Tag: Rachel Podger

Playlist 2018-07-08

Rediscoveries from the Sara Levy Collection

This Week’s Links

Brecon Baroque Festival

Westminster Abbey Choir & Musicians

Bach Sonatas – Rachel Barton Pine & Jory Vinikour

Rediscoveries from the Sara Levy Collection

First Hour

Juan de Araujo (1648-1712), Los coflades de la estleya, Ensemble Caprice, Matthias Maute, Analekta AN 2 9957, SALSA BAROQUE

Johann Kapsberger (c.1580-1651), Ciaccona, Ballo Primo, & Bergamasca, Rolf Lislevand – theorbo/lute, Eduardo Eguez – baroque guitar, Pedro Estevan – percussion, Astree 8515, KAPSBERGER: LIBRO QUARTO D INTAVOLATURA DI CHITARONE (ROMA 1640)

George Frideric Handel (1685-1759), Suite in d HWV447, Keith Jarrett – piano, ECM New Series 1530, HANDEL: SUITES FOR KEYBOARD * KEITH JARRETT

John Jenkins (1592-1678), Fantasia XXXI in Bb, The Spirit of Gambo, Musica Ficta MF8019, JOHN JENKINS FANTASIAS, PAVANS & AIRS IN FOUR PARTS

Johann Sebastian Bach (1685-1750), Overture (Suite) #4 in D BWV1069, Bach Collegium Japan, Masaaki Suzuki, BIS 1431, JS BACH 4 ORCHESTRAL SUITES

Second Hour

Christopher Tye (c.1505-before 1573), In nomine “Crye” a5 & O lux beata Trinitas a5, LeStrange Viols, Loren Ludwig & John Mark Rozendaal – treble viol, Kivie Cahn-Lipman and James Waldo – tenor viol, Zoe Weiss – tenor & bass viols, Douglas Kelley – bass viol, Olde Focus Recordings FCR912, AETERNUM: MUSIC OF THE ELIZABETHAN AVANT GARDE FROM ADD.MS 31390

Johann Gottlieb Janitsch (1708-c.1762/63), Sonata da chiesa op.7 #2, Tempesta di Mare & Chamber Players, Gwyn Roberts – flute, Emyln Ngai – violin, Chandos CHAN 0820, JOHANN GOTTLIEB JANITSCH REDISCOVERIES FROM THE SARA LEVY COLLECTION

Johann Sebastian Bach (1685-1750), Mass in b: patrem omnipotentem, Les Arts Florissants, William Christie, Harmonia Mundi HAF 8905293.94, MASS in B BWV 232

Johann Sebastian Bach (1685-1750), Sonata #2 in A BWV1015, Rachel Barton Pine – violin, Jory Vinikour – harpsichord, Cedille CDR 90000 177, JS BACH: THE SONATAS FOR VIOLIN & HARPSICHORD

Nicholas Ludford (c.1490-1557), Missa Videte miraculum – 3: Qui tollis peccata Mundi miserere, Choir of Westminster Abbey, James O’Donnell, Hyperion CDA68192, LUDFORD: AVE MARIA, ANCILLA TRINITATIS, MISSA VIDETE MIRACULUM

Antonio Vivaldi (1678-1741), Concerto RV208 IL GROSSO MOGUL, Brecon Baroque, Rachel Podger – violin, Channel Classics 40318, VIVALDI LE QUATTRO STAGIONI

Third Hour

John Dowland (1563-1626), Captaine Digorie Piper his Galiard, M. Henry Noel his Galiard, & Sir John Souch his Galiard, B-Five Recorder Consort, Coviello Classics COV91415, IN SEARCH OF DOWLAND

Antonio Rodriguez de Hita (1722-1787), Cancion #1 in I tono a 3, La Grande Chapelle, LaudaMusi 005, ANTONIO RODRIGUEZ DE HITA (1722-1787) CANCIONES INSTRUMENTALES

Maurice Greene (1696-1755), Overture #5 in D, Baroque Band, Garry Clarke, David Schrader – harpsichord, Cedille 90000 152, MAURICE GREENE OVERTURES

