Tag: Sunday Baroque

Playlist 2019-02-24

Handel statue

This Week’s Links

George Frideric Handel

Handel & Hendrix in London

Mysteries, Myths and Truths about Handel

Handel’s Coronation Anthems

First Hour

Antonio Vivaldi (1678-1741), Concerto for Strings in G ALLA RUSTICA RV151, Capella Istropolitana, Takako Nishizaki – violin, Sunday Baroque: Autumn, THE SEASONS OF SUNDAY BAROQUE: AUTUMN

George Frideric Handel (1685-1759), Concerto Grosso #1 in G op.6, Collegium Musicum 90, Simon Standage, Chandos 0600, HANDEL: CONCERTI GROSSI, OP.6

Johann Sebastian Bach (1685-1750), Cello Suite #3 in C BWV1009: prelude, courante, & gigue, Yo Yo Ma – cello, Sony 190758 54652, YO-YO MA – SIX EVOLUTIONS

Antonio Vivaldi (1678-1741), Mandolin Concerto in C RV425, Venice Baroque Orchestra, Avi Avital – mandolin, Deutsche Grammophon B0022627, AVI AVITAL VIVALDI

Johann Sebastian Bach (1685-1750), Concerto for 2 violins in d BWV1043, Academy of St. Martin in the Fields, Julia Fischer – violin, Alexander Sitkovetsky – violin, Decca, 478065, BACH: VIOLIN CONCERTOS

George Frideric Handel (1685-1759), Solomon: Arrival of Queen of Sheba, English Chamber Orchestra, Nigel Kennedy – violin, EMI 56890, CLASSIC KENNEDY

Second Hour

George Frideric Handel (1685-1759), Giulio Cesare: V’adoro, pupille, Lautten Compagney, Wolfgang Katschner, Lynne Dawson – soprano, Berlin Classics 0017572BC, MY PERSONAL HANDEL COLLECTION

George Frideric Handel (1685-1759), Organ Concerto #6 in Bb HWV294 op.4, Sonnerie, Monica Huggett – dir & violin, Matthew Halls – organ, Avie 2055, HANDEL SIX ORGAN CONCERTOS OP.4

George Frideric Handel (1685-1759), Florindo & Daphne Operas: Suite, Parley of Instruments, Peter Holman, Hyperion, CDA67053, HANDEL IN HAMBURG THE PARLEY OF INSTRUMENTS/PETER HOLMAN

George Frideric Handel (1685-1759), Coronation Anthem HWV258: Zadok the Priest, The Sixteen, Harry Christophers, CORO 16066, HANDEL CORONATION ANTHEMS

George Frideric Handel (1685-1759), Concerto Grosso #8 in c op.6, Handel and Haydn Society (on authentic instruments), Christopher Hogwood, Avie 2065, HANDEL 6 CONCERTI GROSSI OP.3 & 12 CONCERTI GROSSI OP.6

Third Hour

Francois Couperin (1668-1733), Première suite in e: Allemande légère & Gavotte, Nima Ben David – basse de viole, Jonathan Rubin – theorbo, Sophie Bauchet – basse de viole, Alpha 007, COUPERIN & FORQUERAY – PIECES DE VIOLES

Johann Sebastian Bach (1685-1750), Oboe d’amore Concerto in A BWV1055, Cafe Zimmermann, Antoine Torunczyk – oboe d’amore, Alpha 013, JS BACH CONCERTS AVEC PLUSIEURS INSTRUMENTS I

Antonio Vivaldi (1678-1741), Concerto in d RV393, Ars Antigua, Rachel Barton Pine – viola d’amore, Cedille 90000 159, VIVALDI THE COMPLETE VIOLA D’AMORE CONCERTOS

Johann Sebastian Bach (1685-1750), Little Prelude in F BWV927, Peter Blanchette – archguitar, Dorian 93241, ARCHGUITAR BAROQUE: BACH, HANDEL, SCARLATTI, VIVALDI

Johann Friedrich Fasch (1688-1758), Overture (Suite) in d for chalumeau, 2 oboes, bassoon, etc., Accademia Daniel, Shalev Ad-El, Michael Harris – chalumeau, cpo 674, JOHANN FRIEDRICH FASCH CANTATAS OVERTURE IN D MINOR, CONCERTO Bb

Fourth Hour

Johann Mattheson (1681-1764), Der Ober-Classe Dreizehntes Prob-Stuck: con spirito & prestissimo, Andreas Staier – harpsichord, Harmonia Mundi 901898, HAMBURG 1734

Christoph Willibald Gluck (1714-1787), Alessandro (ballet): Marche, Ballo.Sinfonia, & Moderato, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 445824, REBEL: LES ELEMENS * GLUCK * ALESSANDRO

John Christopher Smith (1712-1795), THE ENCHANTER: suite (love & magic), Capella Savaria Baroque Orchestra, Mary Terey-Smith, Dorian 93251, SYRENS, ENCHANTERS AND FAIRIES * CAPELLA SAVARIA/M. TEREY-SMITH

Johann Christoph Pepusch (1667-1752), Concerto for violin, strings and basso continuo in a, The Harmonious Society of Tickle-Fiddle Gentlemen, Ramee RAM1109, JOHANN CHRISTOPH PEPUSCH CONCERTOS AND OVERTURES FOR LONDON

Pietro Castrucci (1679-1752), Concerto Grosso op.3 #5 in F, Handel Festival Orchestra Halle, Anton Steck, Glissando 779034, CONCERTI GROSSI OP.3 #4,5,6,9,11,12

Giovanni Battista Bononcini (1670-1747), Sinfonia #10 in D, Academy of St. Martin in the Fields, Neville Marriner, Philips 422287, SOUND THE TRUMPET

John Hebden (1712-1765), Concerto #2 in C, Cantilena, Adrian Shepherd, Chandos 8339, JOHN HEBDEN: SIX CONCERTOS FOR STRINGS

