Tag: Daylight Savings Time

Playlist 2018-11-04

Sundial

This Week’s Links

Carillons

End of Daylight Saving Time

Musicians and their critics

First Hour

Robert de Visee (1650-1725), Tombeau de du But Allemande (in d), Toyohiko Satoh – baroque lute, Carpe Diem CD-16296, TOYOHIKO SATOH - DE VISEE

Antonio Vivaldi (1678-1741), Concerto #4 in f op.8 WINTER RV297, Sinfonia Varsovia, Jakob Haufa – concertmaster, Ryu Goto – violin, Deutsche Grammophon 9941, RYU GOTO THE FOUR SEASONS

Giovanni Gabrieli (1554/7-1612), Canzon V, Canadian Brass, Kazuyoshi Akiyama, Sony 44931, ANTIPHONAL MUSIC

Johann Sebastian Bach (1685-1750), Overture (Suite) #1 in C BWV1066, Bach Collegium Japan, Masaaki Suzuki, BIS 1431, JS BACH 4 ORCHESTRAL SUITES BWV1066-1069

Antonio Vivaldi (1678-1741), Bassoon Concerto in C RV474, Bach-Mozart Ensemble Tokyo, Kiyotaka Dosaka – baroque bassoon, Denon 75198, CONCERTI FOR A WIND INSTRUMENT

Second Hour

Samuel Scheidt (1587-1654), Ludi Musici: Courant XXIII, Galliard XXIV, & Courant XVII, Les Sacqueboutiers, Ambroisie 9996, SAMUEL SCHEIDT LUDI MUSICI

Giovanni Battista Sammartini (1700/01-1775), Symphony in C (J-C 4), Aradia Baroque Ensemble, Kevin Mallon, Naxos 557298, GIOVANNI BATTISTA SAMMARTINI SIX SYMPHONIES (1730-1750)

Biagio Marini (1594-1663), Passacaglio a 4, Irish Baroque Orchestra Chamber Soloists, Monica Huggett, AVIE 2202, FLIGHTS OF FANTASY

Arcangelo Corelli (1653-1713), Violin Sonata #3 in C op.5, Andrew Manze – violin, Richard Egarr – harpsichord, Harmonia Mundi 907298.99, ARCANGELO CORELLI VIOLIN SONATAS OP.5 COMPLETE

Giovanni Pierluigi da Palestrina (1525-1594), Missa Papae Marcelli: Sanctus & Benedictus, New York Polyphony, Andrew Fuchs – tenor, Jonathan Woody – bass-baritone, BIS 2203, ROMA AETERNA

William Boyce (1711-1779), Symphony #8 in d, English String Orchestra, William Boughton, Nimbus 5345, BOYCE: THE EIGHT SYMPHONIES

Third Hour

Turlough O’Carolan (1670-1738), Lady Atherny & Miss Noble, Ronn McFarlane – lute, Sono Luminus DSL-92225, THE CELTIC LUTE

Henry Purcell (1659-1695), Dioclesian Suite, Tafelmusik Baroque Orchestra, Jeanne Lamon, Sony 66169, HENRY PURCELL AYRES FOR THE THEATRE

Francesco Corbetta (c.1615-1681), Suite in a (la guitarre royale dediee au Roy de la Grande-Vretagne, 1670), Gordon Ferries – baroque guitar, Delphian 34011, LES PLAISIRS LES PLUS CHARMANTS

George Frideric Handel (1685-1759), Coronation Anthem HWV259: Let thy hand be strengthened, The Sixteen, Harry Christophers, CORO 16066, HANDEL CORONATION ANTHEMS

Francois Couperin (1668-1733), Concert Royal IV in e/E (1722), Robert Stallman – flute, Edwin Swanborn – harpsichord, Karl Bennion – cello, Bogner’s Cafe BOCA-104, THE NIGHTINGALE IN LOVE

Fourth Hour

Marin Marais (1656-1728), Cloches ou Carillon, Ensemble La Ninfea, Raum Klang RK 3308, LE MASQUE DE FER

Jacques Aubert (1689-1753), Carillon Concerto in e op.26 #4, Collegium Musicum 90, Simon Standage, Chandos 0577, LE CARILLON

John Dowland (1563-1626), Galliard (sleep wayward thoughts), The Attaignant Consort, Ramee 1206, LE PARLER ET LE SILENCE

Johann Sebastian Bach (1685-1750), Cantata BWV140: Wachet auf, ruft uns die Stimme: selections, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner, Soli Deo Gloria SDG 171, BACH CANTATAS VOL.12: TOOTING/WINCHESTER

Antoine Forqueray (1671-1745), Quatrieme suite in g: La Carillon de Passy, La Latour & La Carillon de Passy, Vittorio Ghielmi – viola da gamba, Rodney Prada – viola da gamba, Luca Pianca – archlute, Lorenzo Ghielmi – harpsichord, Passacaille 995, FORQUERAY LE DIABLE

George Frideric Handel (1685-1759), Organ Concerto #13 in F THE CUCKOO AND THE NIGHTINGALE, Concerto Amsterdam, Jaap Schroder, Daniel Chorzempa – organ, Philips 454030, THE BEST OF HANDEL

Thomas Robinson (c.1560-1610), Twenty Ways Upon the Bells, Ronn McFarlane – lute, William Simms – lute, Sono Luminus DSL-92155, TWO LUTES - LUTE DUETS FROM ENGLANDS GOLDEN AGE

 

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Playlist 2017-11-05

pocket watch

It’s time to “FALL BACK” … remember to set your clocks back one hour!