Capel Bond (1730-1790), Concerto #6 in Bb, Parley of Instruments, Roy Goodman, bassoon solo, Hyperion 66467, THE ENGLISH ORPHEUS VOL.8:CAPEL BOND 6 CONCERTOS IN 7 PARTS 1766

Henry Purcell (1659-1695), Sonata IX in F, Arcadian Academy (members of Philharmonia Baroque Orchestra), Nicholas McGegan, Harmonia Mundi 907167, "WITH CHARMING NOTES"

Matthias Georg Monn (1717-1750), Concerto for Cello in g, Camerata Salzburg, Jian Wang – cello, Deutsche Grammophon 99402, THE BAROQUE ALBUM

Fourth Hour

Anonymous, The Happy Meeting, The Queen’s Delight, & Tickle my Toe, King’s Noyse, Harmonia Mundi 907180, THE QUEENS DELIGHT

Jean Baptiste Loeillet (1680-1730), Oboe Sonata in G “L’Enjouee” op.3, Jacques Vandeville – oboe, Michele Delfosse – harpsichord, Pavane 7235, SEVEN SONATAS FOR RECORDER (OR OBOE) & HARPSICHORD

George Frideric Handel (1685-1759), ACIS AND GALATEA: Act 1: duet: HAPPY WE!, Mercury Baroque, Antoine Plante, Ana Treviño-Godfrey – soprano (Galatea), Karim Sulayman – tenor (Acis), Houston Public Radio HPR 00614, ACIS AND GALATEA

Antonio Vivaldi (1678-1741), Violin Concerto in C RV180 PIACERE, Academy of Ancient Music, Andrew Manze, Andrew Manze – violin, Harmonia Mundi 907230, CONCERT FOR THE PRINCE OF POLAND

Francois Couperin (1668-1733), Le Rossignol en amour (Nightingale in Love), Glorian Duo, Donna Milanovich – flute, Wendy Kerner Lucas – harp, Delos 3143, THE SOUNDS OF THE SEINE

George Frideric Handel (1685-1759), Concerto for Harp, Lute & Liracord in Bb op.4 #6 HWV294, The Harp Consort, Andrew Lawrence King, Andrew Lawrence King – harp, Deutsche Harmonia Mundi 77366, ITALIAN CONCERTO

Johann Sebastian Bach (1685-1750), Cantata #69a: Praise thou the Lord, O my spirit (opening chorus), Bach Collegium Japan, Masaaki Suzuki, BIS 1041, CANTATAS FROM LEIPZIG 1723 VOL.13

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Playlist 2018-03-11

Jeannette Sorrell

This Week’s Links

Georg Philipp Telemann

Women’s History Month

International Women’s Day – March 8, 2018

Alison Balsom

Emmanuelle Haim

Hildegard of Bingen

Michi Gaigg

Isabella Leonarda

Rachel Podger

Jeannette Sorrell

Elizabeth Wallfisch

Princess Anna Amalia

Elizabeth-Claude Jacquet de la Guerre

Anna Bon

First Hour

Georg Philipp Telemann (1681-1767), Canonic Sonata #1 in G, Wolfgang Schulz – flute, Hansjorg Schellenberger – oboe, Denon 9614, SUITE IN B/CONCERTO IN G/6 CANONIC SONATAS EUROPEAN BAROQUE SOLO

Georg Philipp Telemann (1681-1767), Viola Concerto in G TWV51:G9, Collegium Musicum 90, Simon Standage, Simon Standage – viola, Chandos 0593, TELEMANN MUSIC OF THE NATIONS

Georg Philipp Telemann (1681-1767), Quartet in b (Suite #2) TWV43:h1, John Holloway – violin, Linde Brunmayr – transverse flute, Lars-Ulrik Mortensen – harpsichord, Lorenz Duftschmid – viola da gamba, Ulrike Becker – cello, cpo 777 376, GEORG PHILIPP TELEMANN QUATUORS PARISIENS VOL. 2 & 3