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Playlist 2019-02-17

Mount Rushmore

This Week’s Links

Presidents Day
White House Musicales
Musical Events at the White House
February is Bird Feeding Month
Bird Feeding Ideas
Pianist Awadagin Pratt performs at the White House

First Hour

John Barrett (c.1674-C.1735), Sonata in D from Tunbridge Walks, Parley of Instruments, Peter Holman, Michael Laird – trumpet, Frank De Bruine – oboe, Hyperion 66817, ENGLISH ORPHEUS VOL.35:SOUND THE TRUMPET

John Dowland (1563-1626), Captaine Digorie Piper his Galiard, M. John Langtons Pavan, M. George Whitehead his Almand, M. Nicholas Gryffith his Galiard & Mistresse Nichols Almand, B-Five Recorder Consort, Coviello Classics, COV91415, IN SEARCH OF DOWLAND

Christopher Simpson (c.1605-1669), Fantasia #2 in C: February (from The Monthes), Sophie Watillon – dessus de viole, Friederike Heumann & Brian Franklin – basses de viole, Matthias Spaeter – theorbo, Luca Guglielmi-organ, Alpha, 88, C. SIMPSON:THE SEASONS,THE MONTHES & OTHER DIVISIONS OF TIME – 1

Henry Purcell (1659-1695), King Arthur – Incidental Music, Freiburg Baroque Orchestra, Thomas Hengelbrock, Deutsche Harmonia Mundi, 77231, H.PURCELL INSTRUMENTAL MUSIC

Joseph Gibbs (1698-1788), Sonata in d op.1 #1, Locatelli Trio, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Hyperion, 66583, ENGLISH ORPHEUS VOL.13 ENGLISH 18TH C. VIOLIN SONATAS

Second Hour

Alessandro Stradella (1639-1682), Il Barcheggio: Sinfonia, Orchestra of St. Luke’s, John Nelson, Wynton Marsalis – trumpet, Sony 46672, BAROQUE DUET

Antonio Vivaldi (1678-1741), Concerto in g for 2 Cellos RV531, Amsterdam Baroque Orchestra, Ton Koopman, Yo Yo Ma – baroque cello, Jonathan Manson – cello, Sony 90916, VIVALDI’S CELLO

Henry Purcell (1659-1695), Prelude, Minuet & A new Irish tune, Andres Segovia – guitar, MCA 42070, THE BAROQUE GUITAR

Domenico Scarlatti (1685-1757), Sonata in G K.201 & Sonata in G K.547, Vladimir Horowitz – piano, Sony 48093, DISCOVERED TREASURES

Georg Philipp Telemann (1681-1767), Trio Sonata in Eb TWV42: Es3 from MUSICAL EXERCISES, Allan Vogel – oboe, Patricia Mabee – harpsichord, Nancy Sartain – continuo harpsichord, Mark Chatfield – viola da gamba, Delos, 3214, BACH’S CIRCLE

George Frideric Handel (1685-1759), Theodora: Venus laughing from the Skies, For Ever Thus Stands, Oh Love Divine (fin chor), Concentus Musicus Vienna & Arnold Schoenberg Chorus, Nikolaus Harnoncourt, Teldec, 46447, THEODORA

Jean-Marie Leclair (1697-1764), Sonata, Op.3, #4 in F, Itzhak Perlman – violin, Pinchas Zukerman – violin, RCA 607352, DUOS

Third Hour

Jean-Philippe Rameau (1683-1764), Suite in g: La poule (the hen), Angela Hewitt – piano, Hyperion 67597, JEAN-PHILIPPE RAMEAU KEYBOARD SUITES PIECES DE CLAVECIN

Antonio Vivaldi (1678-1741), Concerto in D RV90 GOLDFINCH, L’Astree, Opus111 30-264, CONCERTI DA CAMERA VOL.1

Thomas Tallis (c.1505-1585), Like as the doleful dove, Charivari Agreable, Signum SIGDO42, THOMAS TALLIS THE COMPLETE WORKS – VOLUME 9

Tarquinio Merula (1584/5-1665), Canzon La Lusignuola, Amsterdam Loeki Stardust Quartet, London 414277, VIRTUOSO RECORDER MUSIC

Francois Couperin (1668-1733), Book 3:14th Ordre:La Linote-efarouchee, Book 3:13th Ordre:Les Lis Naissan, & Book 3:14th Ordre:Les Fauvetes plaintives, Angela Hewitt – piano, Hyperion 67520, FRANCOIS COUPERIN KEYBOARD MUSIC VOL.3

George Frideric Handel (1685-1759), Organ Concerto #13 in F HWV295 THE CUCKOO AND THE NIGHTINGALE, Academy of Ancient Music, Richard Egarr, Richard Egarr – organ, Harmonia Mundi 807447/48, HANDEL ORGAN CONCERTOS OP.7

Orlando Gibbons (1583-1625), Dainty fine bird & Silver Swan, Cambridge Singers, John Rutter, Collegium 105, FLORA GAVE ME FAIREST FLOWERS

Fourth Hour

Johann Sebastian Bach (1685-1750), Mass in b: cum sancto spiritu, Bach Choir of Bethlehem & Bach Festival Orchestra, Greg Funfgeld, Dorian 90253, J.S. BACH: MASS IN B MINOR

Arcangelo Corelli (1653-1713), Concerto da chiesa #5 in Bb op.6, Ensemble 415, Chiara Banchini, Harmonia Mundi HMX2971407, CHRISTMAS CONCERTO

Francesco Saverio Geminiani (1687-1762), Violin Sonata in A Op.1/1, Locatelli Trio, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Hyperion 66583, ENGLISH ORPHEUS VOL.13 ENGLISH 18TH C. VIOLIN SONATAS

