Tag: Playlists

Playlist 2017-11-12

Mount Olympus

This Week’s Links

Veteran’s Day

Bassoon in Literature

Henricus Albicastro

Christopher Simpson

Tobias Hume

Andre Cardinal Destouches

King Frederick the Great

Rene de Galard de Bearn

First Hour

Jane Pickeringe Lute Book (1616), drawe neare me and lowe me, The Scottish Huntsupe, & A Scots Tune, Ronn McFarlane – lute, Dorian 90129, THE SCOTTISH LUTE

Claudio Monteverdi (1567-1643), Madrigal “Ah, dolente partita” & “Quel augellin che canta”, American Brass Quintet, Summit 181, FYRE & LIGHTNING CONSORT MUSIC OF 1600

Salomone Rossi (c.1570-1630), Eftach shir bistfatai ul’shon libi, & Lemi echpots, New York Baroque, Eric Milnes, Dorian 93220, SONGS OF SOLOMON: VOL. 2 HOLIDAY & FESTIVAL MUSIC

Antonio Vivaldi (1678-1741), Oboe concerto in g Op.11 #6 RV460, Academy of Ancient Music, Christopher Hogwood, Frank de Bruine – oboe, L’Oiseau Lyre 436172, VIVALDI 6 CONCERTI OP.11

George Frideric Handel (1685-1759), LOTARIO: gavotte & duet: Si, bel sembiante, Baroque Chamber Orchestra of Basel, Paul Goodwin, Nuria Ral – soprano (Adelaide), Lawrence Zazzo – alto (Lotario), OEHMS Classics OC902, LOTARIO HIGHLIGHTS

Elisabeth-Claude Jacquet de La Guerre (1665-1729), Sonata #3 in D for violin, flute, obligato gamba and b.c., Musica Fiorita, Daniela Dolci – harpsichord & leader, PanClassic 510121, ELISABETH-CLAUDE JACQUET DE LA GUERRE PORTRAIT

Johann Sebastian Bach (1685-1750), Toccata in G BWV916, Angela Hewitt – piano, Hyperion 67310, BACH: THE TOCCATAS / ANGELA HEWITT

 

Second Hour

Jean-Baptiste Lully (1632-1687), Phaeton (opera) LWV61 – Overture, Le printemps, & Entree des furies, Tafelmusik Baroque Orchestra, Jeanne Lamon, Tafelmusik Media TMK1001, THE GALILEO PROJECT

John Playford (1623-1686), Daphne, Les Witches, Alpha 502, NOBODY’S JIG: MR PLAYFORD’S ENGLISH DANCING MASTER

Jean-Philippe Rameau (1683-1764), Les Fetes d’Hebe: musette tendre en rondeau, La Victoire, Air gracieux pour Zephire et les Graces, & Rigaudons, The Aulos Ensemble, Christopher Krueger – traverso, Marc Schachman – bar. oboe, Linda Quan – baroque violin, Myron Lutzke – baroque cello, Arthur Haas – harpsichord, Centaur 2970, JEAN-PHILIPPE RAMEAU SUITES LES FETES D’HEBE,LES INDES GALANTES

Christoph Willibald Gluck (1714-1787), ORFEO: Dance of the Blessed Spirits, Orpheus Chamber Orchestra, Deutsche Grammophon 437782, CLASSICAL HITS

Jean-Baptiste Lully (1632-1687), THESEE: Les Hautbois, Liberte, liberte (Choeur), & Act4:Deux Bergeres, Boston Early Music Festival Orchestra & Chorus, Paul O’Dette & Stephen Stubbs, cpo 777240, THESEE: TRAGEDIE EN MUSIQUE

Jean-Philippe Rameau (1683-1764), Hippolyte & Aricie, Les Arts Florissants (Flourishing Arts), William Christie, Erato 3984-26129, MUSIQUE DE BALLET LES ARTS FLORISSANTS WILLIAM CHRISTIE

Johann Christoph Pepusch (1667-1752), Overture to Venus and Adonis in F, The Harmonious Society of Tickle-Fiddle Gentlemen, Ramee RAM1109, JOHANN CHRISTOPH PEPUSCH CONCERTOS AND OVERTURES FOR LONDON

 

Third Hour

Paul Peuerl (1570-after1625), Ballet & Courante, Doulce Memoire (Sweet Memory), Dorian 90262, FOLIE DOUCE (SWEET FOLLY)

Gottfried Heinrich Stolzel (1690-1749), Concerto Grosso in D, Ensemble Orchestral de Paris (Paris Orchestral Ensemble), Jean-Pierre Wallez, Maurice Andre – trumpet, Jean-Paul Leroy – trumpet, Thierry Caens – trumpet, (teery caw[n]s), EMI 64100, THE ART OF MAURICE ANDRE

Georg Philipp Telemann (1681-1767), Concerto in F for alto recorder, bassoon, strings and basso continuo TWV52:F1, Ensemble Cordevento, Erik Bosgraaf – recorder, Marije van der Ende – bassoon, Brilliant Classics 95249, G. PH. TELEMANN – THE DOUBLE CONCERTOS WITH RECORDER

Johann Sebastian Bach (1685-1750), Lute Suite in e, BWV996, Yolanda Kondonassis – harp, Telarc 80403, A NEW BAROQUE

Jan Pieterszoon Sweelinck (1562-1621), Psalm 90, Voices of Ascension, Dennis Keene, Delos 3165, BEYOND CHANT: MYSTERIES OF THE RENAISSANCE

 

Fourth Hour

Christopher Simpson (c.1605-1669), Divisions on a Ground, Trio Sonnerie, Teldec 90841, A GIFT OF NATURE

Tobias Hume (c.1569-1645), A Souldiers resolution, Nima Ben David – basse de viole & director, Aiane Maurette & Andreas Linos – violes, Pascale Boquet – tenor & basse de luth & theorbe, Pascal Gallon – basse de luth, Alpha 61, THE PASSION OF MUSICK

Rene de Bearn, Marquis de Brassac (1699-1771), The Empire of Love, Chatham Baroque, Dorian 90272, DANSE ROYALE

King Frederick the Great (171201786), Sonata, per il Flauto traverso solo e Basso ‘pour Potsdam’, #190 in c, Akademie fur Alte Musik, Berlin, Christoph Huntgeburth – flute, Antje Schurrock – flute, Raphael Alpermann – pianoforte, Harmonia Mundi HMX 2908556.57, MUSIQUE A SANSSOUCI

Henrico Albicastro (1661-c1730), Concerto in A op.7 #11, Collegium Marianum, Vaclav Luks, Pan Classics PC10124, G.H. ALBICASTRO OP.7

Andre Cardinal Destouches (1672-1749), The Elements – opera-ballet (1721): overture & dances, Academy of Ancient Music, Christopher Hogwood, L’Oiseau Lyre 4759100, LES ELEMENS

Playlist 2017-11-05

pocket watch

It’s time to “FALL BACK” … remember to set your clocks back one hour!