Georg Philipp Telemann (1681-1767), Ich hatte viel Bekümmernisse TWV 1:843 1. Chor, 5. Aria, & 8. Chor, Rheinische Kantorei, Das Kleine Konzert, Hermann Max, cpo 777195-2, DREI SIND, DIE DA ZEUGEN IM HIMMEL

Georg Philipp Telemann (1681-1767), Concerto in F for 3 violins TWV53:F1 (Tafelmusik), Europa Galante, Fabio Biondi, Fabio Biondi – violin, Andrea Rognoni – violin, Fabio Ravasi – violin, AgOgique AGO005, TELEMANN: QUIXOTTE & LA CHANGEANTE

Georg Philipp Telemann (1681-1767), Sonata in Bb (1728) Der getreue Musikmeister, Ensemble Caprice, Matthias Maute – flute de quatre, Sophie Lariviere – flute de quatre, ATMA ACD2 2309, ENSEMBLE CAPRICE DUOS & FANTAISIES

Second Hour

Claudio Monteverdi (1567-1643), L’ORFEO (Orpheus): Toccata, Sinfonia, Ritornella & Moresca, Le Concert d’Astree & European Voices, Emmanuelle Haim, Virgin Veritas 545642, MONTEVERDI LORFEO

Antonio Vivaldi (1678-1741), Concerto #3 in G RV310, Brecon Baroque, Rachel Podger – violin, Channel Classics 36515, ANTONIO VIVALDI LESTRO ARMONICO

Pietro Antonio Locatelli (1695-1764), Introduction #6 in C, Raglan Baroque Players, Elizabeth Wallfisch, Hyperion 67041, LOCATELLI: SONATAS, OP.4

Johann Sebastian Bach (1685-1750), Brandenburg Concerto #5 in D BWV1050, Apollo’s Fire: The Cleveland Baroque Orchestra & Apollo’s Singers, Jeannette Sorrell, Eclectra 2047, THE BRANDENBURG CONCERTOS

Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #1 in C SPRING JOURNAL, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY

George Frideric Handel (1685-1759), Atalanta: Overture, The English Concert, Alison Balsom – trumpet, EMI Classics 440329, SOUND THE TRUMPET

Third Hour

Johannes Ockeghem (1410/25-1497), Missa Au travail suis: gloria, Tallis Scholars, Peter Phillips, Gimell 454935, JOHANNES OCKEGHEM: AU TRAVAIL SUIS - DE PLUS EN PLUS

John Loeillet (Jean Baptiste), Suite #1 in g: 4 dances, David Russell – guitar, Telarc 80559,

Christoph Willibald Gluck (1714-1787), Don Juan: Ballet Music, Tafelmusik Baroque Orchestra, Bruno Weil, Sony 53119, GLUCK: DON JUAN, SEMIRAMIS, TAFELMUSIK BRUNO WEIL

Antonio Vivaldi (1678-1741), Griselda: Suite, Les Boreades (Montreal), ATMA 2152, THEATRE MUSICAL

Fourth Hour

Isabella Leonarda (1620-1704), Sonata Nona Op.16, Ensemble Strumentali del Duomo di Novara, Paolo Monticelli, Opus 111 OPS30-206, ISABELLA LEONARDA (1620-1704) LA MUSA NOVARESE

Anna Amalia of Prussia (1723-1787), Sonata in F for flute & b.c., Emmanuel Pahud – flute, Jonathan Manson – cello, Trevor Pinnock – harpsichord, EMI Classics 84220, THE FLUTE KING

Hildegard von Bingen (1098-1179), Antiphone: O rubor sanguinis, Anonymous 4, Harmonia Mundi 907200, 11,000 VIRGINS: CHANTS FOR THE FEAST OF ST. URSULA

Mademoiselle (Louise) Duval (1718-after 1775), Suite from the Ballet “The Genies”, Bay Area Women’s Philharmonic, JoAnn Falletta, Newport Classics 60102, BAROQUEN TREASURES

