This Week’s Links
International Women’s Day – March 8
First Hour
Christopher Simpson (c.1605-1669), Fantasia #3 in C: March (from The Monthes), Sophie Watillon – dessus de viole, Friederike Heumann & Brian Franklin – basses de viole, Matthias Spaeter – theorbo & archlute, Luca Guglielmi – organ, Alpha 88, C. SIMPSON:THE SEASONS,THE MONTHES & OTHER DIVISIONS OF TIME – 1
George Frideric Handel (1685-1759), SAUL:Act 3:Dead March, Mourn Israel, Gabrieli Consort & Players, Paul McCreesh, Deutsche Grammophon 474511, GEORGE FRIDERIC HANDEL: SAUL
Marc-Antoine Charpentier (1643-1704), Marche pour les Trompettes 1 & 2, Concert Spirituel, Herve Niquet, Glossa 921603, MARC-ANTOINE CHARPENTIER TE DEUM & MOTETS
John Sheppard (c.1515-1558), Beati omnes, Hilliard Ensemble, ECM,1936, AUDIVI VOCEM
Johann Sebastian Bach (1685-1750), Suite in g BWV995 (tran.a): saraband, gavotte 1, gavotte 2 & gigue, Jason Vieaux – guitar, Azica 71250, BACH VOL.1 WORKS FOR LUTE
Giovanni Antonio Pandolfi (c.1630-c.1669), Sonata #6 “La Sabbatina” op.3, Andrew Manze – violin, Richard Egarr – harpsichord, Harmonia Mundi 907241, PANDOLFI COMPLETE VIOLIN SONATAS
Marc-Antoine Charpentier (1643-1704), Suite for Strings H.545, Musica Antiqua Koln, Reinhard Goebel, Deutsche Grammophon 1413, MUSIQUE SACREE MARC-ANTOINE CHARPENTIER (1643-1704)
Second Hour
Claudio Monteverdi (1567-1643), Psalm 147, Apollo’s Fire (Cleveland Baroque Orchestra), Jeannette Sorrell, AVIE 2206, CLAUDIO MONTEVERDI VESPERS OF 1610
Johann Caspar Ferdinand Fischer (1656-1746), Orchestral Suite #7 in g SPRING JOURNAL, L’Orfeo Baroque Orchestra, Michi Gaigg, cpo 777 150, LE JOURNAL DU PRINTEMPS OP.1 SPRING DIARY
Claudio Monteverdi (1567-1643), L’ORFEO (Orpheus):SINFONIA, CHORO, SINFONIA, & Ritonello, Les Sacqueboutiers, Le Concert D’Astree, European Voices, Emmanuelle Haim, Virgin Veritas, 545642, MONTEVERDI L’ORFEO
Johann Sebastian Bach (1685-1750), Concerto in D for 3 Violins BWV1064, Tafelmusik, Jeanne Lamon, Jeanne Lamon – violin 1, Linda Melsted – violin 2, David Greenberg – violin 3, Sony 66265, BACH: VIOLIN CONCERTOS
Mademoiselle (Louise) Duval (1718-after 1775), Suite from the Ballet “The Genies”, Bay Area Women’s Philharmonic, JoAnn Falletta, Newport Classics 60102, BAROQUEN TREASURES
Dario Castello (c.1590-c.1658), Sonata decimaquarta (14th) a 4, Irish Baroque Orchestra Chamber Soloists, Monica Huggett, AVIE 2202, FLIGHTS OF FANTASY
Third Hour
Antonio Vivaldi (1678-1741), Beatus Vir: 2 choruses RV 597, Ex Cathedra Chamber Choir & Orchestra, Jeffrey Skidmore, ASV 137, ANTONIO VIVALDI: A SEQUENCE OF MUSIC FOR VESPERS