Thomas Augustine Arne (1710-1778), Suite from ARTAXERSES (1762), Capella Savaria Baroque Orchestra, Mary Terey-Smith, Dorian 93251, SYRENS, ENCHANTERS AND FAIRIES CAPELLA SAVARIA/M. TEREY-SMITH

Johann Sebastian Bach/A. Pratt, Passacaglia & Fugue in c BWV582, Awadagin Pratt – piano, EMI 56836, AWADAGIN PRATT TRANSFORMATIONS

Johann Sebastian Bach (1685-1750), Suite BWV995: Allemande, Courante, & Gigue, Sharon Isbin – guitar, Erato 8-2564617518-5, BACH FOR GUITAR – LUTE SUITES

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Playlist 2019-02-10

Roses

This Week’s Links

Valentine’s Day – history

Valentine’s Day – superstitions

Wearing your Heart on your Sleeve

First Hour

Jacob Praetorius (1586-1651), Quam pulchra es (How beautiful and fair you are, my beloved), Balthasar-Neumann Choir & Ensemble, Pablo Heras-Casado, Archiv, 479452, PRAETORIUS

Johann Sebastian Bach (1685-1750), Sonata in G BWV1039, Lisa Beznosiuk – transverse flute (baroque flute), Rachel Brown – flute, Richard Tunnicliffe – cello, Paul Nicholson – harpsichord, Hyperion, 67264/65, BACH: THE COMPLETE FLUTE SONATAS

John Blow (1649-1708), Venus & Adonis, Orchestra of the Age of Enlightenment, Rene Jacobs, Harmonia Mundi, 901684, VENUS & ADONIS

Johann Christoph Pepusch (1667-1752), Overture to Venus and Adonis in F, The Harmonious Society of Tickle-Fiddle Gentlemen, Ramee, RAM1109, JOHANN CHRISTOPH PEPUSCH CONCERTOS AND OVERTURES FOR LONDON

William Babell (1689/90-1723), Recorder Concerto in d op III #3, Hesperus, Scott Reiss – recorder, Koch, 7454, BAROQUE RECORDER CONCERTI

Henry Purcell (1659-1695), If music Be the Food of Love, Jean Pierre Rampal – flute, Kathleen Battle – soprano, Sony, 53106, IN CONCERT: KATHLEEN BATTLE & JEAN-PIERRE RAMPAL

Second Hour

Louis-Nicolas Clerambault (1676-1764), La Magnifique (trio sonata): allegro, gigue, allegro, Music from Aston Magna, Daniel Stepner – baroque violin, Christopher Krueger – baroque flute, Laura Jeppesen – viola da gamba, John Gibbons – harpsichord, Centaur, CRC3169, LOUIS-NICOLAS CLERAMBAULT (676-1764)

Georg Philipp Telemann (1681-1767), Concerto a 6 in G for 2 Violins & Strings TWV52:G2, Rebel, Jorg Michael Schwarz & Karen Marie Marmer – solo violins, Risa Browder & Christoph Timpe – violins, Daniel Elyar – viola, Bridge Records, 9421, G.P. TELEMANN DOUBLE CONCERTI FOR WINDS & STRINGS

Francesco Landini (c.1325/35-1397), Che chos’e quest’amor, Anonymous 4 (minus Marsha Genensky), Harmonia Mundi 907269, THE SECOND CIRCLE: LOVE SONGS OF FRANCESCO LANDINI

Sylvius Leopold Weiss (1687-1750), Concerto for lute & flute in F SC9, Tempesta di Mare (Sea Tempest), Richard Stone – lute, Gwyn Roberts – flute, Chandos CHAN0707, SILVIUS LEOPOLD WEISS LUTE CONCERTI (PREMIERE RECORDINGS)

Antonio Vivaldi (1678-1741), Concerto in g RV531, European Union Chamber Players, Julian Lloyd Webber – cello, Jiaxin Lloyd Webber – cello, Naxos 8.573374, VIVALDI CONCERTOS FOR TWO CELLOS

Heinrich Franz Ignaz von Biber (1644-1704), Sonata #7 in G, John Holloway – violin, Aloysia Assenbaum – organ/harpsichord, Lars Ulrik Mortensen -, ECM 1791, UNAM CEYLUM

Third Hour

Thomas Morley (c.1557-1602), Fyer, fyer
William Byrd (c.1540-1623), Though Amaryllis Dance in Green, Cambridge Singers, John Rutter, Collegium 105, FLORA GAVE ME FAIREST FLOWERS

Antonio Vivaldi (1678-1741), Concerto in Bb for violin & cello RV547, National Arts Center Orchestra of Canada, Pinchas Zukerman – violin, Amanda Forsyth – cello, Analekta, AN2 8783, BAROQUE TREASURY

Thomas Weelkes (c.1575-1623), Cease sorrowes now, Piffaro Renaissance Band, Navona Records NV5823, WAYTES: ENGLISH MUSIC FOR A RENAISSANCE BAND

Georg Philipp Telemann (1681-1767), Trio #2 in d for 3 alto recorders without bass, Ensemble Caprice, Marion Verbruggen – recorder, Matthias Maute – recorder, Sophie Lariviere – recorder, ATMA, 2318, TELEMANN MIT FREUDE (WITH JOY)

Scotland, I Never Knew I Loved Thee, David Tayler – archlute, Voices of Music 16516, IN A GARDEN SO GREEN

Francois Couperin (1668-1733), IX Concert: Portrait of Love, Trio Sonnerie, Harmonia Mundi 907081, A PORTRAIT OF LOVE

Fourth Hour

Hildegard von Bingen (1098-1179), Instrumentals, Sequentia (Ensemble for Medieval Music, Koln), Deutsche Harmonia Mundi 77020, SYMPHONIAE / SPIRITUAL SONGS