Anna Bon di Venezia (1740-after 1767), Flute Sonata in g op.1 #5, Hans Joachim Fuss – flute, Nicolau de Figuereido – harpsichord, Rene Schiffer – cello, Koch Discovery 920256, THE BAROQUE FLUTE

Elizabeth-Claude Jacquet de la Guerre (1665-1729), Sonata in d for violin (1707), Les Voix Humaines (Human Voices), Alice Pierot – violon, Christine Payeux – viole de gambe, Alpha 006, ELISABETH JACQUET DE LA GUERRE:LE SOMMEIL DULISSE

 

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Playlist 2017-10-29

pumpkins

This Week’s Links

History of Halloween

Musical Heritage of the Lutheran Church

Rachel Podger – Interview

Carlo Gesualdo – musicians and murderer

Robert Parsons

Alessandro Stradella

Jean-Marie Leclair

Jean-Baptiste Lully

13 Strangest Composer Deaths in Classical Music

First Hour

Samuel Scheidt (1587-1654), Ludi Musici: Courant XXXII, Galliard VII, & Galliard XXIV, Les Sacqueboutiers, Ambroisie 9996, SAMUEL SCHEIDT LUDI MUSICI BOOK 1

Johann Sebastian Bach (1685-1750), Cantata BWV80:Ein feste Burg ist unser Gott, Und wenn die Welt voll Teufel war, & Das Wort sie sollen lassen stahn, English Baroque Soloists & Monteverdi Choir, John Eliot Gardiner, Soli Deo Gloria 110, BACH CANTATAS VOL.10: POTSDAM/WITTENBERG

Johann Sebastian Bach (1685-1750), Meine Seele erhebet …BWV648, Amsterdam Baroque, Ton Koopman, Yo Yo Ma – cello, Sony 60681, SIMPLY BAROQUE 2

Johann Hermann Schein (1586-1630), Canzon from Venuskranzlein, Brisk Recorder Quartet Amsterdam, Globe 5214, GERMAN CONSORT MUSIC OF THE 17TH CENTURY

Georg Philipp Telemann (1681-1767), Concerto in D for horn TWV51:D8, Academy of St. Martin in the Fields, Iona Brown, Hermann Baumann – horn 1, Philips 412226, TELEMANN HORN CONCERTOS

Michael Praetorius (1571-1621), Suite from Terpsichore, Doulce Memoire (Sweet Memory), Dorian 90262, FOLIE DOUCE (SWEET FOLLY)

Johann Sebastian Bach (1685-1750), Mass in g BWV 235: Kyrie & Gloria, The Sixteen, Harry Christophers, CORO COR16115, JS BACH: LUTHERAN MASSES VOL.1

 

Second Hour

Carlo Gesualdo (c.1566-1613), Alma d’amore rubelle & O Vos Omnes (O all ye that pass by the way), Concerto Soave, Jean-Marc Aymes, zig zag ZZT319, TRIBULATIONEM

Robert Parsons (c.1530-?1572), Ut re mi fa sol la, Phantasm, Laurence Dreyfus – treble viol & director, Wendy Gillespie – treble & tenor viols, Jonathan Manson – tenor viol, Markku Luolajan-Mikkola – bass viol, AVIE 2054, FOUR TEMPERAMENTS

Alessandro Stradella (1639-1682), Sinfonia in d, Trio Settecento, Rachel Barton Pine – violin, John Mark Rozendaal – cello, David Schrader – harpsichord, Cedille 099, AN ITALIAN SOJOURN

Jean-Marie Leclair (1697-1764), Sonata #2 in e Book 4, Convivium, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Paul Nicholson – harpsichord, Hyperion 67068, LECLAIR SONATAS FROM QUATRIEME LIVRE DE SONATAS

Jean-Baptiste Lully (1632-1687), Ballet de Xerxes: suite, Aradia Baroque Ensemble, Kevin Mallon, Naxos 554003, BALLET MUSIC FOR THE SUN KING

 

