This Week’s Links
The Vivaldi Edition – Susan Orlando, Artistic Director (Suzanne’s interview)
Joahua Bell’s Stradivarius Violin
First Hour
Giovanni Battista Buonamente (1595-1642), Sonata prima a 3, Quicksilver, Julie Andrijeski – violin, Robert Mealy – violin, Dominic Teresi – dulcian, Avi Stein – harpsichord, Quicksilver Baroque, QS1003, EARLY MODERNS THE (VERY) FIRST VIENNESE SCHOOL
Antonio Vivaldi (1678-1741), Concerto in C RV478, L’Onda Armonica (The Harmonic Wave), Sergio Azzolini – bassoon, Naive Classiques, OP 7956, VIVALDI : CONCERTI PER FAGOTTO V
Antonio Vivaldi (1678-1741), TEUZZONE: (aria) Non Paventa Gia Mai Le Cadute, Le Concert des Nations, Jordi Savall, Furio Zanasi (Sivenio) – baritone, Naive, OP 30513, TEUZZONE
Francesco Maria Veracini (1690-1768), Sonata #1 in D op.2, Trio Settecento, Rachel Barton Pine – violin, John Mark Rozendaal – cello, David Schrader – harpsichord, Cedille, 90000 155, VERACINI COMPLETE SONATE ACCADEMICHE
Henry Purcell (1659-1695), King Arthur Suite: Act 1: Overture, Act 1: Come if you dare, Act 5: Symphony, &Act 5: Fairest Isle, The English Concert, Alison Balsom – trumpet, EMI Classics, 440329, SOUND THE TRUMPET
Thomas Augustine Arne (1710-1778), Overture to Eliza, Capella Savaria, Mary Terey-Smith, Centaur, CRC 3072, THOMAS A. ARNE OVERTURES AND CANTATAS
Second Hour
William McGibbon (c.1690-1756), Sonata #5 in G IMITATING CORELLI, Chatham Baroque, Dorian, 90291, REEL OF TULLOCH: BAROQUE MUSIC OF SCOTLAND & IRELAND
Francesco Barsanti (1690-1772), 7 Scots Tunes, Florilegium, Columns Cla, B555016, BAROQUE SOIREE
The Balcarres Lute Book (17th c. Scottish), Suite “Imperial Sweetnesse”- Two Gigues By Monsieur Gallot / A Gigge By Mr Beck, Sylvain Bergeron – baroque lute, ATMA Classique, ACD2 2562, THE BALCARRES LUTE BOOK: A 17TH C. SCOTTISH MANUSCRIPT
Giuseppe Tartini (1692-1770), Violin Concerto in a D115, Scottish Chamber Orchestra, Christian Curnyn, Nicola Benedetti, Decca, B0016412-02, ITALIA
Francesco Saverio Geminiani (1687-1762), Scots Airs: Auld Bob Morrice & Lady Ann Bothwell’s Lament, Palladian Ensemble, Honest, 5010, EXCESS OF PLEASURE
James Oswald (1711-1769), Serenata #5 in d, Chatham Baroque, Dorian, 90291, REEL OF TULLOCH: BAROQUE MUSIC OF SCOTLAND & IRELAND
Charles Macklean (c.1712-1765), Sonata X in G, Alison Melville – traverso and recorder, Charlotte Nediger – harpsichord, Mary-Katherine Finch – cello, Early Music, 7761, SHE’S SWEETEST WHEN SHE’S NAKED: FLUTE MUSIC OF 18TH C. SCOTLAND
Third Hour
William Byrd (c.1540-1623), Exsurge Domine: cantiones sacrae II, Stile Antico, Harmonia Mundi, 807463, HEAVENLY HARMONIES
Nicola Francesco Haym (1678-1729), Sonata #3 in D, Cappella Musicale Enrico Stuart, Chiara Strabioli – transverse flute, Romeo Ciuffa (recorder & transverse flute), Rebeca Ferri (cello), Marco Vitale (harpsichord), Brilliant Classics, 96167, HAYM: FLUTE MUSIC
Johann Sebastian Bach (1685-1750), Concerto in E BWV1053, Academy of Ancient Music, Andrew Manze, Richard Egarr – harpsichord, Harmonia Mundi, 907283.84, 7 HARPSICHORD CONCERTOS
Johann Nepomuk Hummel (1778-1837), Mandolin Concerto in G S.28, Il Giardino Armonico, Avi Avital – mandolin, Deutsche Grammophon, AVI AVITAL CONCERTOS
Fourth Hour
Nicola Matteis (c.1650-after 1714), Diverse bizzarrie sopra la Vecchia Sarabanda o pur Ciacconna, Daniel Hope, Daniel Hope – violin, Deutsche Grammophon, B0013993-02, AIR – A BAROQUE JOURNEY
Johann Sebastian Bach (1685-1750), French Suite #3 in b BWV814, Rochelle Sennet – piano, Albany TROY, 1965, BACH TO BLACK VOLUME 3
Giuseppe Tartini (1692-1770), Sonata in g op.1 #4 DEVIL’S TRILL, Joshua Bell – violin, John Constable – harpsichord, Sony, 8869711013, VIVALDI: THE FOUR SEASONS
Johann Sebastian Bach (1685-1750), Brandenburg Concerto #5 in D BWV1050, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, AVIE, 2207, BACH: BRANDENBURG CONCERTOS, HARPSICHORD & VIOLIN CONCERTOS
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