Playlist 2018-03-04

Antonio Vivaldi

This Week’s Links

Antonio Vivaldi

American Recorder Society

National Procrastination Week

First Hour

Joseph Bodin de Boismortier (1689-1755), Melodic Fragments: Courante, Tambourins 1 & 2, Gavotte, Concert Spirituel, Herve Niquet, Naxos 554456,

Daniel Purcell (1664-1717) & Henry Purcell (1659-1695), Indian Queen: Masque of Hymen: selections, Scholars Baroque Ensemble, Naxos 553752,

Georg Philipp Telemann (1681-1767), Concerto in d for Oboe TWV51:d2 (incomplete), Berlin Baroque Soloists, Rainer Kussmaul, Albrecht Mayer – oboe, Deutsche Grammophon/Archiv, 4775923,

Johann Sebastian Bach (1685-1750), Contrapunctus 14 (unfinished), Les Voix Humaines Consort of Viols, Margaret Little – pardessus de viole, Susie Napper – bass viol, Felix Deak – tenor viol, ATMA, ACD2 2645, THE ART OF FUGUE BWV1080

Jean-Baptiste Lully (1632-1687), Ballet de Xerxes: suite, Aradia Baroque Ensemble, Kevin Mallon, Naxos 554003,

Second Hour

Antonio Vivaldi (1678-1741), Dixit Dominus: choral excerpts, Le Grande Ecurie et la Chambre du Roy, Jean-Claude Malgoire, Astree Naive E 3006,

Antonio Vivaldi (1678-1741), Farnace: Selections, Le Concert des Nations, Jordi Savall, Naive 30471, FARNACE RV711

Antonio Vivaldi (1678-1741), Sonata in C RV779, Gail Hennessey – oboe, Nicholas Parle – organ, Rodolfo Richter – violin, Katherine Sharman – cello, Signum 037, PELLEGRINAS DELIGHT: A.VIVALDI: SONATAS & CHAMB MUSIC FOR OBOE

Antonio Vivaldi (1678-1741), Concerto in C RV425 for mandolin, Rolf Lislevand – mandolin, Riccardo-Masahide Minasi & Valerio Losito – violins, Enrico Parizzi – viola, Ludovico Minasi – cello, Naive 30429,

Antonio Vivaldi (1678-1741), Concerto #3 in F op.8 AUTUMN RV293, Orchestra of Flanders, Rudolf Werthen, Yolanda Kondonassis – harp, Telarc 80523, THE 4 SEASONS FOR HARP & ORCHESTRA

Third Hour

Ludwig Senfl (arr.by Adam Gilbert), Will niemand singen & Patientiam muess ich han, Piffaro Renaissance Band, Dorian 90292, STADTPFEIFFER: MUSIC OF RENAISSANCE GERMANY

Giuseppe Sammartini (1695-1750), Sonata in G op.13 #1, Maurice Steger – recorder, Sergio Ciomei – harpsichord, Naoki Kitaya – organ, Mauro Valli – cello, Harmonia Mundi 905266,

Thomas Simpson (c.1582-after 1630), Ricercar a 4 ‘Bonnie Sweet Robin’, Bruggen-Consort, Frans Bruggen, Frans Bruggen – recorder, Teldec / Warner Classics 65836, FRANS BRUGGEN EDITION: ENGLISH ENSEMBLE MUSIC

Georg Philipp Telemann (1681-1767), Concerto in F for alto recorder, bassoon, strings and basso continuo TWV52:F1, Ensemble Cordevento, Erik Bosgraaf – recorder, Marije van der Ende – bassoon, Brilliant Classics 95249,

Samuel Scheidt (1587-1654), Canzon super Cantionem Gallicam, Brisk Recorder Quartet Amsterdam, Globe, 5214,

Jacques Martin Hotteterre (1674-1763), First Suite: selections, Ensemble Musica Poetica, Sabine & Tuomas Kaipainen – flutes, Thorofon 2115, MR HOTTETERRE. FLUTE DE LA CHAMBRE DU ROY

Fourth Hour

Domenico Scarlatti (1685-1757), Sonata in d K.89 (movement 1), Tragicomedia, Paul O’Dette – mandolin, Stephen Stubbs – guitar, Harmonia Mundi 907294, CAPRITIO: INSTRUMENTAL MUSIC FROM 17TH C. ITALY

Johann Sebastian Bach (1685-1750), Concerto in a for 4 Harpsichords (after Vivaldi) BWV106, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell – harpsichord, Michael Sponseller – harpsichord, Janina Ceaser – harpsichord, Paul Jenkins – harpsichord, Eclectra 2059,

Antonio Vivaldi (1678-1741), GLORIA RV589: Gloria in excelsis, Boston Baroque, Martin Pearlman, Telarc 80651, VIVALDI GLORIA BACH MAGNIFICAT

Giovanni Legrenzi (1626-1690), Suite LA FORNI op.4 & Sonata LA DONATA a due op.2 #7, El Mundo, Richard Savino – guitar, Koch 7446,

Johann Georg Pisendel (1687-1755), Fantasie in Imitation of the Characters of the Dance, Freiburg Baroque Orchestra, Gottfried von der Goltz, Carus 83.301,

Antonio Martinelli (c.1702-1782), Concerto per violino in E maggiore, ‘dedicato all S.ra Chiara’, Europa Galante, Fabio Biondi, Glossa GCD 923401,

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One comment on “Playlist 2018-03-04

  1. carioca on

    As a clarinetist I have played this solo many times. I have always thought of the two solos as two different people in two different stages of their being. The clarinet is the young, show off, trying to impress. The bassoon’s take is the more mature and worldly experienced reaction.

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