This Week’s Links
Yanet Campbell Secades – violin (Suzanne’s interview)
First Hour
Anonymous (18th century), Balletti di Venezia, Ensemble Caprice, Matthias Maute, ATMA, ACD2 2344, LES SEPT SAUTS: BAROQUE CHAMBER MUSIC AT THE STUTTGART COURT
Georg Philipp Telemann (1681-1767), Overture in c for violin, 2 oboes & bassoon, Berlin Baroque Soloists, Rainer Kussmaul, Albrecht Mayer – oboe, Viola Orlovsky – oboe, Stefan Schweigert – bassoon, Deutsche Grammophon/Archiv, 4775923, SINFONIA MELODICA
Gaspar Fernandez (c.1570-1629), A Belén me llego, tio (To Bethlehem I arrived…), Capella Mediterranea, Clematic, Chamber Chorus of Namur, Leonardo Garcia Alarcon, Ricercar, RIC 334, CARMINA LATINA
Johann Sebastian Bach (1685-1750), Violin Concerto in a BWV1041, Ontario Pops Orchestra, Carlos Bastidas, Yanet Campbell Secades – violin, BREAKING BARRIERS
Benedetto Marcello (1686-1739), Violin Concerto in e S.C788, Gli Incogniti, Amandine Beyer – violin & leader, Harmonia Mundi, HMM902769.70, BACH FROM ITALY
Antonio Vivaldi (1678-1741), Farnace: suite, Le Concert des Nations, Jordi Savall, Naive, 30471, FARNACE RV711
Second Hour
George Frideric Handel (1685-1759), Theodora: How strange their ends, Les Arts Florissants (Flourishing Arts), William Christie, Erato, 43181, HANDEL THEODORA
Giuseppe Tartini (1692-1770), Pastorale for violin and string orchestra, National Arts Center Orchestra of Canada, Pinchas Zukerman, Pinchas Zukerman – violin, Analekta, AN2 8783, BAROQUE TREASURY
Johann Sebastian Bach (1685-1750), Sonata #5 in f BWV1018, Rachel Barton Pine – violin, Jory Vinikour – harpsichord, Cedille, CDR 90000 177, JS BACH: THE SONATAS FOR VIOLIN & HARPSICHORD
Louis-Gabriel Guillemain (1705-1770), Sonata #6 in C, Ensemble Mirable, Greer Ellison – flute, Elizabeth Blumenstock – violin, Joanna Blendulf – viola da gamba, William Skeen – cello, JungHae Kim – harpsichord, Ensemble Mirable, 66449 43242, CONVERSATIONS GALANTES
Third Hour
Johann Christoph Pepusch (1667-1752), Sonata in G, Hans Maria Kneihs – recorder, Wolfgang Zerer – harpsichord, Camerata, 134, BAROQUE RECORDER SONATAS
George Frideric Handel (1685-1759), Concerto Grosso #2 in F op.6, Academy of St. Martin in the Fields, Iona Brown, Philips, 410049/50/51, HANDEL 12 CONCERTI GROSSI, OP.6
Nicola Porpora (1686-1768), Cello Concerto in G, L’Ensemble 415, Chiara Banchini, Gaetano Nasillo – cello, Zig Zag, 50302, CONCERTI NAPOLETANI PER VIOLONCELLO
Nicola Francesco Haym (1678-1729), Sonata #3 in D, Cappella Musicale Enrico Stuart, Chiara Strabioli – transverse flute, Romeo Ciuffa (recorder & transverse flute), Rebeca Ferri (cello), Marco Vitale (harpsichord), Brilliant Classics, 96167, HAYM: FLUTE MUSIC
Juan Gutierrez de Padilla (c.1590-1664), Exultate, iusti, in domino (Rejoice in the lord), Boston Camerata & Schola Cantorum of Boston, Joel Cohen, Erato, 45977, NUEVA ESPANA: CLOSE ENCOUNTERS IN THE NEW WORLD
Fourth Hour
Ernest Louis, Landgrave of Hesse-Darmstadt (1688-1758), Symphonie #1 in A: chaconne, Musicians of the Old Post Road, OPR Records, OPRR001, INTO THE LIGHT
Johann Sebastian Bach (1685-1750), Gavotte en Rondeau (from Lute Suite in E major BWV 1006a), Raphaël Feuillâtre – guitar, Deutsche Grammophon, 4864073, VISAGES BAROQUES
Anna Bon di Venezia (1740-after 1767), Flute Sonata IV from Sei Sonate da Camera per il Flauto Traversiere e Violoncello o Cembalo (1757 Nuremberg), La Donna Musicale, Na’ama Lion – flute, Noriko Yasuda – fortepiano, Laury Gutierrez – viola da gamba, La, 2010, ANNA BON: LA VIRTUOSA DI VENEZIA
George Frideric Handel (1685-1759), Organ Concerto #14 in A HWV296a, Academy of Ancient Music, Stephen Layton, Richard Marlow – organ, Hyperion, 67678, HANDEL DETTINGEN TE DEUM
Jean-Fery Rebel (1666-1747), Trio Sonata in c LE TOMBEAU DE MONSIEUR DE LULLY, Rebel, Jorg-Michael Schwarz – violin, Deutsche Harmonia Mundi, 93555, TOMBEAU: THE COMPLETE TRIO SONATAS
Elizabeth Claude Jacquet de la Guerre (1665-1729), Prelude, David Wright – harpsichord, drama musica, donne barocche, DONNE BAROCCHE
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