Antonio Vivaldi (1678-1741), Concerto in b for 4 violins RV580 from L’ESTRO ARMONICO, Il Giardino Armonico (Harmonic Garden), Giovanni Antonini, Viktoria Mullova – violin (1723 “Jules Falk” Stradivarius), Stefano Barneschi, Marco Bianchi, & Riccardo Masahide Minasi – violins, Onyx Classics 4001, ANTONIO VIVALDI 5 VIOLIN CONCERTOS
Antonio Vivaldi (1678-1741), Farnace: duet: Lo sento nel petto, Le Concert des Nations, Jordi Savall, Naive 30471, FARNACE RV711
Antonio Vivaldi (1678-1741), Sonata in C RV779, Gail Hennessey – oboe, Nicholas Parle – organ, Rodolfo Richter – violin, Katherine Sharman – cello, Signum, 037, PELLEGRINA’S DELIGHT: A.VIVALDI: SONATAS & CHAMB MUSIC FOR OBOE
Antonio Vivaldi (1678-1741), BAJAZET: concluding chorus, Europa Galante, Fabio Biondi, Ildebrando D’Arcangelo (Bajazet), David Daniels (Tamerlano), Patrizia Ciofi (Idaspe), Vivica Genaux (Irene), Marijana Mijanovic (Asteria), Elina Garanca (Andronico), Virgin 45676, BAJAZET
Antonio Vivaldi (1678-1741), Concerto in d RV566 for 2 flutes, 2 oboes & 2 violins, Ensemble Caprice, Matthias Maute, Matthias Maute & Sophie Lariviere – recorders, Matthew Jennejohn & Kathryn Montoya – baroque oboes, Olivier Brault & Lucie Ringuette – baroque violins, Analekta AN 2 9995, THE RETURN OF ANGELS
Antonio Vivaldi (1678-1741), Clarae stellae, scintillate, mottetto in F RV625, Concerto Italiano, Rinaldo Alessandrini, Sara Mingardo – alto, Opus111 OP 30367, VIVALDI STABAT MATER
Fourth Hour
Vittoria Aleotti / Donna Raffaella Aleotti (c.1574-1646), Io v’amo vita mia & Ch’io non t’ami cor mio (Should I not love you, my heart?), Cappella Clausura, Amelia LeClair, Cappella Clausura 2007, PASSIONATELY UN-CONVENTIONAL
Anna Bon di Venezia (1740-after 1767), Sonata III in B-Dur 3.Minuetto, Sabine Dreier – transverse flute, Irene Hegen – square piano, cpo 999181, ANNA BON DI VENEZIA FLUTE SONATAS OP.1
Isabella Leonarda (1620-1704), Lettanie della Beata Vergine Maria op.10 #11, Capella Strumentale del Duomo di Novara, Gruppo Vocale Musica Laudantes, Paolo Monticelli, Opus 111 OPS30-206, ISABELLA LEONARDA (1620-1704) LA MUSA NOVARESE
Elisabeth-Claude Jacquet de La Guerre (1665-1729), Sonata in d for violin (1707), Cecilia’s Circle, Julie Andrijeski – violin, Vivian Montgomery – harpsichord, Ann Marie Morgan – viola da gamba, Centaur 2670, THY HAND HAS DONE ALL THIS: JUDITH AND OTHER WORKS OF LA GUERRE
Chiara Margarita Cozzolani (1602-c.1677), Vespers: deus in adiutorium (O Lord, make speed to save me), Magnificat, Warren Stewart, Musica Omni 103, VESPERS FOR THE FEAST OF THE ANNUNCIATION OF THE BLESSED VIRGIN
Anna Amalia of Prussia (1723-1787), Sonata in F for flute & b.c., Emmanuel Pahud – flute, Jonathan Manson – cello, Trevor Pinnock – harpsichord, EMI Classics 84220, THE FLUTE KING
Camilla de Rossi (fl. 1707–1710), The Sacrifice of Abraham, Bay Area Women’s Philharmonic, JoAnn Falletta, Newport Classics 60102, BAROQUEN TREASURES