This Week’s Links
Khari Joyner – cello (Suzanne’s interview)
Rochelle Sennet – piano (Suzanne’s interview)
Domenico Gallo (c.1730-?) source of Igor Stravinsky’s PULCINELLA themes
First Hour
Enrico Botelero (Henry Butler) (?-1652), Sonata a 2, violi et viola, La Real Camara, Glossa, 920304, TIENTOS Y BATTALLAS: MUSICA VIOLINISTICA ESPANOLA DEL SIGLO XVII
George Frideric Handel (1685-1759), Coronation Anthem HWV261:My heart is Inditing, The Sixteen, Harry Christophers, CORO, 16066, HANDEL CORONATION ANTHEMS
Anne Danican Philidor (1681-1728), Sonata in d – 1er Livre de Pieces (1712), Robert Stallman – flute, Edwin Swanborn – harpsichord, Karl Bennion – cello, Bogner’s Cafe, BOCA-104, THE NIGHTINGALE IN LOVE
Henrico Albicastro (1661-c1730), Sonata “LA FOLLIA” (1704), Hesperion XXI, Jordi Savall, Manfredo Kraemer – violon, Mercedes Ruiz – cello, Michael Behringer – harpsichord, Alia Vox, 9844, ALTRE FOLLIE 1500-1750
Jean-Baptiste Lully (1632-1687), THESEE: finale, Boston Early Music Festival Orchestra & Chorus, Paul O’Dette & Stephen Stubbs, cpo, 777240, THESEE: TRAGEDIE EN MUSIQUE
John Christopher Smith (1712-1795), THE ENCHANTER: suite (love & magic), Capella Savaria Baroque Orchestra, Mary Terey-Smith, Dorian, 93251, SYRENS, ENCHANTERS AND FAIRIES * CAPELLA SAVARIA/M. TEREY-SMITH
Second Hour
Innocentio Alberti (c.1535-1615), Pavin of Albarti, Gallyard, Hesperion XX, Jordi Savall, Alia Vox, 9804, ELIZABETHAN CONSORT MUSIC 1558-1603
Andre Campra (1660-1744), The Great Turk (deuxieme air, pour les Bostangis), Turkish Dance: marche & two airs, Entree de deux femmes (Air des Polichinels), & 2nd Entree des festes Venitienne dancee par les memes (premier air comique), Accademia Amsterdam, Centaur, CRC 3167, A CHOICE COLLECTION OF DANCES
William Child (1606-1697), O Lord, Grant the King a Long Life, Choir of Westminster Abbey & Orchestra, Simon Preston, Deutsche Grammophon, 419613, CORONATION MUSIC FOR KING JAMES II (1685)
Georg Philipp Telemann (1681-1767), Oboe d’Amore Concerto in G TWV G3, Toronto Chamber Orchestra, Kevin Mallon, Thomas Stacy – oboe d’amore, Naxos, 8.570735, CONCERTOS FOR OBOE D’AMORE
Jean-Philippe Rameau (1683-1764), Concert #2, Charles Sherman – harpsichord, Anthony Martin – violin, Josh Lee – viola da gamba, Stephen Schulz – baroque flute, Reference, RR-118, PIECES DE CLAVECIN EN CONCERTS
Third Hour
Johann Sebastian Bach (1685-1750), Sonata in g (orig. in e) BWV1034: allegro (last movement), Michala Petri – recorder, Keith Jarrett – harpsichord, RCA, 61274, BACH SONATAS
Cristobal de Morales (c.1500-1553), Missa Mille regretz: gloria & credo, Chanticleer, Joseph Jennings, Chanticleer, 8809, CRISTOBAL DE MORALES: MISSA MILLE REGRETZ AND MOTETS
George Frideric Handel (1685-1759), Concerto Grosso #12 in b Op.6, Academy of St. Martin in the Fields, Iona Brown, Philips, 410049/50/51, HANDEL 12 CONCERTI GROSSI, OP.6
Domenico Gabrielli (c.1650s-1690), Ricercar 7 (1689), Khari Joyner – cello, Khari Joyner, 2018, CELLOCOMOTION
Johann Sebastian Bach (168501750), Partita #3 in a BWV827,
Rochelle Sennet – piano, Albany, Troy 1910-12, BACH TO BLACK SUITES FOR PIANO VOLUME II
Fourth Hour
Francesco Durante (1684-1755), Magnificat: Magnificat anima mea & Deposuit potentes, Freiburg Baroque Orchestra, Balthasar-Neumann Chorus, Thomas Hengelbrock, Deutsche Harmonia Mundi, 77369, ASTORGA * STABAT MATER PERGOLESI * CONFITEBOR
Pierre Prowo (1697-1757) formerly attributed to Georg Philipp Telemann (1681-1767), Trio Sonata in d TWV42:d10, Amarillis, Heloise Gaillard – baroque recorder, David Plantier – violin, Naive, 112, TELEMANN: VOYAGEUR VIRTUOSE
Anonymous (attrib Hugh Ashton c.1485-?1558), Hugh Ashton’s Maske, The Flautadors Recorder Quartet, First Hand Records, FHR36, CYNTHIA’S REVELS
attributed to Giovanni Frescobaldi (1583-1643), Toccata, Boulder Brass, Dorian, 93204, BOLDER BAROQUE
Johann Gottlieb Goldberg (attrib), Sonata in C (aka Bach’s BWV1037), Wilbert Hazelzet – flute, Jacques Ogg – harpsichord, Jaap ter Linden – cello, Glossa, 2K0802, MUSIC BY BACH’S STUDENTS: KIRNBERGER, ABEL, KREBS, MUTHEL
Unico Wilhelm van Wassenaer (1692-1766), Concerto #1 in G, Academy of St. Martin in the Fields, Neville Marriner, DG (Argo), 410215, WASSENAER ATTRIB. PERGOLESI CONCERTI ARMONICI 1-6
Domenico Gallo (c.1730-?), Trio Sonata No. 1 in G major, Parnassi Musici, cpo, 999717-2, DOMENICO GALLO: 12 TRIO SONATAS (ATTRIBUTED TO PERGOLESI)
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