 

This Week’s Links

Music from the Age of Guy Fawkes

Gunpowder Plot

Who’s Afraid of Goldberg Variations

Women Conductors

First Hour

Antonio Bertali (1605-1669), Sonata in e a 6, Acronym, Olde Focus Recordings FCR901, PARADISE – INSTRUMENTAL SONATAS OF ANTONIO BERTALI

Francois (Charles) Dieupart (1667-1740), Recorder Suite #4 in e, Simphonie du Marais, Hugo Reyne – recorder, Alain Viau – violin, Pascal Montheilhet – archlute, Virgin Veritas 561937, PURCELL * DIEUPART SUITES FOR RECORDER

Johann Sebastian Bach (1685-1750), Goldberg Variations: aria & var.1-4, Simone Dinnerstein – piano, Telarc 80692, J.S. BACH GOLDBERG VARIATIONS

Thomas Augustine Arne (1710-1778), Organ Concerto #2 in G, Parley of Instruments Baroque Orchestra, Paul Nicholson, Paul Nicholson – organ, Hyperion 66509, ENGLISH ORPHEUS VOL.7: THOMAS ARNE SIX FAVOURITE CONCERTOS

William Byrd (c.1540-1623), Mass for 4 voices: kyrie, Sanctus/Benedictus, & Agnus Dei, Concordia & King’s Singers, Signum 61 1605: TREASON & DISCHORD – WILLIAM BYRD AND THE GUNPOWDER PLOT

 

Second Hour

Charles Dolle (fl.1735-1755), Troisieme Suite in A: carillon, Petr Wagner – viol, Jacques Ogg – harpsichord, Dorian 93246, CHARLES DOLLE:PIECES DE VIOLE AVEC LA BASSE CONTINUE,OP.2 (1737)

Francois Couperin (1668-1733), 14th Ordre: Le Carillon de Cithere, Alexandre Tharaud – piano, Harmonia Mundi 901956, TIC, TOC, CHOC

Marin Marais (1656-1728), Bells of St. Genevieve, Trio Sonnerie, Harmonia Mundi 907081, A PORTRAIT OF LOVE

George Frideric Handel (1685-1759), Organ Concerto #13 in F THE CUCKOO AND THE NIGHTINGALE, Concerto Amsterdam, Jaap Schroder, Daniel Chorzempa – organ, Philips 454030, THE BEST OF HANDEL

John Jenkins (1592-1678), Lyra consort in C THE SIX BELLS, Parley of Instruments Renaissance Violin Consort, Peter Holman, Hyperion 66604, ENGLISH ORPHEUS VOL.11:LATE CONSORT MUSIC BY JOHN JENKINS

William Byrd (c.1540-1623), The Bells, Canadian Brass, Sony, 45792, CANADIAN BRASS – ENGLISH RENAISSANCE MUSIC

Antoine Forqueray (1671-1745), Quatrieme suite in g: La Carillon de Passy, La Latour & La Carillon de Passy, Vittorio Ghielmi – viola da gamba, Rodney Prada – viola da gamba, Luca Pianca – archlute, Lorenzo Ghielmi – harpsichord, Passacaille 995, FORQUERAY LE DIABLE

 

Third Hour

Cesare Negri (pub.1602), Fabritio Caroso da Sermoneta (pub.1600), Brando di Cales & Passo e mezzo, Mindy Rosenfeld – flute, Ronn McFarlane – lute, Dorian Sono Luminus DSL-92169, NINE NOTES THAT SHOOK THE WORLD

Antonio Vivaldi (1678-1741), Sinfonia per archi in G RV 149 ‘Il Coro delle muse’, Europa Galante, Fabio Biondi, Glossa GCD 923401, IL DIARIO DE CHIARA

Jan Dismas Zelenka (1679-1745), Te Deum Laudamus: opening chorus, Dresden Chamber Chorus & Dresden Baroque Orchestra, Hans-Christoph Rademann, Carus 83.148, HEINICHEN & ZELENKA: MASS AND TE DEUM

Georg Philipp Telemann (1681-1767), Sonata in Bb from Musical Exercises, American Baroque, Gonzalo X. Ruiz – baroque oboe, Dorian 93205, AMERICAN BAROQUE PLAYS TELEMANN

Jacques Aubert (1689-1753), Concert of Symphonies in F – Suite #5, Collegium Musicum 90, Simon Standage, Chandos 0577, LE CARILLON

 

Fourth Hour

Thomas Tallis (c.1505-1585), Blessed be thy name & Arise, O Lord, and hear, Chapelle du Roi, Alistair Dixon, Signum SIGCD 036, THOMAS TALLIS THE COMPLETE WORKS VOLUME 8 LAMENTATIONS AND CONTRAFACTA

Pierre Attaignant (c.1494-c.1551), Pavane 3/Anonyme, 1547
Anonymous 1550, Pavane (La Monina), Galliarde 7
Claude Gervaise (fl.1540-1560), Galliarde “Qui Souhaitez”, Doulce Memoire (Sweet Memory), Astree 8545, CHANSONS NOUVELLES & DANCERIES

Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #6 in F SPRING JOURNAL, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY

Johann Friedrich Fasch (1688-1758), Overture Grosso in D FWV K:D8, Tempesta di Mare (Sea Tempest), Emlyn Ngai – violin (concertmaster), Chandos 0751, JOHANN FRIEDRICH FASCH (1688-1758) ORCHESTRAL MUSIC

Playlist 2017-10-29

pumpkins

This Week’s Links

History of Halloween

Musical Heritage of the Lutheran Church

Rachel Podger – Interview

Carlo Gesualdo – musicians and murderer

Robert Parsons

Alessandro Stradella

Jean-Marie Leclair

Jean-Baptiste Lully

13 Strangest Composer Deaths in Classical Music

First Hour

Samuel Scheidt (1587-1654), Ludi Musici: Courant XXXII, Galliard VII, & Galliard XXIV, Les Sacqueboutiers, Ambroisie 9996, SAMUEL SCHEIDT LUDI MUSICI BOOK 1

Johann Sebastian Bach (1685-1750), Cantata BWV80:Ein feste Burg ist unser Gott, Und wenn die Welt voll Teufel war, & Das Wort sie sollen lassen stahn, English Baroque Soloists & Monteverdi Choir, John Eliot Gardiner, Soli Deo Gloria 110, BACH CANTATAS VOL.10: POTSDAM/WITTENBERG

Johann Sebastian Bach (1685-1750), Meine Seele erhebet …BWV648, Amsterdam Baroque, Ton Koopman, Yo Yo Ma – cello, Sony 60681, SIMPLY BAROQUE 2

Johann Hermann Schein (1586-1630), Canzon from Venuskranzlein, Brisk Recorder Quartet Amsterdam, Globe 5214, GERMAN CONSORT MUSIC OF THE 17TH CENTURY

Georg Philipp Telemann (1681-1767), Concerto in D for horn TWV51:D8, Academy of St. Martin in the Fields, Iona Brown, Hermann Baumann – horn 1, Philips 412226, TELEMANN HORN CONCERTOS

Michael Praetorius (1571-1621), Suite from Terpsichore, Doulce Memoire (Sweet Memory), Dorian 90262, FOLIE DOUCE (SWEET FOLLY)

Johann Sebastian Bach (1685-1750), Mass in g BWV 235: Kyrie & Gloria, The Sixteen, Harry Christophers, CORO COR16115, JS BACH: LUTHERAN MASSES VOL.1

 

Second Hour

Carlo Gesualdo (c.1566-1613), Alma d’amore rubelle & O Vos Omnes (O all ye that pass by the way), Concerto Soave, Jean-Marc Aymes, zig zag ZZT319, TRIBULATIONEM

Robert Parsons (c.1530-?1572), Ut re mi fa sol la, Phantasm, Laurence Dreyfus – treble viol & director, Wendy Gillespie – treble & tenor viols, Jonathan Manson – tenor viol, Markku Luolajan-Mikkola – bass viol, AVIE 2054, FOUR TEMPERAMENTS