Third Hour

Johann Sebastian Bach (1685-1750), Cantata BWV51: Aria (Soprano): Jauchzet Gott in allen Landen!, (Bethlehem) Bach Festival Orchestra, Greg Funfgeld, Ann Monoyios – soprano, Dorian 90306, THE ASCENSION ORATORIO AND TWO FESTIVE CANTATAS

William Croft (1678-1727), The Funeral,or Grief-a-la-Mode 1702, London Oboe Band, Paul Goodwin, Harmonia Mundi 907181, PLAYHOUSE AIRS: 18TH C. ENGLISH THEATRE MUSIC

Francois Couperin (1668-1733), Troisieme Ordre: L’Imperiale: Sonade, Rondeau, Sarabande, & Allemande, Juilliard Baroque, Naxos 573347/48, FRANCOIS COUPERIN LES NATIONS

Georg Philipp Telemann (1681-1767), Suite in G THE NATIONS TWV55:G4 “Nations anciens et modernes”, Collegium Musicum 90, Simon Standage, Chandos 0593, TELEMANN MUSIC OF THE NATIONS

 

Fourth Hour

Jean-Joseph Cassanea de Mondonville (1711-1772), Grand Motet: DOMINUS REGNAVIT: chorus: Dominus regnavit (The Lord Reigns), Tafelmusik Baroque Orchestra and Chamber Choir, Ivars Taurins, Tafelmusik Media TMK1029, BEST OF FRENCH BAROQUE

John Jenkins (1592-1678), Lyra consort in G, Parley of Instruments Renaissance Violin Consort, Peter Holman, Hyperion 66604, ENGLISH ORPHEUS VOL.11: LATE CONSORT MUSIC BY JOHN JENKINS

Francesco Maria Veracini (1690-1768), Sonata in d op.2 #12 for violin and continuo, Brecon Baroque, Rachel Podger – violin, Rachel Podger – violin, Channel Classics CCS SA 39217, GRANDISSIMA GRAVITA

Domenico Scarlatti (1685-1757), Sonata in in d “Gavota” K.64 & Sonata in A K.429, Angela Hewitt – piano, Hyperion CDA68184, DOMENICO SCARLATTI

Giuseppe Tartini (1692-1770), Devil’s Trill Sonata, Scottish Chamber Orchestra, Christian Curnyn, Nicola Benedetti, Decca B0016412-02, ITALIA

Playlist 2017-09-24

Cardinal Pietro Ottoboni

This Week’s Links

Angela Hewitt – slow practice

Angela Hewitt – Domenico Scarlatti

John Blow: An Ode On The Death Of Mr. Henry Purcell

A TELEMANN COMPANION

Rachel Podger – Brecon Baroque

Marc-Antoine Charpentier: La Descente d’Orphée aux Enfers

Cardinal Pietro Ottoboni

First Hour

John Blow (1649-1708), Sonata In A – 1. Slow & 3. Brisk, Arcangelo, Jonathan Cohen, Hyperion CDA68149, JOHN BLOW: AN ODE ON THE DEATH OF MR. HENRY PURCELL

Georg Philipp Telemann (1681-1767), Suite in g TWV 55:g1 “La Musette”, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi HMX2908785.87, A TELEMANN COMPANION: ORCHESTRAL SUITES

Giuseppe Tartini (1692-1770), Sonata in a op.2 #5 for violin and continuo, Brecon Baroque, Rachel Podger – violin, Rachel Podger – violin, Channel Classics CCS SA 39217, GRANDISSIMA GRAVITA

Domenico Scarlatti (1685-1757), Sonata in A K.24 & Sonata in D K.492, Angela Hewitt – piano, Hyperion CDA68184, DOMENICO SCARLATTI

Marc-Antoine Charpentier, La Descente d’Orphee aux Enfers: Premier Acte. Ouverture, Je ne refuse point & Il n’est rien aux Enfers & Entrée des Fantômes, & Scène 4. Vous partez donc, Ensemble Correspondances, Sébastien Daucé, Harmonia Mundi HMM902279, CHARPENTIER – LA DESCENTE D’ORPHEE AUX ENFERS

