While attending a chamber music concert today, I noticed how well everyone in the audience seemed to understand the “rule” of not clapping between movements. And while this was clearly a knowledgeable and attentive group of veteran concertgoers, it also reminded me of something a wise friend once said: he loves hearing people clap at the “wrong” time during concerts because it means someone new is attending!
I recently organized a benefit concert for a non-profit agency that provides free tutoring to adults who need help improving their literacy skills. An array of friends donated their time and energy: musicians shared their talents, other friends rolled up their sleeves and gathered raffle items, designed and printed the programs, hosted a lavish post-concert reception, and provided muscle power to set up and break down the chairs and tables.
All across North America, musicians, ensembles, publications, broadcasters and music lovers are celebrating Early Music Month throughout March. There is plenty to celebrate! Thanks to decades of renewed interest in baroque and early music, there are many terrific musicians with expertise and sensitivity for the repertory, and the level of performing quality and scholarly expertise has never been higher.
Last week I was rehearsing for an upcoming concert with two other musicians, one of whom is not only a fine pianist but also a cardiac surgeon. To accommodate her schedule, we rehearsed in the lobby of the hospital where there is a fine quality grand piano. It was purchased specifically to allow for these spontaneous musical encounters by patients, staff, and visitors.