Alessandro Stradella (1639-1682), Sinfonia in d, Trio Settecento, Rachel Barton Pine – violin, John Mark Rozendaal – cello, David Schrader – harpsichord, Cedille 099, AN ITALIAN SOJOURN

Jean-Marie Leclair (1697-1764), Sonata #2 in e Book 4, Convivium, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Paul Nicholson – harpsichord, Hyperion 67068, LECLAIR SONATAS FROM QUATRIEME LIVRE DE SONATAS

Jean-Baptiste Lully (1632-1687), Ballet de Xerxes: suite, Aradia Baroque Ensemble, Kevin Mallon, Naxos 554003, BALLET MUSIC FOR THE SUN KING

 

Third Hour

Johann Sebastian Bach (1685-1750), Cantata BWV51: Aria (Soprano): Jauchzet Gott in allen Landen!, (Bethlehem) Bach Festival Orchestra, Greg Funfgeld, Ann Monoyios – soprano, Dorian 90306, THE ASCENSION ORATORIO AND TWO FESTIVE CANTATAS

William Croft (1678-1727), The Funeral,or Grief-a-la-Mode 1702, London Oboe Band, Paul Goodwin, Harmonia Mundi 907181, PLAYHOUSE AIRS: 18TH C. ENGLISH THEATRE MUSIC

Francois Couperin (1668-1733), Troisieme Ordre: L’Imperiale: Sonade, Rondeau, Sarabande, & Allemande, Juilliard Baroque, Naxos 573347/48, FRANCOIS COUPERIN LES NATIONS

Georg Philipp Telemann (1681-1767), Suite in G THE NATIONS TWV55:G4 “Nations anciens et modernes”, Collegium Musicum 90, Simon Standage, Chandos 0593, TELEMANN MUSIC OF THE NATIONS

 

Fourth Hour

Jean-Joseph Cassanea de Mondonville (1711-1772), Grand Motet: DOMINUS REGNAVIT: chorus: Dominus regnavit (The Lord Reigns), Tafelmusik Baroque Orchestra and Chamber Choir, Ivars Taurins, Tafelmusik Media TMK1029, BEST OF FRENCH BAROQUE

John Jenkins (1592-1678), Lyra consort in G, Parley of Instruments Renaissance Violin Consort, Peter Holman, Hyperion 66604, ENGLISH ORPHEUS VOL.11: LATE CONSORT MUSIC BY JOHN JENKINS

Francesco Maria Veracini (1690-1768), Sonata in d op.2 #12 for violin and continuo, Brecon Baroque, Rachel Podger – violin, Rachel Podger – violin, Channel Classics CCS SA 39217, GRANDISSIMA GRAVITA

Domenico Scarlatti (1685-1757), Sonata in in d “Gavota” K.64 & Sonata in A K.429, Angela Hewitt – piano, Hyperion CDA68184, DOMENICO SCARLATTI

Giuseppe Tartini (1692-1770), Devil’s Trill Sonata, Scottish Chamber Orchestra, Christian Curnyn, Nicola Benedetti, Decca B0016412-02, ITALIA

Playlist 2017-10-01

Edgar Meyer, Chris Thile, Yo-Yo Ma

This Week’s Links

How Collaboration Changed the World

Johann Paul von Westhoff

Andrei Gavrilov – piano

Moliere

BACH TRIOS – Yo-Yo Ma/Chris Thile/Edgar Meyer

Ottorino Respighi – Ancient Airs and Dances

Charles Jennens

Anne Akiko Meyers – Vieuxtemps Guarneri del Gesu violin

First Hour

Juan Arañés (? – c.1649), Chacona: Una sarao de la chacona
Anonymous, Chacona ytaliana:”Sencilla pastora”, Piffaro Renaissance Band, Deutsche Grammophon 453441, LOS MINISTRILES

Anonymous, Newmarket, Tickle my Toe, Wilson’s Wilde, The Queen’s Delight, Half Hanniken, & Newcastle, King’s Noyse, Harmonia Mundi 907180, THE QUEEN’S DELIGHT

Johann Sebastian Bach (1685-1750), Prelude & Fugue #18 in e BWV548, Yo-Yo Ma – cello, Chris Thile – mandolin, Edgar Meyer – bass, Nonesuch 558933, BACH TRIOS

Francesco Saverio Geminiani (1687-1762), Concerto Grosso #9 in A, Academy of Ancient Music, Andrew Manze, Harmonia Mundi 907261/2, CONCERTI GROSSI (AFTER CORELLI, OP.5)

George Frideric Handel (1685-1759), Suite #8 in f HWV433, Keith Jarrett – piano, ECM New Series 1530, HANDEL: SUITES FOR KEYBOARD * KEITH JARRETT

Second Hour

Jean-Baptiste Lully (1632-1687), Suite from Le Mariage Force, New York Kammermusiker, Ilonna Pederson, Dorian 90189, A BAROQUE CELEBRATION MUSIC BY BACH,HANDEL,LULLY,PURCELL & OTHER

Johann Christoph Pepusch (1667-1752), Concerto á 6 for cello, bassoon, strings and basso continuo in F, The Harmonious Society of Tickle-Fiddle Gentlemen, Ramee RAM1109, JOHANN CHRISTOPH PEPUSCH CONCERTOS AND OVERTURES FOR LONDON

Jean-Baptiste Lully (1632-1687), Le Bourgeois Gentilhomme (1670): Overture, Ceremonie des Turcs: Troisieme Air, & Ballet des nations: Entree des Scaramouches, Trivelins et Arlequin, Tempesta di Mare, Chandos CHAN 0805, COMEDIE ET TRAGEDIE VOL.1

George Frideric Handel (1685-1759), SAUL:Act 1 chorus: How excellent.., Act 2: Symphony, & Act 3:Dead March, Mourn Israel, Gabrieli Consort & Players, Paul McCreesh, Deutsche Grammophon 474511, GEORGE FRIDERIC HANDEL: SAUL

Henry Purcell (1659-1695), Dido & Aeneas: Overture, Act 2 Chorus & Dance, Act 3 witches dance, & Chorus – GREAT MINDS AGAINST THEMSELVES CONSPIRE, Orchestra of the Age of Enlightenment, Rene Jacobs, Harmonia Mundi 901683, PURCELL: DIDO & AENEAS / JACOBS,DAWSON,FINLEY, ET AL

Daniel Purcell – Henry Purcell (1659-1695), Indian Queen/ Masque of Hymen, Scholars Baroque Ensemble, Naxos 553752, THE INDIAN QUEEN

Third Hour

Anonymous, Suite of dances, Hesperion XX, Jordi Savall, Alia Vox 9804, ELIZABETHAN CONSORT MUSIC 1558-1603

John Taverner (c.1490 – 1545), Dum Transisset, Stile Antico, Harmonia Mundi HMU 807555, PASSION & RESURRECTION: MUSIC INSPIRED BY HOLY WEEK

James Oswald (1711-1769), The Marvel of Peru (Autumn), Broadside Band, Jeremy Barlow, Dorian 80164, AIRS FOR THE SEASONS

Antonio Vivaldi (1678-1741), Concerto #3 in F op.8 AUTUMN RV293, English Chamber Orchestra, David Lockington, Anne Akiko Meyers – violin, e-one EOM-CD-7790, THE FOUR SEASONS