Francesco Mancini (1672-1737), Sonata I in d AMOROSO, Trio Mancini, Cécile Roumy – recorder, Dirk Börner – harpsichord, Shizuko Noiri – lute, Carpe Diem 16255, AMOROSO

James Oswald (1711-1769), Ranunculus (Spring), Broadside Band, Jeremy Barlow, Matthew Dixon – oboe, Dorian 80164, AIRS FOR THE SEASONS

Johann Sebastian Bach (1685-1750), St. Matthew Passion: opening chorus, Part 1 last chorus, & Part 2 chorale, Concentus Musicus Vienna & Arnold Schoenberg Chorus, Nikolaus Harnoncourt, Teldec, 81036, ST. MATTHEW PASSION

Francois Couperin (1668-1733), The Nightingale in Love, Schmidt Verdery Duo, Benjamin Verdery – guitar, Rie Schmidt – flute, Newport Classics 60010, REVERIE: FRENCH MUSIC FOR FLUTE

Michele Mascitti (1664-1760), Psyche op.5 #12, Europa Galante, Fabio Biondi – violin, Virgin Veritas 45588, ITALIAN VIOLIN SONATAS

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Chatham Baroque

Chatham Baroque

Viola da gamba player Patricia Halverson, baroque violinist Andrew Fouts, and theorbo and baroque guitar player Scott Pauley are the core members of the Pittsburgh-based group Chatham Baroque. The ensemble specializes in innovative programming of both well-known and lesser known baroque music and musicians, and they promote their work through a thriving concert series, acclaimed recordings, and a well-established outreach program. The three outstanding musicians appreciate the great rapport they share, and are proud of Chatham Baroque’s continued growth and expansion. They chatted with Suzanne about their music and their successful business model. https://www.sundaybaroque.org/podcasts/CBinterview.mp3

Playlist 2019-02-03

Chinese New Year

This Week’s Links

Chinese New Year

Also a Music Lover: The Story of Yo-Yo Ma’s Sister

Yo-Yo Ma – cello

Yuja Wang – piano

Xuefei Yang – guitar

Jian Wang – cello

Li-wei Qin

First Hour

William Byrd (c.1540-1623), O Lux Beata Trinitas (O trinity of blessed light), The Choir of King’s College, Cambridge, Stephen Cleobury, King’s College Cambridge KGS0024, BYRD MOTETS

Francesco Mancini (1672-1737), Sonata I in d, Tempesta di Mare Chamber Players, Gwyn Roberts – alto recorder, Richard Stone – archlute, Chandos CHAN 0801, FRANCESCO MANCINI SOLOS FOR A FLUTE

Girolamo Frescobaldi (1583-1643), Toccata di durezze e ligature in F, David Greilsammer – piano, Sony, 86979 29692, DAVID GREILSAMMER BAROQUE CONVERSATIONS

Jean-Marie Leclair (1697-1764), Deuxieme (2nd) Recreation de Musique op.8 (1737): excerpt, Four Nations Ensemble, Andrew Appel – dir. & harpsichord, Charles Brink – traverso, Krista Bennion Feeney – violin, Loretta O’Sullivan – cello, Orchid 100032, JEAN-MARIE LECLAIR

Johann Christoph Pezel (1639-1694), Ceremonial Brass Music, London Gabrieli Brass Ensemble, ASV 6013, THE SPLENDOUR OF BAROQUE BRASS

Second Hour

Francois Couperin (1668-1733), Pieces en concert: prelude & : air de diable, Camerata Salzburg, Jian Wang – cello, Deutsche Grammophon 99402, THE BAROQUE ALBUM

Johann Sebastian Bach (1685-1750), Trio Sonata #6 in G BWV530, Yo-Yo Ma – cello, Chris Thile – mandolin, Edgar Meyer – bass, Nonesuch 558933, BACH TRIOS

George Frideric Handel (1685-1759), Trio sonata, Op 2 #5 in g HWV390, Zoltan Katona – guitar, Peter Katona – guitar, Li Wei Qin – cello, Channel Classics 14298, KATONA TWINS

Domenico Scarlatti (1685-1757), Sonata in E K380, Yuja Wang – piano, Deutsche Grammophon 4778795, TRANSFORMATIONS
Domenico Scarlatti (1685-1757), Sonata in G K.455, Yuja Wang – piano, Deutsche Grammophon B0016606, FANTASIA

Johann Sebastian Bach (1685-1750), Concerto in E BWV1042, Elias String Quartet, Xuefei Yang – guitar, EMI Classics 6 79018, XUEFEI YANG BACH CONCERTOS

Third Hour

Adrian Batten (c.1591-c.1637), O Sing Joyfully
Christopher Tye (1505-1573), Laudate Nomen (Praise the name…)
Hans Leo Hassler (1564-1612), Cantate Domino, Voices of Ascension, Dennis Keene, Delos 3165, BEYOND CHANT: MYSTERIES OF THE RENAISSANCE

Anonymous, Greensleeves to a Ground, Hesperion XXI, Jordi Savall, Alia Vox 9820, OSTINATO

Lorenzini di Roma (late 16th c.), Fantasia, Paul O’Dette – lute, Harmonia Mundi 907068, LORD HERBERT OF CHERBURY’S LUTE BOOK

Joseph Bodin de Boismortier (1689-1755), Serenade, Concert Spirituel, Herve Niquet, Naxos 554456, BOISMORTIER FRENCH SERENADES

Louis-Nicolas Clerambault (1676-1749), La Felicite, Les Delices, Debra Nagy – baroque oboe, Emily Walhout – viola da gamba, Scott Metcalfe – violin, Lisa Goode Crawford – harpsichord, Les Delices, LES DELICES THE TASTES REUNITED

George Frideric Handel (1685-1759), Concerto Grosso #6 in g op.6, Academy of St. Martin in the Fields, Iona Brown, Philips 410049/50/51, HANDEL 12 CONCERTI GROSSI, OP.6

