Once upon a time, if you wanted to hear Sunday Baroque, you had to listen to it on your local radio station at the time it was broadcast. Once the broadcast was over, it was lost forever into the ether. But time marches on, and since I began hosting and producing this program, technology has exploded and there are now many high-tech options for listening.
A confession: I am not fond of “Best of ..” lists. I even find them a bit exasperating. They are especially popular at the ends and beginnings of calendar years, but they pop up year round, too. People often ask me for lists of the “best” baroque music or recordings.
The main reason I don’t care for these well-intentioned lists is their attempt to put an objective categorization on what is typically highly subjective material. My ten favorite compositions (or whatever) might not be yours … and why should anyone’s ten (or hundred) favorites of anything be deemed the “best”? Don’t get me wrong — I certainly have my favorites, whether it’s music or food or recreational activities, and I know you do, too. That’s a good thing! But my favorites can change as my experiences widen, my tastes evolve and even as my mood changes.
Although I frequently interview people as part of my job, I recently sat on the other side of the microphone and was the subject of an interview for a new podcast. Melodic Connections is a community music therapy studio in Cincinnati offering an array of programs for people of all ages with various developmental disabilities. Its students recently created their own podcast called HERO RADIO:STORIES BEYOND THE MUSIC, and they asked to interview me about Sunday Baroque and my life as a musician. I loved meeting and conversing with my interviewers — Quincy, Ashley and “The Joes” — and was impressed by their insightful and compelling questions. They even composed “superhero theme music” which they asked me to play for them on my flute! (A big relief for me, since they usually ask guests to SING their theme music.)
I hope you will listen to my HERO RADIO interview and subscribe to the podcast on iTunes so you can hear what other people say about the importance of music in their lives!
Rumors of classical music’s demise are greatly exaggerated. As long as I can remember, people have been pronouncing classical music as dying or dead. But last week, I had the pleasure of interviewing a young violinist who doesn’t share that view. In some ways Michelle Ross has pursued a traditional path for a classically trained musician: earning a Juilliard School degree, studying Johann Sebastian Bach’s music from a deeply scholarly perspective, and making her debut recording of music by Bach on a borrowed Stradivarius violin.
The “official” baroque era was 1600-1750. To put that into some context, George Washington was born in 1732, Thomas Jefferson was born in 1743, and Benjamin Franklin was born in 1706. They were all born during the baroque era!
Over the years, I have had the pleasure of interviewing a variety of fascinating people about their relationship with music. Most of them are musicians, including people such as pianists Leon Fleisher and Simone Dinnerstein, guitarist Sharon Isbin, flutist Emmanuel Pahud, and conductors Nicholas McGegan, Ton Koopman and Masaaki Suzuki.
A confession: one of my all-time favorite movies is THE WIZARD OF OZ. I love that the core lesson Dorothy, Scarecrow, Tin Man and Cowardly Lion all learn is that the things they wanted so badly and sought so tenaciously were already in them — they just had to recognize their gifts and believe in themselves. It’s a simple yet powerful lesson for us all, and it came to my mind again last week.
Having dinner with friends the other night, the conversation meandered to activities that nurture our creativity. One friend is a retired engineer, but late in life he began art classes. He discovered he has a talent for painting, and he said, “Art feeds my soul.” He spoke passionately about the significance of having a creative outlet in his life.
A musician friend once joked that the definition of “highbrow” is hearing Rossini’s WILLIAM TELL OVERTURE and *not* thinking of The Lone Ranger. It’s meant to be a humorous observation, of course, and not a judgement. His joke popped into my head while listening to Maurice Ravel’s BOLERO recently. I was instantly transported back to my first job as a teenager working the box office at our local movie theater.
Although Mother’s Day is now past, it’s always a good time to thank and acknowledge moms who instill music in their children’s lives. Both my parents loved music, and they owned a substantial and somewhat eclectic collection of LPs (and some 78s!) they liked to play in the house.