Alessandro Scarlatti (1660-1725), Sinfonia #8 in G for recorder, strings and continuo (1715), Les Boreades, Francis Colpron – recorder, ATMA Classique ACD2 2606, LA GENIALE

Giovanni Antonio Guido (c.1675-after 1728), Concerto #3 AUTUMN, The Band of Instruments, Roger Hamilton – harpsichord, Caroline Balding – violin, Divine Art dda 25072, GIOVANNI ANTONIO GUIDO * THE FOUR SEASONS

Fourth Hour

Jean-Baptiste Lully (1632-1687), Marche Royale & Marche Militaire, Stuttgart Brass Quartett, Hanssler 98.623, CROSSOVER

Johann Paul von Westhoff (1656-1705), Sonata #3 in d, Les plaisirs du Parnasse, David Plantier – violin, Maya Amrein – cello, Andrea Marchiol – harpsichord, Shizuko Noiri – archlute, Zig Zag 50201, SONATES POUR VIOLON & BASSE CONTINUE (1694)

Leonardo Leo (1694-1744), Cello Concerto in A, L’Ensemble 415, Chiara Banchini, Gaetano Nasillo – cello, Zig Zag 50302, CONCERTI NAPOLETANI PER VIOLONCELLO

Fabritio Caroso (c.1527-c.1605), Laura soave, Paul O’Dette – lute, John Holloway – violin, Christel Thielmann – bass viol, Hyperion CDA66228, ANCIENT AIRS & DANCES

Johann Sebastian Bach (1685-1750), Piano Concerto in F BWV1057, Academy of St. Martin in the Fields, Neville Marriner, Andrei Gavrilov – piano, Susan Milan & Lenor Smith – flutes, EMI 64293, JOHANN SEBASTIAN BACH KEYBOARD CONCERTOS

Playlist 2017-09-24

Cardinal Pietro Ottoboni

This Week’s Links

Angela Hewitt – slow practice

Angela Hewitt – Domenico Scarlatti

John Blow: An Ode On The Death Of Mr. Henry Purcell

A TELEMANN COMPANION

Rachel Podger – Brecon Baroque

Marc-Antoine Charpentier: La Descente d’Orphée aux Enfers

Cardinal Pietro Ottoboni

First Hour

John Blow (1649-1708), Sonata In A – 1. Slow & 3. Brisk, Arcangelo, Jonathan Cohen, Hyperion CDA68149, JOHN BLOW: AN ODE ON THE DEATH OF MR. HENRY PURCELL

Georg Philipp Telemann (1681-1767), Suite in g TWV 55:g1 “La Musette”, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi HMX2908785.87, A TELEMANN COMPANION: ORCHESTRAL SUITES

Giuseppe Tartini (1692-1770), Sonata in a op.2 #5 for violin and continuo, Brecon Baroque, Rachel Podger – violin, Rachel Podger – violin, Channel Classics CCS SA 39217, GRANDISSIMA GRAVITA

Domenico Scarlatti (1685-1757), Sonata in A K.24 & Sonata in D K.492, Angela Hewitt – piano, Hyperion CDA68184, DOMENICO SCARLATTI

Marc-Antoine Charpentier, La Descente d’Orphee aux Enfers: Premier Acte. Ouverture, Je ne refuse point & Il n’est rien aux Enfers & Entrée des Fantômes, & Scène 4. Vous partez donc, Ensemble Correspondances, Sébastien Daucé, Harmonia Mundi HMM902279, CHARPENTIER – LA DESCENTE D’ORPHEE AUX ENFERS

Second Hour

Domenico Scarlatti (1685-1757), Sonata in g K.30 (Cat’s Fugue), Scott Ross – harpsichord, Erato 45422, SCARLATTI: BEST SONATAS

Alessandro Scarlatti (1660-1725), Concerto #3 in d for flute, I Musici, William Bennett – flute, Lenore Smith – flute, Philips 400017, ALESSANDRO SCARLATTI 6 SINFONIE DI CONCERTO GROSSO

Antonio Caldara (1670-1736), Sinfonia nº12 ‘La passione di Gesu Signor nostro, Ensemble Caprice, Matthias Maute, ATMA Classique ACD2 2347, ALLA TURCA: MUSIC BY FUX, CALDARA AND BADIA

Antonio Vivaldi (1678-1741), Sonata in C RV3 violin, cello, lute, harpsichord, Musica Pacifica, Judith Linsenberg & Elizabeth Blumenstock, Dorian 93252, ANTONIO VIVALDI LA NOTTE CONCERTI PER STRUMENTI DIVERSI

Tomaso Albinoni (1671-1751), Trio Sonata #7 in G op.1, Parnassi Musici, cpo 999770, TOMASO ALBINONI TRIO SONATAS OP.1

Arcangelo Corelli (1653-1713), Concerto Grosso op.6 #8 CHRISTMAS CONCERTO, Academy of Ancient Music, Pavlo Beznosiuk, Alison Balsom – trumpet, Warner Classics 925116, JUBILO

Third Hour

Pavel Josef Vejvanovsky (c. 1633/39-1693), Serenade for 4 trumpets, bassoon & tympani, Philharmonia Virtuosi, Richard Kapp, David Bilger & Stephen Burns – trumpets, Edward Carroll & Lee Soper – trumpets, Atsuko Sato – bassoon, Ben Harms – tympani, ESS.A.Y. 1035, BAROQUE TRUMPETISSIMO

John Browne (fl.c.1490), Stabat iuxta (Beside the cross of Christ, she stood), Tallis Scholars, Peter Phillips, Gimell 036, JOHN BROWNE: MUSIC FROM THE ETON CHOIRBOOK

Johann Sebastian Bach (1685-1750), Brandenburg Concerto #3 in G BWV1048, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi 901634, BACH:BRANDENBURG CONCERTOS 1-6/AKADEMIE FUR ALTE MUSIK,BERLIN

Johann Ludwig Krebs (1713-1780), Sonata da Camera in e, Wilbert Hazelzet – flute, Jacques Ogg – harpsichord, Jaap ter Linden – cello, Glossa 2K0802, MUSIC BY BACH’S STUDENTS: KIRNBERGER, ABEL, KREBS, MUTHEL

Johann Gottlieb Goldberg (1727-1756), Sonata in Bb DurG10, Rebel, Jorg-Michael Schwarz, Bridge 9478, JOHANN GOTTLIEB GOLDBERG BEYOND THE VARIATIONS

Fourth Hour

William Croft (1678-1727), Suite from Courtship a la Mode: dances, London Oboe Band, Paul Goodwin, Harmonia Mundi 907181, PLAYHOUSE AIRS: 18TH C. ENGLISH THEATRE MUSIC

Henry Purcell (1659-1695), Suite from THE VIRTUOUS WIFE, Adrian Butterfield & Helene Plouffe – violins, Margaret Little – viola, Susie Napper – cello, Christopher Jackson – harpsichord, Nigel North – lute, ATMA ACD2 2300, LOST IS MY QUIET

Jean-Philippe Rameau (1683-1764), Dardanus: Suite, Musicians of the Louvre, Marc Minkowski, Deutsche Grammophon 463476, DARDANUS

George Frideric Handel (1685-1759), Admeto: Overture & Ball (opera 1727), Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Harmonia Mundi 901685, OMBRA MAI FU

Michel Richard Delalande (1657-1726), Les Folies de Cardenio: La Bergerie, Limoges Baroque Ensemble, Christophe Coin, Laborie LC 01, LES FOLIES DE CARDENIO DEUXIEME BALLET DANSE PAR LE ROY

