First Hour
Vincenzo Capirola (1474-after 1548), “Tientalora,” Balletto da ballare, Padoana belissima, Paul O’Dette – lute, Harmonia Mundi, 907215, ALLA VENETIANA: EARLY 16TH C. VENETIAN LUTE MUSIC
Francesco Navara (fl.1695-1699), Sinfonia/Sonata a 5 in C, La Serenissima, Adrian Chandler – violin & director, AVIE, 2106, THE RISE OF THE N.ITAL VIOLIN CONCERTO: 1690-1740 VOL.1
Henry Purcell (1659-1695), The Fairy Queen – Suite of Musicks and Dances: Symphony, The English Concert, Alison Balsom – trumpet, EMI Classics, 440329, SOUND THE TRUMPET
Georg Philipp Telemann (1681-1767), Concerto in e for Oboe d’amore, strings & basso continuo TWV 51:e2, Berliner Barock Solisten (Berlin Baroque Soloists), Rainer Kussmaul – violin, Albrecht Mayer – oboe d’amore, EMI, 57232, TELEMANN: CONCERTOS * UNKNOWN WORKS
Johann Sebastian Bach (1685-1750), WTC Bk II:Prelude & Fugue #20 in a, Andras Schiff – piano, London Decca, 417236, THE WELL-TEMPERED CLAVIER, BOOK 2
Franz Benda (1709-1786), Concerto for Flute et al in e, CPE Bach Chamber Orchestra (Berlin), Peter Schreier, Patrick Gallois – flute, Deutsche Grammophon, 439895, FLUTE CONCERTOS OF THE SANS-SOUCI
Second Hour
Giovanni Legrenzi (1626-1690), La Fugazza Sonata a 5, Irish Baroque Orchestra Chamber Soloists, Monica Huggett, AVIE, 2202, FLIGHTS OF FANTASY
Johan Helmich Roman (1694-1758), Drottningholm Suite, Dallas Symphony Brass, Richard Giangiulio – trumpet, Crystal, 234, MUSIC FOR CEREMONY AND CELEBRATION
Traditional (arr. by James Oswald), Lovely Nancy, Alison Melville – traverso and recorder, Charlotte Nediger – harpsichord, Kirk Elliott – harp & guitar, Mary-Katherine Finch – cello, Ben Grossman – percussion, Early Music, 7761, SHE’S SWEETEST WHEN SHE’S NAKED: FLUTE MUSIC OF 18TH C. SCOTLAND
Georg Philipp Telemann (1681-1767), Suite in G THE NATIONS TWV55:G4 “Nations anciens et modernes”, Collegium Musicum 90, Simon Standage, Chandos, 0593, TELEMANN MUSIC OF THE NATIONS
Francois Couperin (1668-1733), Second Ordre: L’Espagnole, Juilliard Baroque, Naxos, 573347/48, FRANCOIS COUPERIN LES NATIONS
Third Hour
Carlo Gesualdo (c.1566-1613), Da Pacem Domine (Give Peace O Lord), Venit Lumen Tuum (Your Light Has Come …), Concerto Soave, Jean-Marc Aymes, zig zag, ZZT319, TRIBULATIONEM (MOTETTI, MADRIGALI E CAPRICCI)
Unico Wilhelm van Wassenaer (1692-1766), Concerto #1 in G, Academy of St. Martin in the Fields, Neville Marriner, DG (Argo), 410215, WASSENAER ATTRIB. PERGOLESI CONCERTI ARMONICI 1-6
Count Ludovico Roncalli (1654-1713), Sonata #5 in a, Richard Savino – baroque guitar, Dorian Sono Luminus, 90804, SONATAS FOR BAROQUE GUITAR
King Henry VIII (1491-1547), Consort II, III, VIII, XIII, XIV, XV, XXIII Sirinu, Chandos, CHAN 0621, ALL GOODLY SPORTS: THE COMPLETE MUSIC OF HENRY VIII (1491-1547)
Frederick II, King of Prussia (1712-1786), Sonata, per il Flauto traverso solo e Basso #190, Akademie Fur Alte Musik Berlin (Academy for Ancient Music), Christoph Huntgeburth – flute, Harmonia Mundi, HMC 902132, FRIEDRICH DER GROSSE 1712-2012
Johann Anton Logy (1650-1721), Suite in G, Göran Söllscher – guitar, Deutsche Grammophon, 3000-02, GORAN SOLLSCHER ELEVEN-STRING BAROQUE
Fourth Hour
Johann Sebastian Bach (1685-1750), Cantata #208 HUNT: Sheep May Safely Graze, Academy of St. Martin in the Fields, Neville Marriner, EMI, 72064, SUNDAY PAPER
Henry Purcell (1659-1695), Three Parts upon a Ground in D Z.731, Neville Marriner – violin, Peter Gibbs & Granville Jones – violins, George Malcolm – harpsichord, Vanguard, 2002, HOMAGE TO PURCELL
Christoph Willibald Gluck (1714-1787), ORFEO: Dance of the Blessed Spirits, Academy of St. Martin in the Fields, Neville Marriner, EMI, 72064, SUNDAY PAPER
Johann Sebastian Bach (1685-1750), Harpsichord Concerto #7 in g BWV1058, London Strings, Neville Marriner, Igor Kipnis – harpsichord, Sony, 245616, BACH: THE HARPSICHORD CONCERTOS
Georg Philipp Telemann (1681-1767), Overture in C:Hamburger Ebb & Flut, Academy of St. Martin in the Fields, Neville Marriner, London, 430265, TELEMANN: VIOLA CONCERTO, ETC.