Fourth Hour

Bernardo Pisano (1490-1548), Chiare, fresche et dolci acque & Nova angeletta, Hilliard Ensemble, ECM New Series 2346, IL COR TRISTO

Johann Gottlieb Goldberg (attrib), Sonata in C (aka Bach’s BWV1037), Wilbert Hazelzet – flute, Jacques Ogg – harpsichord, Jaap ter Linden – cello, Glossa 2K0802, MUSIC BY BACH’S STUDENTS: KIRNBERGER, ABEL, KREBS, MUTHEL

Henry Purcell (1659-1695), Suite from ABDELAZAR (Moor’s Revenge), London Brass, Teldec 18665, LONDON BRASS BAROQUE

Gaspar Sanz (1640-1710), Villanos in A, Espanoleta I & II in a, La Cavalleria de Napoles & Canarios, Andrew Schulman – guitar, Centaur 2033, THE BAROQUE STYLE (TRANSCRIPTIONS FOR 8-STRING GUITAR)

Unico Wilhelm van Wassenaer (1692-1766), Concerto #1 in G, Academy of St. Martin in the Fields, Neville Marriner, DG (Argo) 410215, WASSENAER ATTRIB. PERGOLESI CONCERTI ARMONICI 1-6

Pierre Prowo (1697-1757) formerly attributed to Georg Philipp Telemann (1681-1767), Sonata a tre in d minor TWV 42:d10, Vicki Boeckman – recorder, John Holloway – violin, Jaap ter Linden – cello & viola da gamba, ClassicO 325, G.P. TELEMANN TRIO SONATAS WITH RECORDER

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Playlist 2019-01-27

Sydney Opera House

This Week’s Links

Suzanne’s Interview with Richard Egarr

Aldo Parisot obituary

Australia Day

Barry Tuckwell

John Williams (guitar)

Stanley Ritchie

Charles Mackerras

Elizabeth Wallfisch

First Hour

Anonymous – Cuzco Seminary Peru (16th c.), Turulu neglo
Anonymous Bolivia (17th c.), Dulce Jesus mio, Piffaro Renaissance Band, Navona Records NV5875, PIFFARO LOS MINISTRILES IN THE NEW WORLD

Anonymous 16th c. Czech Folk songs, Czech Folk Songs (suite), Ensemble Caprice, Matthias Maute, Analekta AN29132, CHACONNE- VOICES OF ETERNITY

Anonymous England, Salve virgo virginum, Trio Mediaeval, ECM 1753, WORDS OF THE ANGEL

Anonymous, Trumpet Concerto D, Bob van Asperen Ensemble, Bob van Asperen – harpsichord, Wolfgang Basch – trumpet, Deutsch Harmonia Mundi 7976, CHAMBER MUSIC FOR TRUMPET AND WINDS

Anonymous, Desperada, Gallyard, Allemande, Pavana, Brandeberges, La represa, Pavana, Gallyard (Dance), Hesperion XX, Jordi Savall, Alia Vox 9804, ELIZABETHAN CONSORT MUSIC 1558-1603

Anonymous 17th c. Spain, Chaconna for 6 trumpets &. b.c., Barocktrompeten Ensemble Berlin (Baroque Trumpet Ensemble Berlin), Raum Klang RK 2906, TROMBA HISPANICA

Second Hour

Antonio Vivaldi (1678-1741), Violin Concerto #9 in D Op.3 RV230 from L’ESTRO ARMONICO: allegro, Franz Liszt Chamber Orchestra, Janos Rolla, John Williams – guitar, Sony SK46556, JOHN WILLIAMS PLAYS VIVALDI CONCERTOS

George Frideric Handel (1685-1759), Rinaldo: Overture, Acis & Galathea: Overture, Alcina: Overture & Menuet, English Chamber Orchestra, Charles Mackerras, Novalis 150108, HANDEL ORCHESTRA WORKS

Jean-Marie Leclair (1697-1764), Sonata 3 in D, Convivium, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Paul Nicholson – harpsichord, Hyperion 67068, LECLAIR SONATAS FROM QUATRIEME LIVRE DE SONATAS

Johann Georg Rollig (1710-1790), Concerto #14 in Eb, Academy of St. Martin in the Fields, Iona Brown, Barry Tuckwell – horn, London 417406, BAROQUE HORN CONCERTOS

Francesco Bonporti (1672-1749), Serenata #6 in A op.12, Bloomington (Indiana) Baroque, Stanley Ritchie, Dorian 80160, CONCERTI & SERENATE

Third Hour

Johann Sebastian Bach (1685-1750), Goldberg Variations: aria da capo, Richard Egarr – harpsichord, Harmonia Mundi 907425/46, BACH GOLDBERG VARIATIONS 14 CANONS

Petronio Franceschini (1651-1680), Sonata for 2 Trumpets in D, English Chamber Orchestra, Simon Preston, Hannes Laubin – trumpet, Wolfgang Laubin – trumpet, Deutsche Grammophon 431817, TRUMPET CONCERTOS

Johann Sebastian Bach (1685-1750), Sarabande from Cello Suite #6 in D BWV1012, Yale Cellos, Aldo Parisot, Delos 3041, BACH BACHIANAS

Jean-Philippe Rameau (1683-1764), Platée: suite, Philharmonia Baroque Orchestra, Nicholas McGegan, Conifer 51313, SUITES FROM PLATEE AND DARDANUS

George Frideric Handel (1685-1759), Organ Concerto in g #5 op.7, Academy of Ancient Music, Richard Egarr, Richard Egarr – organ, Harmonia Mundi 807447/48, HANDEL ORGAN CONCERTOS OP.7