Playlist 2017-09-17

This Week’s Links

United Nations International Day of Peace
Hamburg, Germany
Julian Bream plays for Igor Stravinsky

First Hour

Thomas Tallis (c.1505-1585), 3rd Tune: Why fum’th in fight, 1st Tune: Man blest no doubt, 5th Tune: E’en like the hunted hind, & 8th Tune: God grant with grace, Stile Antico, Harmonia Mundi 807463, HEAVENLY HARMONIES

Simone Molinaro (c.1570-1634), Pass’e mezzo in sei modi, Gagliarda in Quattro modi, Saltarello secondo, Ballo detto il Conte Orlando, & Gagliarda in tre modi, Paul O’Dette – lute, Harmonia Mundi 907295, SIMONE MOLINARO FANTASIE, CANZONI E BALLI

Henry Purcell (1659-1695), The Married Beau: suite, La Stravaganza Koln, Denon 81757 9250, 18TH CENTURY ENGLISH THEATRE MUSIC

Johann Heinrich Schmelzer (c.1620/23-1680), Fechtschule: Balletto a 4 “Fencing School” in G major (1668), Les Boreades (Montreal), ATMA 2152, THEATRE MUSICAL

George Frideric Handel (1685-1759), Concerto Grosso #9 in F op.6, Boston Baroque, Martin Pearlman, Telarc 80688, HANDEL CONCERTI GROSSI #7-12 OP.6

Second Hour

Johann Sebastian Bach (1685-1750), French Suite no.5 in G BWV816: Sarabande, Jeffrey Biegel – piano, ArkivMusic/Steinway 30001, BACH ON A STEINWAY

Francois Couperin (1668-1733), La Paix du Parnasse: Gravement, Rondement, & Vivement, Ricercar Consort, Philippe Pierlot, Mirare MIR 150, FRANCOIS COUPERIN APOTHEOSES

Bach, Johann Sebastian, Mass in b: Gloria, Et in Terra Pax, Collegium Vocale Chorus & Orchestra, Philippe Herreweghe, Harmonia Mundi 901614/5, Mass in b BWV 232

Jean-Philippe Rameau (1683-1764), Nais: Gavotte pour les Zephirs, Gavotte gracieuse en Rondeau, Sarabande, & Entree des Luteurs et Chaconne, Orchestra of the 18th Century, Frans Bruggen, Glossa 921106, JEAN-PHILIPPE RAMEAU ORCHESTRAL SUITES

George Frideric Handel (1685-1759), Music for the Royal Fireworks, Le Concert des Nations, Jordi Savall, Alia Vox 9860, HAENDEL WATER MUSIC, MUSIC FOR THE ROYAL FIREWORKS

Third Hour

Tarquinio Merula (1584/5-1665), “Ruggiero”
Salomone Rossi (c.1570-1630), Gagliarda “Norsina” a 5, Il Giardino Armonico (Harmonic Garden), Teldec, 82536, VIAGGIO MUSICALE: ITALIAN MUSIC OF THE 17TH CENTURY

Anonymous, Comadrina gaillarda & Fantaisie, Doulce Memoire (Sweet Memory), Astree Naive 8847, THE CENTURY OF TITIAN: MUSIC OF VENICE

Johann Vierdanck (c.1605-1646), Passamezzo #15 in a, Parnassi Musici, violins, cello, lute, organ, cpo 777205, CAPRICCI, CANZONI UND SONATEN ROSTOCK 1641

Jean-Marie Leclair (1697-1764), Concerto in Bb op.10 #1 for violin, Arion Ensemble (Montreal, Canada), Monica Huggett, Monica Huggett – violin, ATMA ACD2 2143, JEAN-MARIE LECLAIR CONCERTOS

Georg Philipp Telemann (1681-1767), Quatuor #3 in G from Nouveaux Quatuors (1738), Musica Pacifica, Judith Linsenberg – recorder, Navona Records NV6056, MI PALPITA IL COR : BAROQUE PASSIONS

Fourth Hour

Johann Christian Schieferdecker (1679-1732), Musical Concert #9 in g: I. Ouverture & II. Courante, Hamburger Ratsmusik, Carus 83.398, GEISTLICHE KONZERTE

George Frideric Handel (1685-1759), Almira, Queen of Castile: Suite HWV1, Parley of Instruments, Peter Holman, Hyperion CDA67053, HANDEL IN HAMBURG THE PARLEY OF INSTRUMENTS/PETER HOLMAN

Georg Philipp Telemann (1681-1767), Musical Exercises: Trio 3 in g for oboe, violin and basso continuo, TWV. 42:g5 (Hamburg 1740), Ensemble Meridiana, Sarah Humphrys – baroque oboe, Sabine Stoffer – violin, Tore Eketorp – viola da gamba, Linn 368, TASTES OF EUROPE

Johann Mattheson (1681-1764), Air, Bournemouth Symphony Orchestra, Jose Serebrier, Naxos 8.572050, STOKOWSKI BACH TRANSCRIPTIONS VOL.2

Philip Heinrich Erlebach (1657-1714), Sonata #2 in e for violin & gamba, Trio Sonnerie, ASV 107, JOHANN SEBASTIAN BACH: SONATAS FOR VIOLIN & CONTINUO

Johann Adolf Hasse (1699-1783), Sonata per flauto in Bb, Various Artists, Maurice Steger – recorder, Harmonia Mundi HMC 902253, SOUVENIRS D’ITALIE

Playlist 2017-09-03

Queen Anne

This Week’s Links

Labor Day

Alison Balsom – trumpet

Calefax

LAGQ

Christopher Tye

First Hour

Christopher Tye (1505-1573), Dum transisset (instrumental) & Rubum quem (instrumental), Byrde Recorder Consort, Harmonia Mundi 907396, CHRISTOPHER TYE: LATIN & ENGLISH CHURCH MUSIC

Antonio Vivaldi (1678-1741), Trumpet (orig. Violin) Concerto in a RV356 from L’ESTRO ARMONICO, Scottish Ensemble, Alison Balsom – trumpet, EMI Classics 56094, ALISON BALSOM * ITALIAN CONCERTOS

John Dowland (1563-1626), Flow My Tears & Fine Knacks for Ladies, Fine Arts Brass Ensemble, Nimbus 5546, MUSIC FROM THE ENGLISH COURTS

Johannes Ockeghem (1410/25-1497), Mass “Fors Seulement”: kyrie & gloria, Calefax Reed Ensemble, CanalGrand 9321, CALEFAX REED ENSEMBLE: SHOSTAKOVICH, BRUMEL, OCKEGHEM

Michael Praetorius (1571-1621), Dance Suite from Terpsichore, LAGQ (Los Angeles Guitar Quartet), Delos, 3132, DANCES FROM RENAISSANCE TO NUTCRACKER

George Frideric Handel (1685-1759), Concerto for Oboe d’amore & strings, Sinfonia Varsovia, Albrecht Mayer – oboe d’amore, Deutsche Grammophon 4765681, ALBRECHT MAYER: NEW SEASONS * HANDEL FOR OBOE & ORCHESTRA

 

Second Hour

Jean-Baptiste Lully (1632-1687),, Ballet d’Alcidiane et Polexandre (1658): Overture & Chaconne, Aradia Baroque Ensemble, Kevin Mallon, Naxos 554003, BALLET MUSIC FOR THE SUN KING