 

This Week’s Links

Music from the Age of Guy Fawkes

Gunpowder Plot

Who’s Afraid of Goldberg Variations

Women Conductors

First Hour

Antonio Bertali (1605-1669), Sonata in e a 6, Acronym, Olde Focus Recordings FCR901, PARADISE – INSTRUMENTAL SONATAS OF ANTONIO BERTALI

Francois (Charles) Dieupart (1667-1740), Recorder Suite #4 in e, Simphonie du Marais, Hugo Reyne – recorder, Alain Viau – violin, Pascal Montheilhet – archlute, Virgin Veritas 561937, PURCELL * DIEUPART SUITES FOR RECORDER

Johann Sebastian Bach (1685-1750), Goldberg Variations: aria & var.1-4, Simone Dinnerstein – piano, Telarc 80692, J.S. BACH GOLDBERG VARIATIONS

Thomas Augustine Arne (1710-1778), Organ Concerto #2 in G, Parley of Instruments Baroque Orchestra, Paul Nicholson, Paul Nicholson – organ, Hyperion 66509, ENGLISH ORPHEUS VOL.7: THOMAS ARNE SIX FAVOURITE CONCERTOS

William Byrd (c.1540-1623), Mass for 4 voices: kyrie, Sanctus/Benedictus, & Agnus Dei, Concordia & King’s Singers, Signum 61 1605: TREASON & DISCHORD – WILLIAM BYRD AND THE GUNPOWDER PLOT

 

Second Hour

Charles Dolle (fl.1735-1755), Troisieme Suite in A: carillon, Petr Wagner – viol, Jacques Ogg – harpsichord, Dorian 93246, CHARLES DOLLE:PIECES DE VIOLE AVEC LA BASSE CONTINUE,OP.2 (1737)

Francois Couperin (1668-1733), 14th Ordre: Le Carillon de Cithere, Alexandre Tharaud – piano, Harmonia Mundi 901956, TIC, TOC, CHOC

Marin Marais (1656-1728), Bells of St. Genevieve, Trio Sonnerie, Harmonia Mundi 907081, A PORTRAIT OF LOVE

George Frideric Handel (1685-1759), Organ Concerto #13 in F THE CUCKOO AND THE NIGHTINGALE, Concerto Amsterdam, Jaap Schroder, Daniel Chorzempa – organ, Philips 454030, THE BEST OF HANDEL

John Jenkins (1592-1678), Lyra consort in C THE SIX BELLS, Parley of Instruments Renaissance Violin Consort, Peter Holman, Hyperion 66604, ENGLISH ORPHEUS VOL.11:LATE CONSORT MUSIC BY JOHN JENKINS

William Byrd (c.1540-1623), The Bells, Canadian Brass, Sony, 45792, CANADIAN BRASS – ENGLISH RENAISSANCE MUSIC

Antoine Forqueray (1671-1745), Quatrieme suite in g: La Carillon de Passy, La Latour & La Carillon de Passy, Vittorio Ghielmi – viola da gamba, Rodney Prada – viola da gamba, Luca Pianca – archlute, Lorenzo Ghielmi – harpsichord, Passacaille 995, FORQUERAY LE DIABLE

 

Third Hour

Cesare Negri (pub.1602), Fabritio Caroso da Sermoneta (pub.1600), Brando di Cales & Passo e mezzo, Mindy Rosenfeld – flute, Ronn McFarlane – lute, Dorian Sono Luminus DSL-92169, NINE NOTES THAT SHOOK THE WORLD

Antonio Vivaldi (1678-1741), Sinfonia per archi in G RV 149 ‘Il Coro delle muse’, Europa Galante, Fabio Biondi, Glossa GCD 923401, IL DIARIO DE CHIARA

Jan Dismas Zelenka (1679-1745), Te Deum Laudamus: opening chorus, Dresden Chamber Chorus & Dresden Baroque Orchestra, Hans-Christoph Rademann, Carus 83.148, HEINICHEN & ZELENKA: MASS AND TE DEUM

Georg Philipp Telemann (1681-1767), Sonata in Bb from Musical Exercises, American Baroque, Gonzalo X. Ruiz – baroque oboe, Dorian 93205, AMERICAN BAROQUE PLAYS TELEMANN

Jacques Aubert (1689-1753), Concert of Symphonies in F – Suite #5, Collegium Musicum 90, Simon Standage, Chandos 0577, LE CARILLON

 

Fourth Hour

Thomas Tallis (c.1505-1585), Blessed be thy name & Arise, O Lord, and hear, Chapelle du Roi, Alistair Dixon, Signum SIGCD 036, THOMAS TALLIS THE COMPLETE WORKS VOLUME 8 LAMENTATIONS AND CONTRAFACTA

Pierre Attaignant (c.1494-c.1551), Pavane 3/Anonyme, 1547
Anonymous 1550, Pavane (La Monina), Galliarde 7
Claude Gervaise (fl.1540-1560), Galliarde “Qui Souhaitez”, Doulce Memoire (Sweet Memory), Astree 8545, CHANSONS NOUVELLES & DANCERIES

Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #6 in F SPRING JOURNAL, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY

Johann Friedrich Fasch (1688-1758), Overture Grosso in D FWV K:D8, Tempesta di Mare (Sea Tempest), Emlyn Ngai – violin (concertmaster), Chandos 0751, JOHANN FRIEDRICH FASCH (1688-1758) ORCHESTRAL MUSIC