Capella de Ministrers, Carles Magraner, Centre de Musica, 1435, MUSICA ENCERRADA THE ORAL LEGACY OF THE SEPHARDIC DIASPORA
Francesco Mancini (1672-1737), Sonata V in D, Tempesta di Mare Chamber Players, Gwyn Roberts – voice flute, Richard Stone – guitar, Adam Pearl – harpsichord, Lisa Terry – cello, Chandos, CHAN 0801, FRANCESCO MANCINI SOLOS FOR A FLUTE
Johann Sebastian Bach (1685-1750), French Suite #2 in c BWV813, Rochelle Sennet – piano, Albany TROY, 1965, BACH TO BLACK VOLUME 3
Third Hour
Claudio Monteverdi (1567-1643), Madrigal “Ah, dolente partita” & Madrigal “Quel augellin che canta”, American Brass Quintet, Summit, 181, FYRE & LIGHTNING CONSORT MUSIC OF 1600
George Frideric Handel (1685-1759), Overture, Minuet & Gigue (Berenice), Academy of Ancient Music, Christopher Hogwood, L’Oiseau Lyre, 410553, PACHELBEL: CANON
Antonia Padoani Bembo (c.1643-c.1715), Habbi piet di me (Have mercy on me), L’Arpeggiata, Christina Pluhar, C line Scheen – soprano, WONDER WOMEN
Georg Philipp Telemann (1681-1767), Concerto in A TWV A2, Toronto Chamber Orchestra, Kevin Mallon, Thomas Stacy – oboe d’amore, Naxos, 8.570735, CONCERTOS FOR OBOE D’AMORE
Johann Joachim Quantz (1697-1773), Concerto in D for flute, strings and b.c. QV5:45, Arion Baroque Orchestra, Alexander Weimann – harpsichord, Claire Guimond – baroque flute, Early Music, EMCCD7777, REBELLES BAROQUES
Fourth Hour
Felice Giardini (1716-1796), Quartet in Bb op.21 #5: Adagio, L’Astree, Opus 111, 30163, FIVE QUARTETS DEDICATED TO THE DUKE AND DUCHESS OF DEVONSHIRE
Nicholas Lanier (1588-1666), Symphonia in G & No More Shall Meads be Deck’d with Flow’rs
Francesca Caccini (1587-1640), Chi desia di saper (To whoever desires to know what love is)
Andrea Falconieri (1585/6-1656), Sinfonia detta la buon’hora
Girolamo Frescobaldi (1583-1643), Canzona, El Mundo, Jennifer Ellis Kampani – soprano, Richard Savino – theorbo, Alan Cockerman – baroque guitar, John Schneiderman – archlute, Sono Luminus, 92195, WHAT ARTEMISIA HEARD
Carl Friedrich Abel (1723-1787), Sonata #1 in G, Charivari Agreable (Pleasant Tumult), Signum, 26, MUSIC FOR GAINSBOROUGH
Thomas Linley Jr. (1756 1778), Violin Sonata in A (c.1768), Locatelli Trio, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Hyperion, 66583, ENGLISH ORPHEUS VOL.13 ENGLISH 18TH C. VIOLIN SONATAS
Johann Christian Fischer (c.1733-1800), Oboe Concerto #7 in F, Kolner Akademie, Michael Alexander Willens, Michael Niesemann – oboe, VIRTUOSO OBOE CONCERTOS – FORGOTTEN TREASURES VOL.7
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