William Brade (1560-1630), Three Mascharadas & Paduana XI/Galliard XI, King’s Noyse, David Douglass, Harmonia Mundi 907165, MASCHARADA – MUSIC AT THE BUCKENBURG COURT OF ERNST III

George Frideric Handel (1685-1759), Birthday Ode for Queen Anne HWV74: Eternal Source of light divine, The English Concert, Alison Balsom – trumpet, Iestyn Davies – countertenor, EMI Classics, 440329, SOUND THE TRUMPET

Johann Joachim Quantz (1697-1773), Horn Concerto #3 in Eb, Academy of St. Martin in the Fields, Iona Brown, Barry Tuckwell – horn, London 417406, BAROQUE HORN CONCERTOS

Johann Sebastian Bach (1685-1750), Sonata #1 in b BWV1014, Michelle Makarski – violin, Keith Jarrett – piano, ECM New Series 2230/31, SIX SONATAS FOR VIOLIN AND PIANO

Antonio Vivaldi (1678-1741), Concerto #4 in F RV286 Per la solennità di San Lorenzo, The English Concert, Andrew Manze, Harmonia Mundi 907332, ANTONIO VIVALDI CONCERTOS FOR THE EMPEROR

 

Third Hour

John Blow (1649-1708), Chacony in G, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon, 453418, CHACONNE

Johann Melchior Molter (1696-1765), Trumpet Concerto MWV4 #8, Wurtemberg Chamber Orchestra, Jorg Faerber, Guy Touvron – trumpet, RCA 61200, MOLTER: TRUMPET CONCERTOS

Orlande de Lasso (c.1532/30-1594), Motet Osculetur me
Orlande de Lasso (c.1532/30-1594), Missa Osculetur me: Kyrie, Tallis Scholars, Peter Phillips, Gimell 018, LASSUS: MISSA OSCULETUR ME

Henry Purcell (1659-1695), Chaconne (Curtain Tune, TIMON OF ATHENS), Il Giardino Armonico (Harmonic Garden), Giovanni Antonini, Teldec 8573-85557, MUSICA BAROCCA

Henry Purcell (1659-1695), Harmonia Sacra No.1, Z.193: Now that the sun hath veiled his light, Chanticleer & Capriccio Stravagante, Joseph Jennings & Skip Sempe, Teldec Classics 60290, CHANTICLEER EVENING PRAYER PURCELL

Marin Marais (1656-1728), Alcione: Suite #1, Concert of Nations, Jordi Savall, Auvidis 8525, ALCIONE: SUITES DES AIRS A JOUER

Sylvius Leopold Weiss (1687-1750), Concerto for lute & flute in F SC9, Tempesta di Mare (Sea Tempest), Richard Stone – lute, Gwyn Roberts – flute, Chandos CHAN0707, SILVIUS LEOPOLD WEISS LUTE CONCERTI (PREMIERE RECORDINGS)

 

Fourth Hour

Domenico Scarlatti (1685-1757), Sonata in f Allegro K 365 L 480, Orion Weiss – piano, Naxos 573222, SCARLATTI COMPLETE KEYBOARD SONATAS VOL.15

Antonio Vivaldi (1678-1741), Sonata in a RV86 recorder & bassoon, Musica Pacifica Baroque Ensemble, Judith Linsenberg – recorder, Michael McCraw – bassoon, Dorian Sono Luminus 90704, FIRE BENEATH MY FINGERS

Antonio Vivaldi (1678-1741), GLORIA RV588:gloria in excelsis Deo, Hanover Band & Christ Church Cathedral Choir, Stephen Darlington, Nimbus 5278, VIVALDI GLORIAS RV 588 AND 589

Georg Philipp Telemann (1681-1767), Suite in F for 2 Horns, strings & continuo, Academy of St. Martin in the Fields, Iona Brown, Hermann Baumann – horn 1, Timothy Brown – horn 2 (Iona’s brother), Philips, 412226, TELEMANN HORN CONCERTOS

Jacques Paisible (c.1565-1721), Vale Royall XIV in a for treble recorder, guitar and bass viol, Musicke’s Pleasure Garden, Michael Hell – recorder, Rebeka Rusó – bass viol, paladino music pmr 0071, JACQUES PAISIBLE COMPLETE RECORDER SONATAS

Giovanni Battista Sammartini (1700/01-1775), Quintet #3 in G, Ensemble 415, Chiara Banchini, Harmonia Mundi 901245, GIOVANNI BATTISTA & GIUSEPPE SAMMARTINI: CONCERTI & SINFONIE

Playlist 2017-08-27

St. Mark's Basilica, Venice

This Week’s Links

Basilica San Marco

Venice Tourist invasion

Alison Balsom – trumpet

Christopher Tye

Venice

First Hour

George Frideric Handel (1685-1759), Sonata #2 in Bb: andante & allegro, Marcel Ponseele – oboe, Ewald Demeyere – harpsichord, Richte Van der Meer – cello, Accent 99136, VIVALDI & HANDEL SONATAS & TRIO SONATAS FOR OBOE & B.C.

Manuscript, I-La fille guillemin (instr.) CM 6, II-Zappay (instr.) CM 20, III-Collinetto (instr.) CM 22, & V-La Spagna (instr.), La Capella Reial de Catalunya (Royal Capella of Catalonia), Jordi Savall, Alia Vox AV 9816, EL CANCIONERO DE MONTECASSINO (1396-1458)

Francois Couperin (1668-1733), Book 2:10th Ordre: La Mezangere, Angela Hewitt – piano, Hyperion 67520, FRANCOIS COUPERIN KEYBOARD MUSIC VOL.3

Giuseppe Tartini (1692-1770), Concerto in D D.53, Scottish Ensemble, Alison Balsom – trumpet, EMI Classics 56094, ALISON BALSOM * ITALIAN CONCERTOS

Giovanni Frescobaldi (1583-1643), Partita sopra il Balletto, Eliot Fisk – guitar, Music Master 67151, THE BEST OF ELIOT FISK

Henry Purcell (1659-1695), Gordian Knot Unty’d Z.597, Aradia Baroque Ensemble, Kevin Mallon, Naxos 8.570149, PURCELL: THEATRE MUSIC VOL.1

Second Hour

Giovanni Legrenzi (1626-1690), Sonata LA FOSCARI op.2 #8, El Mundo, Richard Savino – guitar, Koch 7446, VENICE BEFORE VIVALDI

Andrea Gabrieli (c.1532-1585), Now that the Adriatic Sea rests…, How shall I have peace on earth…, & O Gentle Chain, my heart’s delight, Weser-Renaissance Bremen, Manfred Cordes, cpo 642, MADRIGALI E CANZONI

Giovanni Gabrieli (1554/7-1612), Canzon #18, London Brass, Teldec, 90856, GABRIELI IN VENICE

Antonio Vivaldi (1678-1741), Oratorio JUDITHA TRIUMPHANS RV644: aria: Si fulgida, coro: Mundi rector, coro: Plena nectare non mero, & coro: Arma, caedes, vindictae, Ensemble Caprice, Matthias Maute, Analekta AN 2 9995, THE RETURN OF ANGELS

Antonio Caldara (c.1671-1736), Ciaccona a 3, Various Artists, Maurice Steger – recorder, Naoki Kitaya – harpsichord, – viol, Harmonia Mundi HMC 902253, SOUVENIRS D’ITALIE

Tomaso Albinoni (1671-1751), Concerto #2 in d Op.9 (orig oboe), Wurtemberg Chamber Orchestra, Jorg Faerber, Maurice Andre – trumpet, Erato 45751,

