This Week’s Links
Ophelie Gaillard’s stolen (and returned) cello
Robert Rawson – The Harmnonious Society of Tickle-Fiddle Gentlemen (Suzanne’s interview)
Emnmanuel Pahud – flute (Suzanne’s interview)
First Hour
Francois Couperin (1668-1733), Pieces de Clavecin: allegresse, London Brass, Teldec, 18665, LONDON BRASS BAROQUE
George Frideric Handel (1685-1759), Sonata in D op.1 #13 HWV371 AUTHENTIC, Andrew Manze – violin, Richard Egarr – harpsichord, Harmonia Mundi, 907259, GEORGE FRIDERIC HANDEL COMPLETE VIOLIN SONATAS MANZE/EGARR
Johann Sebastian Bach (1685-1750), Concerto in d BWV 974 (based on oboe concerto by Marcello), Luc Beausejour – piano, Analekta, AN 2 9128, BAROQUE SESSION ON PIANO
Antonio Vivaldi (1678-1741), Clarinet Concerto No. 3 (arranged from arias from ‘Il Giustino’, ‘Juditha triumphans’ & ‘Tieteberga’), Concerto Koln, Martin Fr st – clarinet, Sony, 19075929912, MARTIN FROST – VIVALDI
Charles Avison (1709-1770), Concerto #9 in C (after Scarlatti), Cafe Zimmermann, ALPHA, 031, AVISON CONCERTOS IN 7 PARTS DONE FROM 2 BOOKS OF LESSONS BY SCARLATTI
Second Hour
Anonymous, Chacona ytaliana:”Sencilla pastora”
Juan Ara s (? – c.1649), Chacona: Una sarao de la chacona, Piffaro Renaissance Band, Deutsche Grammophon, 453441, LOS MINISTRILES
Leonardo Leo (1695-1744), Cello Concerto in d L.60, Pulcinella Orchestra, Ophelie Gaillard – cello, Apart , AP326, NAPOLI!
Ferdinando Richardson (c.1558-1618), Pavane – Variations, Galiarda / Variation, Kenneth Weiss – harpsichord, Satirino Records, SR131, HEAVEN & EARTH: PIECES FROM THE FITZWILLIAM VIRGINAL BOOK
Mademoiselle (Louise?) Duval (1718-after 1775), Ballet LES GENIES: suite, Les Delices, Debra Nagy – oboe, Julie Andrijeski – violin,, Rebecca Reed – viola da gamba, Mark Edwards – harpsichord, Youtube, 2021
Johann Friedrich Fasch (1688-1758), Overture in F FWV K:F1, Tempesta di Mare, Chandos, CHAN 0791, JOHANN FRIEDRICH FASCH ORCHESTRAL WORKS VOLUME 3
Third Hour
Antonio Vivaldi (1678-1741), Aria JSME VESELI A ZPIVAME (We are cheerful, and sing) from the pasticcio IL CONFRONTO DELL’AMOR CONIUGALE (1727), The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson, Ciara Hendrick – contralto, Accent, ACC24420DI, VIVALDI IN PRAGUE
Tarquinio Merula (1595-1665), La Viscontea, Baroque Music Montana, Carrie Krause – baroque violin, Nate Helgeson – dulcian, John Lenti – theorbo, Black Bear Records, BMM02, I MELT LIKE SNOW IN THE SUN OF YOUR BEAUTY
Antonin Reichenauer (c.1694-1730), Concerto for violin, strings, & b.c. in c, The Harmonious Society of Tickle-Fiddle Gentlemen, Robert Rawson, Tassilo Erhardt – solo violin, Accent, ACC24420DI, VIVALDI IN PRAGUE
Michel Corrette (1707-1795), Les d lices de la solitude, Sonata #4 in Bb, Kesler And Wilson Duo, Michelle Kesler – cello, Miranda Wilson – cello, MSR Classics, MS1832, MICHEL CORRETTE: LES DELICES DE LA SOLITUDE 6 SONTAAS FOR 2 CELLOS OP. 20
Johann Sebastian Bach (1685-1750), St. Matthew Passion: DU LIEBER HEILAND DU & BU UND REU, Cantata Collective, Nicholas McGegan, Reginald Mobley – countertenor, AVIE, AV2840, ST. MATTHEW PASSION
Johann Sebastian Bach (1685-1750), Violin Concerto in E BWV1042, La Petite Bande, Sigiswald Kuijken – violin, ACCENT, ACC24417, JOHANN SEBASTIAN BACH THE HARPSICHORD CONCERTOS
Andrea Falconieri (1585/6-1656), Il primo libro di canzone: Il Spiritillo Brando
Nicola Matteis (c.1650-after 1714), Ayres for the Violin: Aria burlescaCristina Prats Costa – violin, Lucas Harris – lute, Naghmeh Farahmand – percussion, Pentatone, PTC5187582, SPIRITILLO MEDITERRANEO
Fourth Hour
Johann Sebastian Bach (1685-1750), Vor deinen Thron tret ich hiermit” (I step before thy throne) BWV668, Andrew Rangell – piano, Steinway & Sons, 30126, A BOUQUET OF BACH
Carlo Farina (c.1600-c.1640), Pavana Tertia (3rd), Flanders Recorder Quartet, EMS/CNR, 1507, THE NATIONS
Heinrich Schutz (1585-1672), Ride la Primavera & O Primavera, Gravitacion, Sherezade Panthaki – soprano, Jay Carter – countertenor, Daniel Carberg – tenor, Matthew Leese – baritone, First Step Records, 4410, LE STAGIONI – THE SEASONS
Georg Caspar Schurmann (1672-1751), Suite LUDOVICUS PIUS (opera, 1726), Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi, 901852, OUVERTUREN: MUSIC FOR THE HAMBURG OPERA
Johann Joachim Quantz (1697-1773), Concerto in G for flute, strings & b.c. QV5:174, Kammerakademie Potsdam, Emmanuel Pahud – flute, EMI Classics, 84220, THE FLUTE KING
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