Fourth Hour

Jean-Philippe Rameau (1683-1764), Temple of Glory: Act 1: Gavottes en musette, Act 2: Symphonie, Air, Act 2: Entree des Suivans de Bacchus, Philharmonia Baroque Orchestra, Nicholas McGegan, Philharmonia Baroque Productions PBP-10, RAMEAU LE TEMPLE DE LA GLOIRE ORIGINAL 1745 VERSION

Johann Heinrich Schmelzer (c.1620-1680), Sonata Iamentevole, Chatham Baroque, Chatham Baroque, CB-03, NO HOLDS BARRED – STYLUS FANTASTICUS SONATAS AND SUITES OF BIBER, SCHMELZER, BERTALI & SCHEIN

William Byrd (c.1540-1623), Rorate Caeli, The Choir of King’s College, Cambridge, Stephen Cleobury, King’s College Cambridge KGS0024, BYRD MOTETS

Georg Philipp Telemann (1681-1767), Concerto-Suite TWV54:F1, Tempesta di Mare, Chandos CHAN 0821, GEORG PHILIPP TELEMANN – THE CONCERTI-EN-SUITE

William Byrd (c.1540-1623), Tristitia et anxietas, Stile Antico, Harmonia Mundi 902266, IN A STRANGE LAND – ELIZABETHAN COMPOSERS IN EXILE

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Playlist 2019-01-20

calendar

First Hour

Tarquinio Merula / Aaron Brown, Merula’s Ciaconna?, Aaron Brown – violin & director, Gabe Shuford – harpsichord, Loretta O’Sullivan – baroque cello, Charles Weaver & Simon Martyn-Ellis – theorbo & baroque guitar, Doug Balliette – baroque bass, Jeffrey Grossman – organ, Aaron Brown 2016, EARLY/MODERN

Antonio Vivaldi (1678-1741), Concerto in Eb RV258, Venice Baroque Orchestra, Andrea Marcon, Giuliano Carmignola – violin, Sony 87733, LATE VIVALDI CONCERTOS RV 386, 235, 296, 258, 389, 251

Jean-Philippe Rameau (1683-1764), Suite de Divertissement des Indes Galantes, Ensemble Stradivaria, Daniel Cuiller, Cypres 1626, SUITES DE SIMPHONIES

Peter Philips (c.1560-c.1633), Chromatica Pavana, Paul O’Dette – lute, Harmonia Mundi 907265, ROBIN HOOD:ELIZABETHAN BALLAD SETTINGS

Johann Sebastian Bach (1685-1750), Prelude & Fugue in E BWV878, Helene Grimaud – piano, Deutsche Grammophon 4777978, BACH

Second Hour

Jacques Martin Hotteterre (1674-1763), Prelude in g from The Art of Preluding op7 (1719), Laurence Pottier – recorder, Yasuko Uyama-Bouvard – harpsichord, Naxos 553708, MUSIC FOR FLUTE VOLUME 2

Antonio Vivaldi (1678-1741), TEUZZONE: Sinfonia, Al Fiero Mio Tormento, La Timida Cervetta, Aria Sì, Per Regnar, & Coro Le Concert des Nations, Jordi Savall, Raffaella Milanesi – mezzo soprano, Delphine Galou (Zidiana) – contralto, Naive, OP 30513, TEUZZONE

Georg Philipp Telemann (1681-1767), Violin Concerto in Bb TWV51:B1, L’Orfeo Barockorchester, Elizabeth Wallfisch, Elizabeth Wallfisch – violin, cpo, 777089-2, CONCERTOS FOR VIOLIN, STRINGS & B.C. VOL.2

Antonio Vivaldi (1678-1741), Aria il figlio il reo, Tito Manlio, RV778, Stuttgart Chamber Orchestra, Ariadne Daskalakis, Renger Woelderink – double bass, Tacet 205, 7 WITH ONE STROKE!

Johann Sebastian Bach (1685-1750), Brandenburg Concerto #5 in D BWV1050, Arion Ensemble (Montreal, Canada), Jaap ter Linden, Claire Guimond – flute, Hank Knox,- harpsichord, Luc Beausejour – harpsichord, EarlyMusic, EMCCD-7753, BACH SUITES & CONCERTOS

Third Hour

Orlando Gibbons (1583-1625), Great King of Gods (anthem), Fretwork & The Choir of Magdalen College Oxford, Bill Ives, Harmonia Mundi 907337, ORLANDO GIBBONS WITH A MERRIE NOYSE

Johann Sebastian Bach (1685-1750), Sonata for viola da gamba #3 in g BWV1029, Yo-Yo Ma – cello, Chris Thile – mandolin, Edgar Meyer – bass, Nonesuch 558933, BACH TRIOS

Marin Marais (1656-1728), Suite in D, Palladian Ensemble, Linn 100, THE SUN KING’S PARADISE

Georg Philipp Telemann (1681-1767), Concerto for Mandolin, Hammered Dulcimer, Harp and Continuo in F TWV53;F1, Akademie Fur Alte Musik Berlin, Harmonia Mundi HMM902261, TELEMANN: CONCERTI PER MOLTI STROMENTI

Fourth Hour

Francois Couperin (1668-1733), Pieces de Clavecin: allegresse, London Brass, Teldec, 18665, LONDON BRASS BAROQUE

Peter Hellendaal (1721-1799), Concerto grosso Op.3 #5 in D:selections, Combattimento Consort Amsterdam, Jan Willem de Vriend, NM Classics 92019, PIETER HELLENDAAL: CONCERTI GROSSI

Johann Sebastian Bach (1685-1750), English Suite #2 in a BWV807: allemande, courante, sarabande, bourree I – bourree II, & gigue, Stefan Temmingh – recorder, Domen Marincic – viola da gamba, Axel Wolf – lute, OEHMS Classics OC 795, FRENCH & ENGLISH SUITES

Josef Antonin Guretzky (1709-1769), Cello Concerto in F (1735), The Harmonious Society of Tickle-Fiddle Gentlemen, Chaconne CHAN 0816, CONCERTOS OF JOSEF GURETZKY