Claudio Monteverdi (1567-1643), Psalm 112: laudate pueri, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, AVIE 2206, CLAUDIO MONTEVERDI VESPERS OF 1610

Third Hour

Tielmann Susato (c.1500-c.1561), Ronde, La Mourisque, & Ronde Mon Amy, English Chamber Orchestra Brass Ensemble, Donald Fraser, RCA 61541, BAROQUE BRASS

Carlo Alessio Razetti (fl.18th c.), Concerto in f for violin, Arion Baroque Orchestra, Stefano Montanari – baroque violin, Early Music 7776, HIDDEN TREASURES OF ITALY

Henry Purcell (1659-1695), My heart is inditing, Chanticleer & Capriccio Stravagante, Joseph Jennings & Skip Sempe, Teldec Classics 60290, CHANTICLEER EVENING PRAYER PURCELL

Jean-Fery Rebel (1666-1747), Les Caracteres de la Danse (Characters of the Dance), Tempesta di Mare, Sunday Baroque 001, HAND PICKED SUNDAY BAROQUE

Antonio Vivaldi (1678-1741), Sonata #2 in d RV12 MANCHESTER, Nigel Kennedy – violin, Mitzi Meyerson – harpsichord, Olaf Maninger – cello, Taro Takeuchi – baroque guitar, EMI 57859, NIGEL KENNEDY VIVALDI II

Fourth Hour

George Frideric Handel (1685-1759), Agrippina: Sinfonia HWV6: gigue, sarabande, & matelot, Tafelmusik Baroque Orchestra, Jeanne Lamon, Analekta AN 2 2004, HANDEL: ARIAS AND DANCES, EXCERPTS FROM AGRIPPINA & ALCINA

Johann Sebastian Bach (1685-1750), Suite in E major BWV1006a:Suite, Sharon Isbin – guitar, Erato 8-2564617518-5, BACH FOR GUITAR – LUTE SUITES

Georg Philipp Telemann (1681-1767), Suite in a for Recorder, Strings & BC TWV 55, a 2 3, Rebel Baroque Orchestra, Jorg-Michael Schwarz – violin, Matthias Maute – recorder, Dorian 90302, TELEMANN ALLA POLACCA: CONCERTI & SUITES BY GP TELEMANN

Antonio Vivaldi (1678-1741), Concerto ripieno in C RV114, Venice Baroque Orchestra, Andrea Marcon, Deutsche Grammophon/Archiv B0006728, CONCERTI E SINFONIE PER ARCHI (CONCERTOS & SINFONIAS FOR STRINGS

Playlist 2017-08-20

This Week’s Links

The Parley of Instruments

Johann David Heinichen

Jan Dismas Zelenka manuscript: Concerto à 8 concertanti in G major, ZWV 186

George Frideric Handel

Johann Adolf Hasse

First Hour

Johann Heinrich Schmelzer (c.1620/23-1680), Sonata 4 Book 1, Chatham Baroque, Dorian Sono Luminus 90706, SWEET DESIRE

Georg Philipp Telemann (1681-1767), Concerto in G for viola, strings and b.c. TWV51:G9, Arion Baroque Orchestra, Alexander Weimann – harpsichord, Jean-Louis Blouin – viola, Early Music EMCCD7777, REBELLES BAROQUES

William Corbett (1680-1748), Suite in D, Parley of Instruments, Peter Holman, Mark Bennett – trumpet, Michael Laird – trumpet, Hyperion 66817, ENGLISH ORPHEUS VOL.35:SOUND THE TRUMPET

Marco Uccellini (1603/1610-1680), Sinfonia La suavissima, Europa Galante, Fabio Biondi, Opus 186, INVENZIONI E STRAVAGANZE

Giovanni Mossi (c.1680-1742), String Concerto in g op.4 #12, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 435393, CONCERTI TORELLI MOSSI VALENTINI LOCATELLI LEO

Giuseppe Valentini (c.1680-c.1759), Bizzarria #2 in E, Aura musicale (Musical Favor), Balazs Mate, Hungaroton 31864, 7 BIZZARRIE PER CAMERA OP.2

 

Second Hour

Antonio Vivaldi (1678-1741), Orlando Furioso RV728: Vorrebbe amando il cor, Ensemble Matheus, Jean-Christophe Spinosi, Blandine Staskiewicz – mezzo soprano (Medoro), Naive OP30393, ORLANDO FURIOSO

George Frideric Handel (1685-1759), Concerto Grosso #3 in e op.6, Boston Baroque, Martin Pearlman, Telarc 80253, HANDEL CONCERTI GROSSI OP.6 NOS. 1-6

Jan Dismas Zelenka (1679-1745), Concerto a 8 concertanti in G, Il Fondamento, Paul Dombrecht, Passacaille 9524, PRAGUE 1723

Michael East (c.1580-1648), Quick, quick, away, dispatch!, Cambridge Singers, John Rutter, Collegium 105, FLORA GAVE ME FAIREST FLOWERS

Georg Muffat (1653-1704), Impatience – Suite in Bb, Cantilena, Adrian Shepherd, Chandos 1007, MUSIC FROM THE COURT OF SALZBURG

Ludwig Senfl (arr. by G. Herreid) (c.1486-c.1542), Patientiam muess ich han & Patientiam muess ich han (a 5), Piffaro Renaissance Band, Dorian 90292, STADTPFEIFFER: MUSIC OF RENAISSANCE GERMANY

 

Third Hour

Robert White (c.1538-1574), Christe, Qui Lux es et Dies (I), Gabrieli Consort, Paul McCreesh, Signum 281, A SONG OF FAREWELL MUSIC OF MOURNING & CONSOLATION

Antonio Vivaldi (1678-1741), Concerto in g op.8 #2 RV315 SUMMER, Academy of St. Martin in the Fields Chamber Ensemble, Joshua Bell – violin, Sony 8869711013, VIVALDI: THE FOUR SEASONS

Antonio de Cabezon (1510-1566), O Lux Beata Trinitas (O trinity of blessed light), Becky Baxter – harp, Dorian 93193, O LUX BEATA

Johann Sebastian Bach (1685-1750), Cantata BWV1: HOW BRIGHTLY SHINES.., Montreal Baroque, Eric Milnes, Monika Mauch – soprano, Charles Daniels – tenor, Stephan Macleod – bass, ATMA 2402, BACH CANTATES 147, 82, 1

James Oswald (1711-1769), Night Shade (Autumn), Broadside Band, Jeremy Barlow, Dorian 80164, AIRS FOR THE SEASONS

George Frideric Handel (1685-1759), Ombra mai fu from XERXES/SERSE, Sinfonia Varsovia, Albrecht Mayer – oboe, Deutsche Grammophon 4765681, ALBRECHT MAYER: NEW SEASONS * HANDEL FOR OBOE & ORCHESTRA

Santiago de Murcia (1673-1739), Gaitas, Zangarilleja, Fandango, Los Impossibles, Jota & Various Jacaras, Chatham Baroque, Dorian 90263, SOL Y SOMBRA

George Frideric Handel (1685-1759), SAMSON: Total Eclipse, No Sun, No Moon, English Concert, Andrew Manze, Mark Padmore – tenor, Harmonia Mundi HMU907422, AS STEALS THE MORN … HANDEL ARIAS & SCENES FOR TENOR