Second Hour

Domenico Scarlatti (1685-1757), Sonata in g K.30 (Cat’s Fugue), Scott Ross – harpsichord, Erato 45422, SCARLATTI: BEST SONATAS

Alessandro Scarlatti (1660-1725), Concerto #3 in d for flute, I Musici, William Bennett – flute, Lenore Smith – flute, Philips 400017, ALESSANDRO SCARLATTI 6 SINFONIE DI CONCERTO GROSSO

Antonio Caldara (1670-1736), Sinfonia nº12 ‘La passione di Gesu Signor nostro, Ensemble Caprice, Matthias Maute, ATMA Classique ACD2 2347, ALLA TURCA: MUSIC BY FUX, CALDARA AND BADIA

Antonio Vivaldi (1678-1741), Sonata in C RV3 violin, cello, lute, harpsichord, Musica Pacifica, Judith Linsenberg & Elizabeth Blumenstock, Dorian 93252, ANTONIO VIVALDI LA NOTTE CONCERTI PER STRUMENTI DIVERSI

Tomaso Albinoni (1671-1751), Trio Sonata #7 in G op.1, Parnassi Musici, cpo 999770, TOMASO ALBINONI TRIO SONATAS OP.1

Arcangelo Corelli (1653-1713), Concerto Grosso op.6 #8 CHRISTMAS CONCERTO, Academy of Ancient Music, Pavlo Beznosiuk, Alison Balsom – trumpet, Warner Classics 925116, JUBILO

Third Hour

Pavel Josef Vejvanovsky (c. 1633/39-1693), Serenade for 4 trumpets, bassoon & tympani, Philharmonia Virtuosi, Richard Kapp, David Bilger & Stephen Burns – trumpets, Edward Carroll & Lee Soper – trumpets, Atsuko Sato – bassoon, Ben Harms – tympani, ESS.A.Y. 1035, BAROQUE TRUMPETISSIMO

John Browne (fl.c.1490), Stabat iuxta (Beside the cross of Christ, she stood), Tallis Scholars, Peter Phillips, Gimell 036, JOHN BROWNE: MUSIC FROM THE ETON CHOIRBOOK

Johann Sebastian Bach (1685-1750), Brandenburg Concerto #3 in G BWV1048, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi 901634, BACH:BRANDENBURG CONCERTOS 1-6/AKADEMIE FUR ALTE MUSIK,BERLIN

Johann Ludwig Krebs (1713-1780), Sonata da Camera in e, Wilbert Hazelzet – flute, Jacques Ogg – harpsichord, Jaap ter Linden – cello, Glossa 2K0802, MUSIC BY BACH’S STUDENTS: KIRNBERGER, ABEL, KREBS, MUTHEL

Johann Gottlieb Goldberg (1727-1756), Sonata in Bb DurG10, Rebel, Jorg-Michael Schwarz, Bridge 9478, JOHANN GOTTLIEB GOLDBERG BEYOND THE VARIATIONS

Fourth Hour

William Croft (1678-1727), Suite from Courtship a la Mode: dances, London Oboe Band, Paul Goodwin, Harmonia Mundi 907181, PLAYHOUSE AIRS: 18TH C. ENGLISH THEATRE MUSIC

Henry Purcell (1659-1695), Suite from THE VIRTUOUS WIFE, Adrian Butterfield & Helene Plouffe – violins, Margaret Little – viola, Susie Napper – cello, Christopher Jackson – harpsichord, Nigel North – lute, ATMA ACD2 2300, LOST IS MY QUIET

Jean-Philippe Rameau (1683-1764), Dardanus: Suite, Musicians of the Louvre, Marc Minkowski, Deutsche Grammophon 463476, DARDANUS

George Frideric Handel (1685-1759), Admeto: Overture & Ball (opera 1727), Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi 901685, OMBRA MAI FU

Michel Richard Delalande (1657-1726), Les Folies de Cardenio: La Bergerie, Limoges Baroque Ensemble, Christophe Coin, Laborie LC 01, LES FOLIES DE CARDENIO DEUXIEME BALLET DANSE PAR LE ROY