Guillaume de Machaut (c.1300-1377), Veni creator spiritus, The Hilliard Ensemble, ECM 1823, GUILLAUME DE MACHAUT MOTETS

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Richard Egarr

Richard Egarr

Richard Egarr is an internationally renowned harpsichordist, organist, conductor and baroque music expert. Since 2006 he has been Music Director of the Academy of Ancient Music, founded by Christopher Hogwood in the 1970s. Now he has signed a five-year contract to serve as music director for another prestigious early music group. Suzanne spoke with him about his exciting new gig, his extraordinary career, and a few of his guilty musical pleasures. https://sundaybaroque.org/podcasts/RichardEgarrinterview.mp3

Playlist 2019-01-13

Braille

This Week’s Links

Braille Literacy Month

National Federation of the Blind

“Oculist” who blinded Bach and Handel

Louis Braille

First Hour

Johann Friedrich Fasch (1688-1758), Suite in a: gavotte I, menuet I & menuet II (I), Capella Savaria, Pal Nemeth, Dynamic DM8029, FASCH ORCHESTRAL SUITES

Georg Philipp Telemann (1681-1767), Drei Sind, die da zeugen im Himmel TVWV 1:377: excerpts, Rheinische Kantorei, Das Kleine Konzert, Hermann Max, cpo 777195-2, Telemann – Drei Sind, die da zeugen im Himmel

Georg Philipp Telemann (1681-1767), Concerto in Eb TWV 52.Es1 for 2 Horns, 2 Oboe ripieni, Strings & B.C., La Stagione Frankfurt, Michael Schneider, Ulrich Hubner – horn, Jorg Schultess – horn, cpo 777401, TELEMANN WIND CONCERTOS VOL.5

Christoph Graupner (1683-1760), Recorder Concerto in F, Hesperus, Scott Reiss – recorder, Koch 7454, BAROQUE RECORDER CONCERTI

Johann Kuhnau (1660-1722), Magnificat in C for 5 voices and orchestra: excerpts, Bach Collegium Japan, Masaaki Suzuki, Gerd Turk – tenor, Yukari Nonoshita – soprano, Chiyuki Urano – bass, Akira Tachikawa – alto, BIS 1011, MAGNIFICAT

Johann Sebastian Bach (1685-1750), French Suite #5 in G BWV816, Simone Dinnerstein – piano, Telarc 80715, THE BERLIN CONCERT

Second Hour

Antonio Valente (fl.1565-1580), Gallarda Napolitana, Hesperion XXI, Jordi Savall, Alia Vox 9820, OSTINATO

Christoph Graupner (1683-1760), Sonata in G for obbligato harpsichord & violin GWV708 (c.1741), Genevieve Soly – harpsichord, Helene Plouffe – viola d’amore, Analekta FL 2 3180, IDEES HEUREUSES GRAUPNER MUSIQUE INSTRUMENTALE ET VOCALE VOL.2

Turlough O’Carolan (1670-1738), Mrs. Judge, Ensemble Galilei, Dorian 90247, MYSTIC AND THE MUSE

Antonio de Cabezon (1510-1566), Susanne ung jour, Doulce Memoire (Sweet Memory) & Un gay bergier, Doulce Memoire (Sweet Memory), Denis Raisin Dadre, Ricercar RIC 335, OBRAS DE MUSICA

John Stanley (1712-1786), Concerto in b op.2 #2, Parley of Instruments, Roy Goodman, Hyperion Helios 55361, JOHN STANLEY 6 CONCERTOS IN 7 PARTS, OP. 2

Jacob van Eyck (1589/90-1657), Ho ho op, Zephyrus Flutes, Zephyrus Flutes, ZF002, AUX PLAISIRS, AUX DELICES BERGERES
Jacob van Eyck (1589/90-1657), Lavignone, Zephyrus Flutes, Zephyrus Flutes, ZF002, AUX PLAISIRS, AUX DELICES BERGERES

Johann Sebastian Bach (1685-1750), Vor deinen Thron tret ich hiermit, Fretwork, Harmonia Mundi 907395, ALIO MODO

George Frideric Handel (1685-1759), Samson: Act I: Sinfonia, English Concert, Trevor Pinnock, Anthony Halstead – horn, Christian Rutherford – horn, Deutsche Grammophon 419219, HANDEL OVERTURES

Third Hour

Johann Kapsberger (c.1580-1651), Colasione, Rolf Lislevand – colascione & Kapsberger, Rolf Lislevand – theorbo/lute, Eduardo Eguez – baroque guitar, Pedro Estevan – percussion, Astree 8515, KAPSBERGER: LIBRO QUARTO D’INTAVOLATURA DI CHITARONE (ROMA 1640)

George Frideric Handel (1685-1759), Organ Concerto #3 in g op.4, Concertgebouw Chamber Orchestra, Joshua Rifkin, Peter Hurford – organ, London 414604, HANDEL ORGAN CONCERTOS OP.4

Domenico Scarlatti (1685-1757), Sonata in g K.347, Elaine Thornburgh – harpsichord, Koch International 7014, Elaine Thornburgh Scarlatti: 18 Sonatas

Marin Marais (1656-1728), Bells of St. Genevieve, Trio Sonnerie, Harmonia Mundi 907081, A PORTRAIT OF LOVE

Arcangelo Corelli (1653-1713), Concerto Grosso #10 in c op.6, Ensemble 415, Chiara Banchini, Harmonia Mundi 901406.07, CORELLI. CONCERTI GROSSI OP.6. ENSEMBLE 415,C.BANCHINI

Michel Blavet (1700-1768), Flute Concerto in a, Paillard Chamber Orchestra, Jean-Francois Paillard, Jean Pierre Rampal – flute, Erato 45834, FRENCH BAROQUE FLUTE CONCERTOS