Fourth Hour

Anthony Holborne (1584?-1602?), Dances and Airs – 2. Gaillard, 4. The Sighes & 5. The Night Watch, Bruggen-Consort, Frans Bruggen, Frans Bruggen – recorder, Teldec / Warner Classics 65836, FRANS BRUGGEN EDITION: ENGLISH ENSEMBLE MUSIC

George Frideric Handel (1685-1759), Concerto Grosso #6 in D op.3, Handel and Haydn Society (on authentic instruments), Christopher Hogwood, Avie 2065, HANDEL 6 CONCERTI GROSSI OP.3 & 12 CONCERTI GROSSI OP.6

George Frideric Handel (1685-1759), Coronation Anthem #1: Zadok the Priest, English Concert & Westminster Abbey Choir, Trevor Pinnock, Simon Preston – organ, Deutsche Grammophon 447280, HANDEL CORONATION ANTHEMS

Johann Adolf Hasse (1699-1783), Sonata in Eb, Christopher Wilke – 13-course lute, Christopher Wilke 2013, GRACEFUL DEGRADATION

Johann David Heinichen (1683-1729), Concerto in G S.213 for violin, flutes, oboes & strings, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 437849, JOHANN DAVID HEINICHEN: DRESDEN CONCERTI HIGHLIGHTS

Johann David Heinichen (1683-1729), Mass #9 in D: Kyrie, Dresden Chamber Chorus & Dresden Baroque Orchestra, Hans-Christoph Rademann, Carus 83.148, HEINICHEN & ZELENKA: MASS AND TE DEUM

Playlist 2017-08-06

Peter and Zoltán Katona

This Week’s Links

Twins Days – Twinsburg, OH

Castor and Pollux

Katona Twins – interview

Katona Twins

Tanya Prochazka – importance of music in her life

Tanya Prochazka – obituary

Guher and Suher Pekinel

Pekinel Twins – Thoughts on TAKE BACH

First Hour

George Frideric Handel (1685-1759), SAUL:Act 1 chorus:The youth inspird & Act 2:Envy, Eldest-born of Hell!, Gabrieli Consort & Players, Paul McCreesh, Deutsche Grammophon 474511, GEORGE FRIDERIC HANDEL: SAUL

John Christopher Smith (1712-1795), Suite from THE FAIRIES, Capella Savaria Baroque Orchestra, Mary Terey-Smith, Dorian 93251, SYRENS, ENCHANTERS AND FAIRIES * CAPELLA SAVARIA/M. TEREY-SMITH

Johann Sebastian Bach (1685-1750), Trio in G BWV586 (after Telemann), Wolfgang Rubsam – organ, Naxos 8.550936, J.S. BACH ORGAN TRANSCRIPTIONS

Georg Philipp Telemann (1681-1767), Quartet #3 in G (Paris Quartet #9) TWV43:G4, John Holloway – violin, Linde Brunmayr – transverse flute, Lars-Ulrik Mortensen – harpsichord, Lorenz Duftschmid – viola da gamba, Ulrike Becker – cello, cpo 777 376, GEORG PHILIPP TELEMANN QUATUORS PARISIENS VOL. 2 & 3

Georg Muffat (1653-1704), Suite #8 in E (Indissoluble Friendship), Armonico Tributo Austria, Lorenz Duftschmid, cpo 999635, GEORG MUFFAT NOBILIS JUVENTUS SUITES & CONCERTOS

Giovanni Pierluigi Da Palestrina (c.1525-1594), Vos amici mei estis, Empire Brass, Telarc 80553, THE GLORY OF GABRIELI – ANTIPHONAL MUSIC FOR BRASS CHOIRS

Second Hour

Joseph Gibbs (1699-1788), Sonata in d: allmanda op1 #1, Locatelli Trio, Elizabeth Wallfisch – violin, Richard Tunnicliffe – cello, Hyperion 66583, ENGLISH ORPHEUS VOL.13 ENGLISH 18TH C. VIOLIN SONATAS

Domenico Scarlatti (1685-1757), Sonata in e (orig. in c) ALLEGRO K.116, Sonata in G ALLEGRO K.491, & Sonata in G PRESTO K.427, Zoltan Katona – guitar, Peter Katona – guitar, Channel Classics 14298, KATONA TWINS

Johann Sebastian Bach (1685-1750), Concerto for 2 Pianos in C BWV1061, Zurich Chamber Orchestra, Howard Griffiths, Guher & Suher Pekinel – pianos, Suher & Guher Pekinel – pianos, Warner 61950, J.S.BACH KEYBOARD CONCERTOS BWV1060,1061,1062,1063

Jean-Philippe Rameau (1683-1764), Castor & Pollux: suite, Les Arts Florissants (Flourishing Arts), William Christie, Harmonia Mundi 901435/37, RAMEAU: CASTOR & POLLUX

Third Hour

Heinrich Franz Ignaz von Biber (1644-1704), Sonata IV a 5 in C, Tafelmusik, Jeanne Lamon, Crispian Steele Perkins – natural trumpet, Sony 53365, MUSIC FOR TRUMPET & ORCHESTRA

Domenico Scarlatti (1685-1757), Sonata in b K.497 & Sonata in e K.98, Peter Blanchette – archguitar, Peter Michelini – archguitar, Angel Alt 23, BLANCHETTE & MICHELINI III

Francois Couperin (1668-1733), Bruit de Guerre (fr La Triomphante), Alexandre Tharaud – piano, Pablo Pico – tambour Dawul, Harmonia Mundi 901956, TIC, TOC, CHOC

Johann Friedrich Fasch (1688-1758), Overture (Suite) in d for chalumeau, 2 oboes, bassoon, etc., Accademia Daniel, Shalev Ad-El, Michael Harris – chalumeau, cpo 674, JOHANN FRIEDRICH FASCH CANTATAS OVERTURE IN D MINOR, CONCERTO Bb

Antonio Vivaldi (1678-1741), Viola d’Amore Concerto in d RV394, Orchestra of the Age of Enlightenment, Catherine Mackintosh, Catherine Mackintosh – viola d’amore, Hyperion 66795, VIVALDI: VIOLA D’AMORE CONCERTOS

Fourth Hour

Jean-Philippe Rameau (1683-1764), Danse des Sauvages (Les Indes Galantes), Zürcher Kammerorchester, Daniel Hope – violin, Deutsche Grammophon 4796922, DANIEL HOPE FOR SEASONS

Johann Melchior Molter (1695-1765), Concerto Pastorale: aria II, Zürcher Kammerorchester, Daniel Hope – violin, Deutsche Grammophon 4796922, DANIEL HOPE FOR SEASONS

Johann Sebastian Bach (1685-1750), Trio Sonata #6 in G BWV530, Yo-Yo Ma – cello, Chris Thile – mandolin, Edgar Meyer – bass, Nonesuuch 558933, BACH TRIOS

Josef Antonin Guretzky (1709-1769), Cello Concerto in a (1738), The Harmonious Society of Tickle-Fiddle Gentlemen, Chaconne CHAN 0816, CONCERTOS OF JOSEF GURETZKY

Johann Sebastian Bach (1685-1750), Sonata #1 in g BWV1001: Fuga. Allegro, Michelle Ross – violin, Albany Records TROY1662-63, DISCOVERING BACH

Johann Joachim Quantz (1697-1773), Concerto in g for 2 flutes, strings and b.c. QV6:8a, Arion Baroque Orchestra, Alexander Weimann – harpsichord, Claire Guimond – baroque flute, Alexa Raine-Wright – baroque flute, Early Music EMCCD7777, REBELLES BAROQUES