This Week’s Links
Emmanuelle Haïm – harpsichord & conductor
First Hour
William Byrd (1540-1623), John come kiss me now, Daniel-Ben Pienaar – piano, AVIE, AV2574, BYRD PAVANS & GALLIARDS VARIATIONS & GROUNDS
Jean-Fery Rebel (1666-1747), Les Caracteres de la Danse (Characters of the Dance), Harmony of Nations Baroque Orchestra, Alfredo Bernardini, RaumKlang, 2704, LES CARACTERES DE LA DANSE
Jehan Bodel (1165-1210), Dance: Les un pins, Dufay Collective, Chandos, 9544, ON THE BANKS OF THE SEINE: MUSIC OF THE TROUVERES
Thomas Augustine Arne (1710-1778), Concerto #3 in A, Parley of Instruments Baroque Orchestra, Paul Nicholson, Paul Nicholson – piano forte, Hyperion, 66509, ENGLISH ORPHEUS VOL.7: THOMAS ARNE SIX FAVOURITE CONCERTOS
Johann Sebastian Bach (1685-1750), Triple Concerto in a BWV1044, Berlin Baroque Soloists, Michala Petri – alto & tenor recorders, Rainer Kussmaul – violin, Raphael Alpermann – harpsichord, RCA, 57130, MICHALA PETRI PLAYS BACH & TELEMANN
Second Hour
George Frideric Handel (1685-1759), Passacaille in G HWV399, La Cetra Baroque Orchestra, Maurice Steger – recorder, Harmonia Mundi, HMM902607, MR HANDEL’S DINNER
George Frideric Handel (1685-1759), Concerto Grosso #3 in e op.6, Collegium Musicum 90, Simon Standage, Chandos, 0600, HANDEL: CONCERTI GROSSI, OP.6
Johann Sebastian Bach (1685-1750, Partita in D for traverso, strings, and basso continuo, Concerto Italiano, Rinaldo Alessandrini, Laura Pontecorvo – traverso, Naive, OP8454, MORE BACH, PLEASE!
Johann Sebastian Bach (1685-1750), Concerto in D BWV 972 (after Vivaldi), Rapha l Feuill tre – guitar, Deutsche Grammophon, 4864073, VISAGES BAROQUES
Thomas Tallis (c.1505-1585), Why fum’th in fight, New York Polyphony, AVIE, AV2186, TUDOR CITY
Henry Purcell (1659-1695), Suite from ABDELAZAR (Moor’s Revenge), London Brass, Teldec, 18665, LONDON BRASS BAROQUE
Third Hour
Nicola Matteis (c.1650-after 1714), Preludio & Scaramuccia, Pulcinella Orchestra, Oph lie Gaillard – cello, Apart , AP326, NAPOLI!
George Frideric Handel (1685-1759), Dixit Dominus HWV232: Dominus a dextris tuis & Gloria Patri et Filio (Chorus), Le Concert d’Astr e, Emmanuelle Haim, Warner, HANDEL DIXIT DOMINUS, STEFFANI STABAT MATER
Johann Sebastian Bach (1685-1750), Keyboard Concerto in g BWV1058, Deutsche Kammerphilharmonie Bremen, David Fray – piano & direction, Virgin, 213064, JS BACH KEYBOARD CONCERTOS
Johann Bernhard Bach (1676-1749), Overture in e, Concerto Italiano, Rinaldo Alessandrini, Naive, OP30578, JOHANN SEBASTIAN BACH – COMPLETE OUVERTURES FOR ORCHESTRA
Fourth Hour
Tomaso Albinoni (1671-1751), Concerto IV a 6 in G op.2/8: two allegros, La Serenissima, Adrian Chandler – violin & director, AVIE, 2106, THE RISE OF THE N.ITAL VIOLIN CONCERTO: 1690-1740 VOL.1
Giovanni Frescobaldi (1583-1643), Canzon Prima a due Canti, Canzon Prima a 3 due Canti e Basso, & Canzon terza a due Canti, Ensemble Fitzwilliam, Astree, 8514, CANZONI E PARTITE
Dietrich Buxtehude (1637-1707), Toccata in G BUX164, Nicholas Danby – organ, Virgin Classics, VC 7 91139, THE ORGAN – BUXTEHUDE – NICHOLAS DANBY
Johann Sebastian Bach (1685-1750), Concerto in a for 4 Harpsichords (after Vivaldi) BWV1065, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell – harpsichord, Michael Sponseller – harpsichord, Janina Ceaser – harpsichord, Paul Jenkins – harpsichord, Eclectra, 2059, also AVIE 2211, VIVALDI & FRIENDS
Johann Pachelbel (1653-1706), Ciaccona in d, Olivier Fortin – harpsichord, Skip Sempe – harpsichord, Alpha, 212, ROMANUS WEICHLEIN OPUS 1, 1695
Francois (Charles) Dieupart (1667-1740), Recorder Suite #5 in F, Simphonie du Marais, Hugo Reyne – recorder, Alain Viau – violin, Pascal Montheilhet – archlute, Virgin Veritas, 561937, PURCELL * DIEUPART SUITES FOR RECORDER
Johann Rosenmuller (1617?-1684), Sonata Sesta (#6) a 3 in F, Ensemble Masques, ATMA, ACD2 2660, JOHANN ROSENMULLER 12 SONATE
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