Fourth Hour

William Byrd (c.1540-1623), La Volta & The Earl of Oxford’s March, Aries Brass Quintet, Centaur, 2083, THE ARIES BRASS QUINTET

Pietro Paolo Borrono (c.1490-1563), Peschatore che va cantando & Saltarello de la Preditta
Francesco Canova da Milano (1497-1543), Fantasia XIII, Fantasia VI, & Ricercare LVII
Luis de Narvaez (fl.1526-1549), Quatro Diferencias sobre Guardame las vacas
Joan Ambrogio Dalza (fl.1508), Piva, David Russell – guitar, Telarc 80659, RENAISSANCE FAVORITES FOR GUITAR

Henry Purcell (1659-1695), Suite from THE VIRTUOUS WIFE, Adrian Butterfield & Helene Plouffe – violins, Margaret Little – viola, Susie Napper – cello, Christopher Jackson – harpsichord, Nigel North – lute, ATMA ACD2 2300, LOST IS MY QUIET

Jan Dismas Zelenka (1679-1745), Simphonia a 8 concertanti in a, Il Fondamento, Paul Dombrecht, Passacaille 9524, PRAGUE 1723

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Playlist 2019-01-06

Johann Sebastian Bach

First Hour

Domenico Scarlatti (1685-1757), Sonata in C K.514 & Sonata in d K.64, Alexandre Tharaud – piano, Virgin Classics 50999 6420162 7, ALEXANDRE THARAUD PLAYS SCARLATTI

Antonio Vivaldi (1678-1741), Concerto for 2 Mandolins in G RV532, Academy of St. Martin in the Fields, Neville Marriner, James Tyler – mandolin, Douglas Wootton – mandolin, Philips 412892, VIVALDI 6 DOUBLE CONCERTOS

Remo Giazotto (1910-1998) (misattributed to Tomaso Albinoni), Adagio in g, Eroica Trio, EMI 56873, EROICA TRIO BAROQUE

George Frideric Handel (1685-1759), Water Music Suite #1 in F HWV348, Boston Baroque, Martin Pearlman, Telarc 80594, HANDEL MUSIC FOR THE ROYAL FIREWORKS & WATER MUSIC

Second Hour

Orlando Gibbons (1583-1625), O clap your hands together, UC Berkeley Chamber Chorus, John Butt, Centaur 2308, ANTHEMS & INSTRUMENTAL WORKS BY ORLANDO GIBBONS (1583-1625)

John Stanley (1712-1786), Trumpet Voluntary
Jeremiah Clarke (1674-1707), Prince of Denmark’s March, English Chamber Orchestra, Anthony Newman, Wynton Marsalis – trumpet, Sony 66244, WYNTON MARSALIS – IN GABRIEL’S GARDEN

Antonio Vivaldi (1678-1741), Gloria RV589:Gloria in excelsis Deo & Et in terra pax, Ensemble Caprice, Matthias Maute, Analekta 29917, VIVALDI’S ANGELS

Johann Sebastian Bach (1685-1750), Orchestral Suite #3 in D BWV1068, Concentus Musicus Vienna, Nikolaus Harnoncourt, Teldec 75859, J.S. BACH BRANDENBURG CONCERTOS NOS.3, 5 & 6

Georg Philipp Telemann (1681-1767), Viola Concerto in G TWV51:G9, Collegium Musicum 90, Simon Standage, Simon Standage – viola, Chandos 0593, TELEMANN MUSIC OF THE NATIONS

Third Hour

George Frideric Handel (1685-1759), Air with Variations from Suite in E HARMONIOUS BLACKSMITH, London Brass, Teldec 18665, LONDON BRASS BAROQUE

Tomaso Albinoni (1671-1751), Concerto in d op.9 #2 for oboe, strings and continuo, Les Boreades (Montreal), Francis Colpron, Matthew Jennejohn – baroque oboe, ATMA Classique, ACD2 2606, LA GENIALE

Georg Philipp Telemann (1681-1767), Suite in a for alto recorder & b.c. TWV55: a2, Berlin Baroque Soloists, Rainer Kussmaul, Michala Petri – recorders (alto & sopranino), RCA, 57130, MICHALA PETRI PLAYS BACH & TELEMANN

Johann Sebastian Bach (1685-1750), Italian Concerto in F BWV971, Andras Schiff – piano, London 433313, BACH: 6 FRENCH SUITES, ITALIAN CONCERTO

Fourth Hour

Thomas Weelkes (1576-1623), Hark, all ye lovely saints above
John Farmer (c.1570-c.1601), Fair Phyllis I saw sitting all alone, Quink Vocal Ensemble, Telarc 80328, ENGLISH MADRIGALS

Johann Sebastian Bach (1685-1750), Brandenburg Concerto #3 BWV1048, Ensemble Caprice, Matthias Maute, Analekta AN 9996-7, BACH BRANDENBURG CONCERTOS

George Frideric Handel (1685-1759), Solomon: Arrival of Queen of Sheba, LAGQ, Delos 3205, FOR THY PLEASURE

Francesco Geminiani (1687-1762), Concerto Grosso #12 in d LA FOLLIA (after Corelli), European Union Baroque Orchestra, Ricardo Minasi, K&K Verlasanstalt KuK110, CORELLI’S LEGACY

Antonio Vivaldi (1678-1741), Concerto in D RV93 (orig for lute), Camerata Bern, Thomas Furi, Göran Söllscher – guitar, Deutsche Grammophon, 439516, MAD ABOUT VIVALDI

Johann Sebastian Bach (1685-1750), Christmas Oratorio: Cantata #6:open chorus LORD IF PROUD ENEMIES RAGE, soprano aria & closing chorale, Bach Choir of Bethlehem & Bach Festival Orchestra, Greg Funfgeld, Dorian, 93183 I/II, CHRISTMAS ORATORIO BWV 248

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