Last week, I had the pleasure of spending several days in Austin, Texas helping KMFA radio station celebrate its 50th anniversary. That’s a rare and wonderful milestone for any radio station, and it’s extraordinary for one with a classical music format.
While attending a chamber music concert today, I noticed how well everyone in the audience seemed to understand the “rule” of not clapping between movements. And while this was clearly a knowledgeable and attentive group of veteran concertgoers, it also reminded me of something a wise friend once said: he loves hearing people clap at the “wrong” time during concerts because it means someone new is attending!
I recently organized a benefit concert for a non-profit agency that provides free tutoring to adults who need help improving their literacy skills. An array of friends donated their time and energy: musicians shared their talents, other friends rolled up their sleeves and gathered raffle items, designed and printed the programs, hosted a lavish post-concert reception, and provided muscle power to set up and break down the chairs and tables.
All across North America, musicians, ensembles, publications, broadcasters and music lovers are celebrating Early Music Month throughout March. There is plenty to celebrate! Thanks to decades of renewed interest in baroque and early music, there are many terrific musicians with expertise and sensitivity for the repertory, and the level of performing quality and scholarly expertise has never been higher.
Last week I was rehearsing for an upcoming concert with two other musicians, one of whom is not only a fine pianist but also a cardiac surgeon. To accommodate her schedule, we rehearsed in the lobby of the hospital where there is a fine quality grand piano. It was purchased specifically to allow for these spontaneous musical encounters by patients, staff, and visitors.
There is something uniquely compelling about chamber music — a small group of musicians, usually playing in an intimate venue. As a musician, I love to play it, and as an audience member I have a special place in my heart for it, too.
It’s Valentine’s Day, when many people’s expectations are high for romance. Candy, flowers, cards and romantic dinners are OK, but what moves me even more is MUSIC. With that in mind, these are a few of my favorite things — baroque and early music that is luscious and romantic and perfect for ANY time, not just a fleeting holiday. Always the perfect fit.
An article in the NY Times recently featured people who turn to making music in retirement. (Joanne Kaufman 1/29/17) Some were returning to playing instruments they played as children, while others were learning for the first time. Their passion for music had been deferred for a variety of reasons — time, money, careers, families, perfectionism, and other distractions.
For many years, we have heard about studies attempting to show a connection between musical training or listening to classical music with extramusical benefits, such as advanced brain function or activation. Remember “Mozart Makes You Smarter” and all the articles urging women to play classical music near their pregnant bellies, to name a few?
Recently I had lunch with a friend who is a generous, longtime public radio supporter. He expressed surprise that more people don’t support their local public radio stations, and we talked about the excuses many listeners make for not contributing. He looked me in the eye and asked, “Do you know why *I* support public radio?” I threw out a few possibilities, and he said, “No! The reason I give is because it FEELS GOOD. That’s it.” He’s right. It does feel good to be part of something you care about. It feels good to have a personal stake in the success and future of something that’s an important part of your daily life.
So, now I’m wondering: do YOU support your local public radio station? If not, why? If so, why? Do you agree with my friend that giving feels good? What would you say to your fellow listeners who don’t support their local stations to try to change their minds?