This Week’s Links
Michi Gaigg – conductor/violin
David Maker on Carillons (Suzanne’s interview)
First Hour
John Dowland (1563-1626), Sir Henry Umpton’s Funeral, Concordia Viol Consort, Signum, 61, 1605: TREASON & DISCHORD – WILLIAM BYRD AND THE GUNPOWDER PLOT
William Byrd (c.1540-1623), Christe qui lux es et dies (Christ who art the light and day), The Sixteen, Harry Christophers, CORO, 16140, THE DEER’S CRY
Gaetano Latilla (1711-1788), Sinfonia in G, Europa Galante, Fabio Biondi, Glossa, GCD 923401, IL DIARIO DE CHIARA
Caterina Assandra (c.1590-after 1618) / Benedetto Re (fl.c.1607), Canzone a 4. Accomodata a suonare a duoi Chori (1609), Les Cornets Noirs, AUDITE, AUDITE92572, ECHO & RISPOSTA: VIRTUOSO INSTRUMENTAL MUSIC FROM THE GALLERIES OF THE ABBEY CHURCH OF MURI
Giovanni Paolo Cima (c.1570-1630), Sonata a tre, Quicksilver, Acis Productions, APL72546, STILE MODERNO NEW MUSIC FROM THE SEVENTEENTH CENTURY
Jean-Marie Leclair (1697-1764), Deuxieme (2nd) Recreation de Musique op.8 (1737): excerpt, Four Nations Ensemble, Andrew Appel – dir. & harpsichord, Charles Brink – traverso, Krista Bennion Feeney – violin, Loretta O’Sullivan – cello, Orchid, 100032, JEAN-MARIE LECLAIR
Second Hour
Marin Marais (1656-1728), Cloches ou Carillon, Ensemble La Ninfea, Raum Klang, RK 3308, LE MASQUE DE FER
William Byrd (c1540-1623), The Bells BK 38, Sonnambula, AVIE, AV2746, PASSING FANCY – BEAUTY IN A MOMENT OF CHAOS
John Jenkins (1592-1678), Lyra consort in C THE SIX BELLS, Parley of Instruments Renaissance Violin Consort, Peter Holman, Hyperion, 66604, ENGLISH ORPHEUS VOL.11:LATE CONSORT MUSIC BY JOHN JENKINS
Jacques Aubert (1689-1753), Carillon Concerto in e op.26 #4, Collegium Musicum 90, Simon Standage, Chandos, 0577, LE CARILLON
John Dowland, Third Book of Songes: II.Time Stands Still, Ensemble Amarcord, Daniel Hope – violin, Deutsche Gramophon, HOPE
Marin Marais (1656-1728), Bells of St. Genevieve, Boston Museum Trio, Centaur, 2129, MARIN MARAIS: LA GAMME ET AUTRES MOURCEAUX DE SYMPHONIE
Antonio Vivaldi (1678-1741), Concerto #3 in F op.8 AUTUMN RV293, Orchestra of Flanders, Rudolf Werthen, Yolanda Kondonassis – harp, Telarc, 80523, THE 4 SEASONS FOR HARP & ORCHESTRA
Third Hour
Sylvius Leopold Weiss (1687-1750), Suite in d: Menuet, Toyohiko Satoh – lute, Miki Satoh – lute, Carpe Diem, 16275, BAROQUE LUTE DUETS
Francois Couperin (1668-1733), Les Rozeaux (The Reeds), Mariko Terashi – piano, Athene, 23207, MARIKO TERASHI – SEIXAS – COUPERIN – RAMEAU
Giovanni Gabrieli (1554/7-1612), Canzon quarti toni [a15] & Canzon VI, Canadian Brass, Principal Brass of the New York Philharmonic & Boston Symphony Orchestra, Kazuyoshi Akiyama, Sony, 44931, ANTIPHONAL MUSIC
Johann Sebastian Bach (1685-1750), Overture (Suite) #1 in C BWV1066, Bach Collegium Japan, Masaaki Suzuki, BIS, 1431, JS BACH 4 ORCHESTRAL SUITES BWV1066-1069
Antonio Vivaldi (1678-1741), Flute Concerto in a RV440, Bach-Mozart Ensemble Tokyo, Masahiro Arita – transverse flute, Denon, 75198, CONCERTI FOR A WIND INSTRUMENT
Fourth Hour
Philippe de Vitry (1291-1361), Ay, amours! tant me dure, (Sequentia), Barbara Thornton – voice, Patricia Ann Neely – vielle, Deutsche Harmonia Mundi, 77095, SPLENDEURS: VITRY MOTETS ET CHANSONS
Michael Praetorius (1571-1621), Suite from Terpsichore, Doulce Memoire (Sweet Memory), Dorian, 90262, FOLIE DOUCE (SWEET FOLLY)
Johann Sebastian Bach (1685-1750), Sonata #3 in E BWV1016, Michelle Makarski – violin, Keith Jarrett – piano, ECM New Series, 2230/31, SIX SONATAS FOR VIOLIN AND PIANO
Jean-Philippe Rameau (1683-1764), Za s, RCT 60: suite, L’Orfeo Baroque Orchestra, Michi Gaigg, Crystal Classics, RAMEAU: ZAIS & HIPPOLYTE ET ARICIE
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